18 items from 2015
By the time his next film is in the can, Clint Eastwood will a string of four consecutive films to make a very strange biopic quartet. The films will cover the lives of men from a variety of pursuits in American and abroad: there are already movies about J. Edgar Hoover, Frankie Valli and the Four Seasons, and sniper […]
The post Clint Eastwood Directing Biopic on Miracle on the Hudson Pilot Sully Sullenberger appeared first on /Film. »
- Russ Fischer
"This is truly a dream team." Warner Bros has officially announced that Clint Eastwood will be directing the movie about Captain Sully, the pilot who was able to safely land U.S. Airways Flight 1549 in the Hudson River in New York in January 2009. The title seems to be Miracle on the Hudson, but that may change. The announcement was made official by Warner Bros via THR, with statements from Capt. Chesley "Sully" Sullenberger himself. "I am very glad my story is in the hands of gifted storyteller and filmmaker Clint Eastwood, and veteran producers Allyn Stewart and Frank Marshall. The project could not have found a better home than Warner Bros. Pictures," he says. Looks like a fine team, here's to hoping it turns out okay. Clint Eastwood has been on a roll, directing movie after movie after movie recently. He latest was American Sniper (which was nominated for Best »
- Alex Billington
After American Sniper became a stunning box office success for Warner Bros. early this year, the studio has set its director Clint Eastwood for another biopic. The prolific filmmaker will helm an untitled film that tells the true story of Captain Chesley ‘Sully’ Sullenberger, the American pilot who heroically landed a filled plane in the Hudson River after it malfunctioned mid-flight.
Sullenberger became a national hero back in 2009 when he pulled off a tricky emergency landing in the Hudson River off Manhattan when his aircraft, climbing out of Laguardia Airport, struck a flock of Canadian geese, disabling both engines. All passengers and crew members survived the landing.
No stars have come into focus yet, but with Eastwood sitting behind the camera, »
- Isaac Feldberg
WB is in talks to acquire the rights to the biopic “Sully,” the true story of American pilot Chesley “Sully” Sullenberger, who heroically landed a troubled aircraft full of passengers on the Hudson River with Eastwood attached to direct.
Based on the book by Chelsey Sullenberg and Jeffrey Zaslow, the story takes a closer look at the man who became a national hero after his plane began to malfunction shortly after takeoff and he was forced to take drastic measures in order to save all those on the plane.
Producer Frank Marshall acquired the rights to the book in 2010 and had been developing ever since. Eastwood had been circling the Boston Marathon bombing pic “Patriot’s Day” at CBS Films but soon came across this »
- Justin Kroll
1971 was an incredibly violent year for movies. That year saw, among others, Tom Laughlin’s Billy Jack, with its half-Indian hero karate-chopping rednecks; William Friedkin’s The French Connection, its dogged cops stymied by well-heeled drug runners; Stanley Kubrick’s A Clockwork Orange, banned for the copycat crimes it reportedly inspired; and Sam Peckinpah’s Straw Dogs, featuring the most controversial rape in cinema history. Every bloody shooting, sexual assault and death by penis statue reflected a world gone mad.
