Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
Biopic of J. Edgar Hoover told by Hoover as he recalls his career for a biography. Early in his career, Hoover fixated on Communists, anarchists and any other revolutionary taking action against the U.S. government. He slowly builds the agency's reputation, becoming the sole arbiter of who gets hired and fired. One of his hires is Clyde Tolson who is quickly promoted to Assistant Director and would be Hoover's confidant and companion for the rest of Hoover's life. Hoover's memories have him playing a greater role in the many high profile cases the FBI was involved in - the Lindbergh baby kidnapping, the arrest of bank robbers like John Dillinger - and also show him to be quite adept at manipulating the various politicians he's worked with over his career, thanks in large part to his secret files. Written by
The closing lines of the film, "Most clearly I remember your eyes, with a kind of teasing smile in them, and the feeling of that soft spot just north-east of the corner of your mouth against my lips..." is a quote from a letter from Lorena Hickok to Eleanor Roosevelt. See more »
Neither Hoover nor Agent Melvin Purvis killed John Dillinger. Dillinger was actually gunned down by agents Clarence Hurt, Charles Winstead, and Herman Hollis. Most historical accounts give Winstead credit for delivering the fatal shot to the back of Dillinger's head. Ironically, given the film's depiction of Hoover as constantly claiming credit for the deed, Winstead received a personal letter of commendation from Hoover for it. See more »
J. Edgar Hoover:
Let me tell you something. The SCLC has direct Communist ties. Even great men can be corrupted, can't they? Communism is not a political party. It is a disease. It corrupts the soul, turning men, even the gentlest of men, into vicious evil tyrants.
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American actor, producer, composer and director Clint Eastwood's thirty-third feature film is an American production which was written by screenwriter Dustin Lance Black. It tells the story about J. Edgar Hoover (1895-1972), who grew up with his two elder siblings in the Capitol Hill neighbourhood of Washington. In 1917, after receiving his Master of Laws degree at the George Washington University, he was hired as a clerk by the Justice Departement where he meet Helen W. Gandy (1897-1988) who would become his personal secretary. J. Edgar Hoover was a very private, secretive and ambitious man who was totally dedicated to his job. He lived with his mother Anne Marie and didn't have much of a social life, but in 1924, J. Edgar Hoover became the first director of the Federal Bureau of Investigation and during this period he meet a confidential secretary for the Secretary of War named Clyde Tolson (1900-1975), whom he hired as his vice director.
This biographical period film depicts J. Edgar Hoover's participation in the extensive investigation of the kidnapping of the one-year-old son of aviators Charles Lindbergh (1902-1974) and Anne Morrow Lindbergh (1906-2001), which took place in 1932, his ongoing fight against crime and communism, his private search for information which he could use to blackmail senator Robert F. Kennedy (1925-1968) and his unjustified attempts at undermining the reputation of American activist and civil rights leader Martin Luther King, Jr (1929-1968). Precisely and engagingly directed and with a tightly structured narrative, this detailed and descriptive portrayal of a multifaceted man with some very bright and some very dark attributes draws an intriguing study of character with poignant depictions of the main character's relationship with his encouraging mother Anne Marie Scheitlin Hoover (1860-1938), his relationship with his loyal secretary Helen W. Gandy and a poignant though ambiguous depiction of his relationship with his devoted friend Clyde Tolson.
This fast-paced and dialog-driven drama is notable for its austere atmosphere which is reinforced by the prominent use of light and Clint Eastwood's tangible score, and the reverent acting performances by English actress Naomi Watts, English actress Judi Dench, American actor Armie Hammer and especially Leonardo DiCaprio, who delivers a variable and emphatic acting performance in an atypical role where he is transformed by the make-up. A dark and gripping mystery and crime story which is complimented by a low-keyed love story.
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