Archer (2009– )
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Dial M for Mother 

Questions about the identity of Archer's real father lead him into a perilous trap... and an explosive confrontation with Malory.





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Episode complete credited cast:
Mannfred (voice)
Sterling Archer (voice)
Uta (voice)
Cheryl Tunt (voice)
Pam Poovey (voice)
Peter Newman ...
Maj. Nikolai Jackov (voice)
Cyril Figgis (voice)
Ray Gillette (voice)
Lana Kane (voice)
Malory Archer (voice)
Trinette (voice)
Doctor Krieger (voice)


On the heels of Cyril's latest disgrace, Malory issues new ISIS policy, No Banging Co-Workers. "Come Monday, it will be alright..." but no one will come at ISIS. Archer is unconcerned with trivialities until he sees the latest from Frederick's of Latvia... and hears Nikolai Jakov address him as "son." Malory always told Archer his father was Black Jack Archer, winner of the Navy Cross with military funeral and 21-gun salute. Nikolai is fuming: he cannot believe Malory slept with that mudak Trexler and Gene Krupa...or was it Buddy Rich? Nikolai calls his Huns and Lana hatches her own capitalist revenge plot: the ball-slappy sex way! The last thing Archer needs is another hole in his head ...or a loud rendition of "Mulatto Butts". Take a number or a cleaver. Whether it is Ubil Mat or just a big jazzy blur, at least the old gal's still got it: all 6 right in the 10 ring. What is a 'Jane Hathaway'? Does Brett have the right stuff? And, what about Client #37? Girl, please! Written by LA-Lawyer

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Release Date:

18 March 2010 (USA)  »

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Did You Know?


When Bret is bragging about having sex with Lana to Cyril you can read several posts on the bulletin board behind him, including "WWJD about the dirty dishes in the break room?" "Improv! Krieger The Science of Funny" "Want to carpool to Chems on Thurs? Contact Jane in payroll 555-0880" and "My name is Waffles and I'm kitty-litter-safe! Free kitten -she'll take your breath away (but not in the middle of the night) call Eric 555-0499" See more »


In one scene, while the head of the KGB is talking on and older style phone you can also see the phone in front of him with the receiver still in its cradle. See more »


[first lines]
Malory Archer: And that's your message, my God who...
[wakes suddenly and grabs a gun]
Malory Archer: Who's there? What do you want? Because all you're going to get is holes! I-I mean holes in you, not my...
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References Dial M for Murder (1954) See more »


Closing Theme 'The Killer'
Written by Harry Arnold
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User Reviews

Season 1: Fun mix of crudity, great dialogue, great timing and strong deadpan delivery with a strong voice cast
23 December 2014 | by (United Kingdom) – See all my reviews

This was one of those shows I kept hearing about but never got around to watching; the story is about a spy agency called ISIS (no, really – but they had the name first) where the main spy is a suave Bond- esque character whose mother happens to run the agency and whose ex is also one of the other main spies. While they get involved in missions around the world, with high-stakes, the majority of their time seems to be taken up with resentments, office politics, relationships, personality dysfunction, poorly aligned priorities, sexual indiscretions, and the actions of Archer himself – who is not exactly the model of professionalism.

I had heard the show was not for everyone, and I guess this is because fundamentally it is a very silly show – and if you do not understand that after watching this season, then a look at the DVD extras will convince you since it contains an alternative version of the first episode but with the Archer character replaced by a velociraptor (including all his dialogue replaced by growls), seemingly just because it was funny to do so. Like this throwaway extra, the silliness does work though because it is very well constructed silliness – something that takes work rather than spontaneous silliness that usually ends up being dumb rather than clever; and Archer is clever.

There is a lot of crudity as the base, but for me the more pleasing thing was the dialogue and its delivery. It is very smartly written and has plenty of quotable lines and dialogue that I can listen to many times over; there is also a certain controlled randomness that works too. A few times the crudity comes over a bit too heavy with low blows or easy jokes, but mostly it is brisk and very funny so it doesn't matter too much. To make the most of the writing the delivery is very good. A talented cast not only get the deadpan tone just right to help make the silliness funny rather than stupid, but their timing is also great through, with many exchanges made funnier by the delivery. Animation is stylish and yet simple, which adds well to the deadpan and genre/period feel to the show – which helps the spoof aspect work.

It may not be for everyone but I think many people would be surprised by how funny it is once they get into the spoof deadpan tone of this first season. I know for me that I was only a few episodes into the first season when it was clear that this would be a show that I'd be catching up on the rest of the seasons.

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