It seemed a reaction to America’s skyrocketing crime. Between 1963 and 1975, violent crimes tripled; riots, robberies and assassinations racked major cities. The antiwar and Civil Rights movements generated violent offshoots like the Weathermen and Black Panthers. Citizens blamed politicians like New York Mayor John Lindsay (the original “limousine liberal”), who proclaimed “Peace cannot be imposed on our cities by force of arms,” and Earl Warren’s Supreme Court, »
- Christopher Saunders
Armie Hammer has largely been seen in bigger dramas or action adventures such as J. Edgar or The Lone Ranger, so it’s nice to see him taking a crack at other things too. He’s signed on for a role in Stanley Tucci’s The Final Portrait opposite Geoffrey Rush.Tucci is once more on writing and directing duty for the film, which will chronicle the friendship between American art critic James Lord (Hammer) who agrees to sit for a portrait by his friend, noted Swiss painter Alberto Giacometti (Rush). Unfortunately, though the two knew each other socially, Lord wasn’t quite prepared for the demanding nature of the artist at work and the experience tests their relationship to the limit.The script has been adapted from Lord’s writing on the experience, A Giacometti Portrait. Tucci’s producers are still rounding up the funding, and he should be shooting this year. »
Robert Sheehan (Geostorm, Mortal Instruments) has been cast as the male lead in Dustin Lance Black's The Statistical Probability of Love at First Sight alongside Hailee Steinfeld. Sales company The Exchange will be bringing the feature to Cannes and offer it to international buyers. The Exchange's CEO Brian O'Shea announced the casting on Thursday. CAA holds domestic sales rights. The film is written, directed and executive produced by Black (Milk, J. Edgar) and produced by Bruna Papandrea (Gone Girl), Caroline Kaplan (Boyhood) and Steve Hutensky (The Human Stain). Production is set to begin later this year. Read More Cannes:
- Georg Szalai
Scott Eastwood is starving. On a recent afternoon, the 29-year-old heartthrob barrels into a conference room at Twentieth Century Fox after a morning of press for his new movie, “The Longest Ride,” where he plays a bull-wrangling cowboy. He eyes the lunch buffet, unwrapping tinfoil and stacking two plates with chicken, fish and vegetables, a potluck for one. Then he sits down and realizes he might need to devour this meal with his bare hands. “I don’t have a fork,” says Eastwood, the son of screen legend Clint. “I don’t know what’s going on here.” A publicist rushes over with silverware. “Ah, ah, woo-hoo! You got some forks for us,” Eastwood says.
Even though he’s acted for 12 years, mostly in smaller roles, Eastwood’s career is now on the upswing. Eastwood has just arrived in New York from Hawaii, where he plays a Nsa agent in »
- Ramin Setoodeh
Richard Dysart -- a veteran of stage and screen best known for his role on "L.A. Law" -- died Sunday after a long battle with cancer ... TMZ has learned. He was 86. According to Dysart's daughter-in-law, he passed away at his home in Santa Monica. His wife tells us he'd been diagnosed with cancer a few years ago. Dysart had a penchant for playing famous figures -- he portrayed Dwight D. Eisenhower (twice), J. Edgar Hoover »
- TMZ Staff
Years ago the news of a team-up between Clint Eastwood and someone like Jonah Hill would probably have meant something along the lines of The Rookie. We live in very different times, however, and with Eastwood now a serious Oscar-bait director, the project on the table is The Ballad Of Richard Jewell: the story of the Olympic security guard who foiled a terrorist bomb plot. Eastwood's J. Edgar and Hill's Wolf Of Wall Street compatriot Leonardo DiCaprio is also attached to star.Billy Ray (Captain Phillips) wrote the screenplay based on a 1997 Vanity Fair article by Marie Brenner. The story revolves around the '96 Summer Olympis in Atlanta. Jewell was initially hailed as a hero for finding a suspicious backpack in the sports compound and helping clear bystanders before the bomb contained within it detonated, killing two people on the day and inuring 111 others.But soon the Atlanta Journal Constitution, »
What is it about "Clue"? Thirty years after the kooky non-hit murder mystery left theaters (along with its three original endings), it's become as much of a cult phenomenon as "The Rocky Horror Picture Show," Tim Curry's other mansion romp with a delirious lineup of characters. Don't believe me? Until Paramount stepped in to protest, La's NuArt Theatre conducted "shadow cast" screenings of "Clue" featuring costumed cast imitators who mimed the movie in front of the projection. That's a next-level tribute. Based on the Parker Brothers board game, "Clue" is a whodunit in a very traditional sense. It is literally a dark and stormy night, there is literally a butler who might've done it, and there are Agatha Christie-type explanations for the homicides at the end of the movie. So why is it beloved? That answer, unlike the culprit of the movie's seven murders, reveals itself quickly: "Clue »
- Louis Virtel
Excuse us if we go out on a limb here, but something tells us the collective brain trust at The Academy is glad this awards season has mercifully come to an end. After an incredibly diverse 86th Academy Awards ceremony, where "12 Years a Slave" took Best Picture, a Mexican filmmaker won Best Director, Lupita Nyong'o earned a Best Supporting Actress Oscar and John Ridley won Best Adapted Screenplay, the Oscars appeared to take a step back in 2015. It wasn't just that "Selma" was snubbed in a number of major categories. The #OscarsSoWhite hashtag became a historical footnote that will haunt the Academy for years (and, trust, it will be back again if the public wills it). But it had more to do with all white nominees in the acting categories than just "Selma" itself. This also brought to light that it was yet another year without a female nominee in the Best Director category, »
- Gregory Ellwood
Manuel here. The Costume Design Guild has announced that they’ll be celebrating Naomi Watts with the Lacoste Spotlight Award when they announce winners for their film, TV and commercial awards on February 17th. While they bill the award as honoring an “actor whose talent and career personifies an enduring commitment to excellence, including a special awareness of the role and importance of costume design,” their choices so far (previous recipients include Anne Hathaway, Kate Beckinsale, Halle Berry and Emily Blunt) have yet to really reflect the award, no? Whither Keira, Nicole, Tilda or heck, even Colin Firth? The man can wear a sweater (among other things), you know.
