Chihiro is raped by three men and it is captured on video camera. She leaves her hometown and prepares to marry a colleague five years later, when one of the rapists arrives and says the ... See full summary »
Erotic drama set in an underground Tokyo club called The Bedroom, where the female clientele are drugged into a trance-like state and are subjected to different styles of bizarre, ... See full summary »
In ancient China, rich Prince married to sexually obsessed Princess. Despite all the love delights of her husband, she finds a lover and betrayed him sophisticated passion. Servant Princess... See full summary »
MIZUKI is infertile. Desperate for a child, she kidnaps a baby boy from the car of a couple who are screwing outside. Mizuki raises the boy and names him YOSHIKI. Eight years later, Mizuko ... See full summary »
A look a the lives of two sex workers in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. In addition to their working life, the ... See full summary »
A young woman in dire financial straights accepts an offer to be a wealthy aristocrat's human "pet" for six months. Then ruthless modern "pet-nappers" kidnap the woman to sell her on the GSM (Global Slave Market).
Tôyama, a weak-willed businessman, is in debt to the Yakuza; they also have a video of him bribing a government minister. To clear his debts, he agrees to let them drug and kidnap his wife ... See full summary »
Flower and Snake is a novel that Dan Onuroku wrote in his 30s, so there's quite a bit of history to it. Dan started writing novels to pay back the debt the Shogi (Japanese chess) magazine had where he was the editor. But his style was very much ahead of time, and he became the preeminent S&M writer of his days.
This is the 3rd installment of the Flower and Snake series that started with Aya Sugimoto's version in 2004. Minako Komukai replaced Sugimoto in this version. Dan himself recommended S&M movies as a career path to Komukai.
This is based on a novel that were written in the '60s, and it's somewhat tame by today's standard. I think Yusuke Narita has better visuals than Takashi Ishii who directed the previous two versions, but the story just meanders and lacks delivery. This was very much Dan's own early writing style as well, so I'm not sure who gets the blame.
In any case, Komukai does a very good job as Sugimoto's replacement, and this is one of the last movie that Dan himself was involved in the making, so if you've been following Oniroku Dan's movies, this is one that you wouldn't want to miss.
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