8.1/10
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Day & Night (2010)

The personifications of daytime and nighttime learn to get along.

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Nominated for 1 Oscar. Another 3 wins. See more awards »
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Cast

Uncredited cast:
Wayne Dyer ...
Radio Lecturer (voice) (archive sound) (uncredited)
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Storyline

When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective. Written by Pixar

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G | See all certifications »

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Details

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Release Date:

18 June 2010 (USA)  »

Also Known As:

Day and Night  »

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie that everyone is watching is the Thunderbolt TV show from 101 Dalmatians (1961). See more »

Quotes

[Day and Night find themselves in front of a radio station, where a voice can be heard only when Day is in front of it]
Radio voice: Fear of the unknown... They are afraid of new ideas... They are loaded with prejudices, not based upon anything in reality, but based on... "If something is new, I reject it immediately because it's frightening to me." What they do instead is just stay with the familiar. You know, to me, the most beautiful things in all the universe, are the most mysterious.
[...]
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Crazy Credits

The title doesn't appear on screen until the end. See more »


Soundtracks

Pavane pour une infante défunte
Written by Maurice Ravel
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Lots of Fun on a Flat Screen Too
21 June 2010 | by (New York City) – See all my reviews

While other animation studios these days concentrate on features, Pixar likes to remember that it is a cartoon factory and continues to precede each theatrical feature with a short subject. DAY AND NIGHT, the latest, was released along with Pixar's TOY STORY THREE.

While Pixar's features -- and those of its competitors' -- become ever more sophisticated in their uses of computer animation to facilitate their stories, their short subjects have been becoming more cartoony. Their last short, PRESTO, recalled Tex Avery. This one suggests the sort of loose animation style favored by UPA, as one cloudy mass containing daylight scenes bumps into another cloudy mass containing night time scenes. The clouds' outlines are vague, populated by the highly detailed visions one expects of Pixar; but while the interiors show their natures, it is the vague outlines that carry the story -- and their characters.

Fpr a student of animation, it is a typical Pixar delight. Thanks for keeping the short movie cartoon alive, guys.


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