Vicenarian Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss. Excited and intrigued, he sets out to find it.
Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
This Inception prequel unfolds courtesy of a beautiful Motion Comic, and explains how Cobb, Arthur and Nash were enlisted by Cobol Engineering. Diehard fans of the film will be especially interested in this one.
Biopic of J. Edgar Hoover told by Hoover as he recalls his career for a biography. Early in his career, Hoover fixated on Communists, anarchists and any other revolutionary taking action against the U.S. government. He slowly builds the agency's reputation, becoming the sole arbiter of who gets hired and fired. One of his hires is Clyde Tolson who is quickly promoted to Assistant Director and would be Hoover's confidant and companion for the rest of Hoover's life. Hoover's memories have him playing a greater role in the many high profile cases the FBI was involved in - the Lindbergh baby kidnapping, the arrest of bank robbers like John Dillinger - and also show him to be quite adept at manipulating the various politicians he's worked with over his career, thanks in large part to his secret files. Written by
Stephen Root plays Arthur Koehler, the forensics expert who in the movie manages to identify where the piece of wood that might help identify the kidnapper in Lindberg's case was bought. In TV biopic of Lyndon B. Johnson, All the Way (2016) , Root plays J. Edgar Hoover himself. See more »
As the 1933 Inauguration parade passes by Hoover's office in the background, outside his window, is the National Archives building. Its cornerstone had been laid, at most, one month earlier in February 1933 and the building was not completed until late 1935. See more »
J. Edgar Hoover:
Let me tell you something. The SCLC has direct Communist ties. Even great men can be corrupted, can't they? Communism is not a political party. It is a disease. It corrupts the soul, turning men, even the gentlest of men, into vicious evil tyrants.
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The infamous words spoken by Pilate to Jesus of Nazareth come to mind when one ponders the life of John Edgar Hoover. Was he a genius or a tyrant? A patriot or a dictator? A cross dresser or an uptight man with no sex life? Nobody knows for certain, and director Clint Eastwood does not offer a definitive answer to any of these questions, which is exactly as it should be. Life is rarely cut-and-dried, but moviegoers seem to have forgotten that fact in the face of media that state speculation as fact on a regular basis.
I find it not only surprising, but distressing, that a major criticism from those critics who panned the film is the lack of closure on Hoover's private life. Unless they are truly obtuse, they must realize that no film could possibly do such a thing, since his files were destroyed at his own bidding. All is speculation, and a fine speculation it is. Leonardo DiCaprio is superb (as usual) in the title role, never revealing more cards then he chooses to at any given moment. He receives fine support from Armie Hammer as Clyde Tolson, Hoover's Second in Command/Rumored Lover, and Naomi Watts as his endlessly loyal private secretary Helen Gandy. At a time when "red fever" ran high, Hoover's relentlessly tightening control on government investigations is shown in flashbacks that only underscore how supreme power can corrupt even the noblest of intentions.
In the end, the film answers none of the questions that seem so important to the very critics that disliked it, but in my humble opinion, a well made film is one that inspires debate or discussion rather than simply hand down a definitive 'this is the way it was' with an imperious gavel. With "J Edgar", Eastwood and his cast have succeeded well.
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