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Goodbye First Love (2011)
"Un amour de jeunesse" (original title)

Not Rated  |   |  Drama, Romance  |  6 July 2011 (France)
6.5
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Ratings: 6.5/10 from 3,039 users   Metascore: 80/100
Reviews: 12 user | 92 critic | 21 from Metacritic.com

A chronicle of the romance between Camille and Sullivan, which begins during their adolescence and picks up after Sullivan's 8-year absence from exploring the world.

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Cast

Cast overview, first billed only:
...
Camille
...
Sullivan
Magne-Håvard Brekke ...
Lorenz (as Magne Håvard Brekke)
Valérie Bonneton ...
La mère de Camille
Serge Renko ...
Le père de Camille
Özay Fecht ...
La mère de Sullivan
Max Ricat ...
Le frère de Sullivan
Louis Dunbar ...
Un ami
Philippe Paimblanc ...
Le 1er antiquaire
Patrice Movermann ...
Le 2e antiquaire
...
Le frère de Camille
Amélie Robin ...
Amie du lycée
Justine Dhouailly ...
Amie du lycée
Charlotte Faivre ...
La chef des hôtesses
François Buot ...
Le prof d'histoire
Edit

Storyline

A chronicle of the romance between Camille and Sullivan, which begins during their adolescence and picks up after Sullivan's 8-year absence from exploring the world.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

6 July 2011 (France)  »

Also Known As:

Adeus, Primeiro Amor  »

Filming Locations:

 »

Box Office

Budget:

€3,600,000 (estimated)

Opening Weekend:

$21,077 (USA) (20 April 2012)

Gross:

$62,890 (USA) (11 May 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Soundtracks

Music for a Found Harmonium
Patrick Street
Music and Words: Simon Jeffes
published by Edition Penguib Café adm. by Termidor
Musikverlag, Germany
(P) With kind permission of Topic Records Ltd
See more »

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User Reviews

 
Delightful
12 May 2012 | by (United Kingdom) – See all my reviews

Louis Garrel recently made his first feature film as director, Le Petit Tailleur, in an interview afterwards he admitted that his film was of a Paris that did not exist anymore, where the young went to the theatre to see Kleist. His film, as this one, contains a nostalgia for the New Wave. This is tacitly admitted in Goodbye First Love when Sullivan mentions that he went to a party in the suburbs where kids went to have sex and take drugs, a piece of shrapnel that doesn't fit in the jigsaw of this movie. The young of the developed world live with their eyes burnt out.

Goodbye First Love tells the story of Camille, in love with Sullivan, and how she copes with losing that love and moving on with her life. There's something pristine about the way that young animals love and lust together, narcotic and somewhat illusory, but on the threshold of paradise; and actually the most astonishing part of the film practically occurs in an Eden. One its successes is the casting of two actors who have an obvious sexual compatibility, which lends credibility to the treatment.

Mature love comes, but lies in the cradle of shared creativity and mutual respect, which should represent a superannuation of first love; but flesh is not just. For Camille, riding on the pannier rack of Sullivan's bicycle and grasping his body will always be the seed of her crystal.

Goodbye First Love, by the way, is an incredible aesthetic treat (my favourite part may well have been when the two rake over the ashes of their love, lying together likes ravens in a shattered tower, all a creation of capturing colour carefully). I felt privileged to have watched it, to have been let inside what's a meagerly-camouflaged auto-biography from Mia Hansen-Løve. I may well love and be loved back one day, but it won't be the Hamelin song that Mia has let me see, and I'm grateful to her for this facsimile.


22 of 39 people found this review helpful.  Was this review helpful to you?

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