| Photos (See all 12 | slideshow) | Videos (see all 3) |
Directed by | |||
| Reinhard Klooss | |||
| Holger Tappe | |||
Writing credits(in alphabetical order) | ||
| Oliver Huzly | screenplay | |
| Reinhard Klooss | screenplay | |
| Erich Kästner | book | |
| Sven Severin | screenplay | |
Produced by | |||
| Reinhard Klooss | .... | producer | |
| Martin Moszkowicz | .... | executive producer | |
| Eckhart Schmidt | .... | associate producer | |
| Holger Tappe | .... | producer | |
| Bernhard Thür | .... | line producer | |
Original Music by | |||
| David Newman | |||
Film Editing by | |||
| Alexander Dittner | |||
Production Design by | |||
| Henning Ahlers | |||
| Jens Benecke | |||
Art Department | |||
| Hakan Akögretmen | .... | Character Modeling | |
| Boris Kiselicki | .... | storyboard artist | |
| Michael Mantel | .... | storyboard artist | |
| Peter Oedekoven | .... | storyboard artist | |
| David Scherr | .... | environment modeling | |
Sound Department | |||
| Jan Bloemeke | .... | sound effects editor | |
| Stefan Busch | .... | supervising sound editor | |
| Lisa Geffcken-Reinhard | .... | sound editor | |
| Frederic Gibert | .... | recording studio manager | |
| Michael Kranz | .... | re-recording mixer | |
| Heiko Müller | .... | sound effects editor | |
| Christoph Oertel | .... | additional adr recording | |
| Nils Rademacher | .... | dialogue editor | |
| Nils Rademacher | .... | sound effects editor | |
| Chris Rebay | .... | dialogue editor | |
| Carsten Richter | .... | foley artist | |
| Benjamin A. Rosenkind | .... | sound re-recording mixer (as Benjamin Rosenkind) | |
| Hanse Warns | .... | foley mixer | |
Visual Effects by | |||
| Marcus Boos | .... | character texture painter | |
| Marcus Boos | .... | facial setup artist | |
| Beckstein Dennis | .... | lighting artist | |
| Manuel Dongowski | .... | lighting technical director | |
| Marieke Franzen | .... | senior texture artist | |
| Arno Franzl | .... | lighting technical director | |
| Mathias Gerlach | .... | environment modeler | |
| Jens Harter | .... | character setup supervisor | |
| Ralf Hietel | .... | cloth technical director | |
| Clemens Kinder | .... | stereoscopic supervisor | |
| Sven Kroog | .... | character modeling supervisor | |
| Florian Linner | .... | character technical director | |
| Florian Linner | .... | motion capture | |
| Stefan Puschendorf | .... | supervising compositor | |
| Nico Rehberg | .... | lead lighting technical director | |
| Tino Roeger | .... | character texture painter | |
| Tino Roeger | .... | lighting technical director | |
| Marian Sander | .... | modeling & texturing | |
| Tarkan Sarim | .... | modeler | |
| David Scherr | .... | facial setup artist | |
| David Scherr | .... | lighting artist | |
| Timo Schnitt | .... | fluid technical director | |
| Daniele Siragusano | .... | post stereographer: Cinepostproduction | |
| Tim Völcker | .... | visual effects technical director | |
| Tino Waschke | .... | technical director/compositor | |
| Volker Willmann | .... | lighting technical director | |
| Guillaume Wyatt | .... | lighting supervisor | |
Animation Department | |||
| Hakan Akögretmen | .... | additional character designer | |
| Arno Franzl | .... | animator | |
| Michael Glans | .... | animator | |
| Felix Graf | .... | animator | |
| Ivo Grigull | .... | animator | |
| Uwe Heidschötter | .... | character designer | |
| Patrick Heumann | .... | animator | |
| Ellen Hoffmann | .... | animator | |
| Konstantin Hubmann | .... | animator | |
| Stefan Klauss | .... | animator | |
| Stefan Klauss | .... | previs artist | |
| Oliver Kurth | .... | character designer | |
| Martin Moch | .... | animator | |
| Fabian Mueller | .... | animatic coordinator | |
| Benedikt Niemann | .... | animation supervisor | |
| Peter Oedekoven | .... | character designer | |
| Sebastian Riemen | .... | animation production manager | |
| Carsten Seller | .... | animator | |
| Jörg Volk | .... | animator | |
| Thomas Voß | .... | animator | |
Casting Department | |||
| Abigail Barbier | .... | casting coordinator | |
| Louis Elman | .... | casting dubbing director | |
Music Department | |||
| Pia Hoffmann | .... | music supervisor | |
| Gregory Jamrok | .... | orchestrator | |
| Tony Mandracchia | .... | musician | |
| Nils Rademacher | .... | music editor | |
| Tom Russbueldt | .... | pro tools operator | |
| Billy Sullivan | .... | musician | |
| Florian Tessloff | .... | scoring supervisor | |
| Jonathan Williams | .... | musician: cello | |
Other crew | |||
| Pascal Karls | .... | computer systems manager | |
| Martin Knoll | .... | digital laboratory supervisor | |
| Frank Schaff | .... | dubbing director | |
| Daniele Siragusano | .... | postproduction stereographer | |
| Stefan Wood | .... | script consultant | |
| Recent Posts (updated daily) | User |
|---|---|
| Worst film of 2010 | wsionynw |
| Man this movie made me wanna fall asleep after the first 15 minutes | xavier-trapp |
| Superbe film d'animation allemand..10/10 | franck-torresani |
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| Arthur and the Invisibles | Spirited Away | Ice Age: The Meltdown | City of Ember | A Bug's Life |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb Germany section |
This was truly the worst film I have ever paid money to watch. It was so terrible that my 9 year old sister and I left halfway through(she asked to leave!) This is a German-produced film with British voices edited in, and therefore the animation was off for the speaking. We went because of the amount of well-known stars in it, and yet all of them sounded dreadfully bored, with only James Corden trying, but trying way too hard. There was no plot at all and too many story lines to follow, each one receiving about 5 minutes before moving somewhere else and then suddenly all the characters are together with a minutes explanation of how. It was just so boring, so unless it is amazing for the last 20 minutes steer well clear of this film! There is a small scene showing fire, although you could clearly see the animation straight lines supporting the fire, it seemed more like a first draft. My only thought was that this must be politically based as there wasn't a single joke worthy of a laugh while we were there, but it was definitely not worth the £10 I paid to watch it, extremely disappointed as I was really excited before it.