A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
A Stanford law-school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend's birthday, she... See full summary »
The not so smart Dwayne intends to open a massage parlor with his partner Travis, but he does not have money for the investment. He decides to hire a hit-man to kill his father, The Major, who won a large amount of money in the lottery years ago, but the killer demands US$ 100,000 for the job. Dwayne and Travis kidnap the pizza delivery boy Nick and they dress Nick in a vest with a timer and several bombs. Then Dwayne tells Nick that he has ten hours to rob US$ 100,000 from a bank. Once he does, he would give Nick the code to release the vest. Nick summons his best friend Chet to help him in the heist but the scheme does not work the way Dwayne has plotted. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Fred Ward is credited as The Major, but near final third of the film when he is walking through his house, his oversized lottery check is shown on the wall, issued to him. Therefore, his character's name is Jerry Mikowiski. See more »
The bank guard's gun could not have fired as depicted. A blow to the hammer of a modern double action revolver (like the one carried by the guard) cannot cause a discharge because the hammer block safety remains automatically engaged until the trigger is pulled. See more »
Sometimes fate pulls out its big ol' cock and slaps you right in face.
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At the end of the credits, there is an ad for Dwayne's tanning/prostitution parlor, Major Tan. See more »
The second feature film from Zombieland director Ruben Fleischer (but not the same film's writers) is ostensibly an "original" comedy, but borrows heavily from the true case of a pizza delivery guy who got kidnapped by two crooks, strapped with a bomb and forced to go and rob a bank. In his case it was not a comedy at all, and the guy did die (the bomb was also strapped to his head, kind of a different and more f***ed-up scenario this film wouldn't touch even if it could try). But for Fleischer and company, who needs to make it all dramatic? Or even make much sense in terms of plot?
The movie carries its moments, mostly through improvisation (or what would appear to be just going off on small tangents by actors like Danny McBride and Jesse Eisenberg, the latter the pizza guy who gets the bomb strapped to him by McBride and his co-hort). And there were even those few moments where I found myself laughing hard at the actors' repore, especially when Eisenberg and Aziz Ansari get into a good groove riffing off each other about, say, their foolishness in messing each other's respective ex-girlfriends and/or sisters. And the actual bank robbery carries some real thrills (if capped by a mediocre car chase aided by some weak 80's car-chase parody).
Ultimately I couldn't get over how needlessly complicated the plot was in McBride's plot to knock off his father, played by Fred Ward (who actually steals his scenes completely as a crazed ex-Major who won the lottery), as a plot to make millions comes down to a pizza delivery boy. Perhaps if Elmore Leonard was brought in for a rewrite it could've been made brilliant.
As it stands it's a stupid story perked up by a stupid series of comic-suspense set-pieces as Eisenberg and Anzari prepare for the robbery. For some the crazy hijinks will be enough. For me, it could have done a lot more, despite the principal cast members doing their best to bring it up to something better.
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