A Stanford law-school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend's birthday, she... See full summary »
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective, is recruited to close the case.
Some Boys Don't Leave is the story of what happens when the break-up happens but the break does not. 'Boy' is forced to come to terms with the fact that 'Girl' no longer wants him around. ... See full summary »
A teenage girl living in California suburbia devises a metaphysical experiment designed to save the world from what she sees as an impending doom...but the results of such an experiment prove to be both beneficial and destructive.
The not so smart Dwayne intends to open a massage parlor with his partner Travis, but he does not have money for the investment. He decides to hire a hit-man to kill his father, The Major, who won a large amount of money in the lottery years ago, but the killer demands US$ 100,000 for the job. Dwayne and Travis kidnap the pizza delivery boy Nick and they dress Nick in a vest with a timer and several bombs. Then Dwayne tells Nick that he has ten hours to rob US$ 100,000 from a bank. Once he does, he would give Nick the code to release the vest. Nick summons his best friend Chet to help him in the heist but the scheme does not work the way Dwayne has plotted. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The screenplay for this film was featured in the 2009 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
When Chet is painting the gun, smudges on the car door can be seen. In the shots where the car is stopped, the smudges are gone, also the painted paper is turned.
Later in the end of the movie when the van drives next to them, the paint smudges are also not on the door. See more »
Painting our guns, painting our guns for the bank robbery, 'cause if we go in with our plastic guns then the cops will shoot us in our face...
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At the end of the credits, there is an ad for Dwayne's tanning/prostitution parlor, Major Tan. See more »
Good cast and premise without the writers to handle it
The film's plot is just how it is presented, so I will just focus on where the film fell short despite all the ingredients for success.
I saw the trailer for this and was hoping for a good, not great, summer comedy. The quality of writing in this genre can be difficult to predict based on trailers because we see two minutes of footage trying to bring us to the theater, which often leaves the best jokes spoiled before the first minute. The main reason I chose to watch 30 Minutes or Less was because of Jesse Eisenburg. Coming off of his solid performance in The Social Network and his previous roles in comedy, surely he is in a position to wait for a good script.
There is a good cast here of actors who have had supporting roles or just a brief scene in big comedies over the past few years (Aziz Ansari and Nick Swardson in particular), who outside the comedy circuit aren't recognizable names yet. Danny McBride is getting perfect at playing this kind of character (the drug dealer in Observe and Report comes to mind) who projects the pure alpha male ego and aggression of someone of authority - all while misusing every quote, saying and fact considered to be common knowledge.
I just erased a long analysis of my gripes, which aren't necessary to explain in such detail. The script was just flawed for comedy in my eyes and no one could save it. Mainly, the movie went back and forth between crazy but theoretically possible and not trying at all to seem believable. The characters are sometimes exaggerated kinds of people that exist and those who cannot, and with whom no one could relate to. Good comedies require more than lots of good jokes and actors. It all must come together in some way that works on the level presented, because context is what humor plays off. The best jokes of the film could be put essentially anywhere in any film and work the same.
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