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Jackie (2016)

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Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.

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Popularity
273 ( 63)
Nominated for 3 Oscars. Another 36 wins & 139 nominations. See more awards »

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Cast

Cast overview, first billed only:
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The Journalist
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The Priest
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Maud Shaw
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Storyline

Jackie is a portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Kennedy. Jackie places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a portrait of the First Lady as she fights to establish her husband's legacy and the world of "Camelot" that she created and loved so well. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Taglines:

I want them to see what they have done to Jack.


Motion Picture Rating (MPAA)

Rated R for brief strong violence and some language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

2 December 2016 (USA)  »

Also Known As:

Džeki  »

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

$278,715 (USA) (2 December 2016)

Gross:

$13,958,679 (USA) (14 April 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

| (some sequences)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The fact that director Pablo Larraín is Chilean, a country with its own complicated and sometimes tragic political history, did not worry producer Darren Aronofsky. On the contrary. "Sometimes the most interesting stories are told by someone who can see with fresh eyes," Aronofsky noted. "Also Pablo has a rare ability to focus on characters who might not be easy to get close to, yet he makes you feel very deeply for them - and that is what made him such an interesting connection with Jackie [Jacqueline Kennedy]." See more »

Goofs

In the opening scene when the journalist pulls up at the compound of Jackie Kennedy's residence, the taxi had side marker light, which did not appear on cars in the US till the 1968 model year. The scene was supposed to have taken place just a week after the assassination in November 1963. See more »

Quotes

[first lines]
The Journalist: Mrs. Kennedy? They told me to come up. And I'm so sorry for your loss.
Jackie Kennedy: Have you read what they've been writing? Krock and Merriman and all the rest?
The Journalist: Yes, I have.
Jackie Kennedy: Merriman's such a bitter man. It's been just one week. Already they're treating him like some dusty old artifact to be shelved away. That's no way to be remembered.
The Journalist: And how would you like him remembered, Mrs. Kennedy?
Jackie Kennedy: [stammering] I...
Jackie Kennedy: You understand that I will be editing this conversation just in case I don't say exactly ...
[...]
See more »

Connections

Referenced in Mixxxer Show: Sára Sandeva (2017) See more »

Soundtracks

Camelot
Lyrics by Alan Jay Lerner
Music by Frederick Loewe (1960)
Performed by Richard Burton
Published by Chappell & Co., Inc.
Courtesy of Sony Music Entertainment
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User Reviews

 
Overrated Oscar Bait
3 January 2017 | by (Chicago, US) – See all my reviews

I've never taken the time to write a review for the site. But this movie... is just too overrated.

The struggle with this movie is based around the character. I am not totally familiar with the actual personality of Jackie Kennedy, but I walked out of the theater absolutely despising her. She acts as if she is in the toughest position in the world, and as if nobody has ever lost a family member before. Consistently, she displays a lack of understanding that others just lost someone they knew as well. I understand that we are supposed to feel compassion for her, but I just do not.

The film is a genuine trudge, with a cacophony of minor chords making up what could be called the "theme." The soundtrack is grating, and so is the rest of the movie. The only redeeming qualities of the movie is a very solid performance by Peter Saarsgard, and an appearance by John Hurt.

Portman's performance is genuinely overrated, with small flashes of quality and an overwhelming amount of "cry face".

Overall, just not worth the hype, and a trudge through 90 minutes that felt much longer.


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