Anyways, we should really focus on the positive and be thankful Watts was able to bounce back so quickly from that horrible triple-whammy of Movie 43, Adore and Diana. Let's just hope she can keep up the momentum going. And so »
- Manuel Betancourt
American Sniper grossed $107.3 million in its first four days of wide release this past weekend and on top of breaking January box office records and in only a few days becoming the highest grossing of all the Best Picture nominees, it has also become the latest film to have its nits picked. Controversy is swirling as to whether or not the film's subject, Chris Kyle, is actually a heroc Is the film to "rah rah"c Is the "real" Chris Kyle at all similar to the character portrayed by Bradley Cooperc And on and on... However, one topic concerning the film I find somewhat hilarious and I'm glad people are bringing it up is the fake baby used in the feature. I'm glad because during my screening of the film when the scene below played I leaned over to the person next to me and said, "I think that's a fake baby. »
- Brad Brevet
American Sniper was expected to do well this weekend after an impressive limited release, but not this well: The Clint Eastwood-directed war film took in an estimated $90.2 million—and broke a few records. The Oscar-nominated film set a new record for a January opening by taking in $30.5 million on Friday, breaking the mark set by Cloverfield ($17.2 million on Jan. 18, 2008). January is a notoriously slow month at the box office, so Sniper‘s debut is particularly eye-opening. American Sniper also took a couple records from James Cameron's Avatar, which previously held the records for biggest January weekend performance (it »
- Ariana Bacle
I’m “biast” (con): nothing
I have not read the source material
(what is this about? see my critic’s minifesto)
My first thought was: “This isn’t a movie. It’s a eulogy.” I meant it, in my head, metaphorically: American Sniper felt like sitting through a story told at a funeral during which the poor sap of a cousin who got roped into the job is trying to dance around the fact that the deceased was kind of jerk by deploying a bunch of clichéd claptrap about warm cozy mundane things that no one could possibly be crass enough to object to, not at a funeral, fer cripes’ sake. “He liked a good beer. »
- MaryAnn Johanson
The Taken franchise ended on a high note this weekend, as the third and final entry opened in first place with an excellent $39.2 million. Civil rights drama Selma got off to a slow start, while Inherent Vice opened well below writer/director Paul Thomas Anderson's The Master.The Top 12 earned $110.2 million this weekend, which is off 10 percent from the same frame last year. Taken 3's $39.2 million debut is off 21 percent from Taken 2's $49 million start; when considering how poorly that movie was received, that's actually a really good hold. It's well above star Liam Neeson's Non-Stop ($28.9 million), and is also a bit higher than Lone Survivor, which opened to $37.8 million on this same weekend last year. In fact, Taken 3 wound up with the third-highest January opening ever behind last year's Ride Along and 2008's Cloverfield.Fox is reporting that the audience was 54 percent male and »
- Ray Subers <email@example.com>
In its first international showing, Clint Eastwood’s “American Sniper” opened solidly in Italy on New Year’s Day with $1.6 million at 425 screens — the biggest launch ever of an Eastwood film in that market.
“American Sniper,” starring Bradley Cooper, has performed impressively in the U.S. with $1.55 million at four theaters in eight days, setting a Christmas Day record for an opening on less than 10 screens. The studio will expand the film in the U.S. on Jan. 16, the day after Oscar nominations are announced.
“American Sniper” will also launch in the U.K. on Jan. 16. It will open in France on Feb. 18, Spain on Feb. 20, Japan on Feb. 21, Australia on Feb. 22 and Germany on Feb. 26.
- Dave McNary
18 items from 2015
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