Hubert Bonisseur de la Bath, aka OSS 117, is the French spy considered by his superiors to be the best in the business. The year is 1967 - he's been sent on a mission to Rio de Janeiro, to ... See full summary »
The not so smart Dwayne intends to open a massage parlor with his partner Travis, but he does not have money for the investment. He decides to hire a hit-man to kill his father, The Major, who won a large amount of money in the lottery years ago, but the killer demands US$ 100,000 for the job. Dwayne and Travis kidnap the pizza delivery boy Nick and they dress Nick in a vest with a timer and several bombs. Then Dwayne tells Nick that he has ten hours to rob US$ 100,000 from a bank. Once he does, he would give Nick the code to release the vest. Nick summons his best friend Chet to help him in the heist but the scheme does not work the way Dwayne has plotted. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Nick is talking to Kate for the first time, it is mentioned that he doesn't have a Facebook account. Nick states that he is "off the grid". In fact, Jesse Eisenberg, who plays Nick, also played Mark Zuckerberg, the founder of Facebook in 2010 film The Social Network. See more »
When Nick and Chet are being chased in the Datsun, Nick shifts gears, indicating he is driving a manual transmission car. However, after he shifts and is performing his 180-stunt, a close-up shot shows his feet and there is no clutch. In a manual transmission car, the pedals are close together, and the brake pedal is smaller due to the clutch next to it. See more »
[watching Friday the 13th Part III]
I'm not afraid of Jason. Look at me. I'm fucking Jason. In his fucking mask hole.
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At the end of the credits, there is an ad for Dwayne's tanning/prostitution parlor, Major Tan. See more »
This could have been a fun movie...there is a plot, the casting is good...but once again, we have a prime case of screen writers who really aren't. It's as if, in half the movies these days, and this is a perfect example of one, the writers have no clue as to how to write dialogue, so they decide to talk dirty for an hour and a half and call it good. It isn't. It's awful. If this is still the remains of trying for shock value in movies, it doesn't work anymore. It's boring. It's dull. It's repetitive. Viewers don't want shock value. We want entertainment. Somewhere out there in Hollywood land, there have to be writers who can actually write - who have imagination - who have creativity. But, unfortunately, none were hired for this movie. Blah!
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