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J. Edgar (2011)

6.6
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Ratings: 6.6/10 from 83,099 users   Metascore: 59/100
Reviews: 264 user | 379 critic | 42 from Metacritic.com

J. Edgar Hoover, powerful head of the F.B.I. for nearly 50 years, looks back on his professional and personal life.

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Nominated for 1 Golden Globe. Another 4 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Cheryl Lawson ...
Palmer's Wife
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Palmer's Daughter
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Inspector
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Head Secretary
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Edgar's Father
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Hoover as a Child
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Labor Dept. Lawyer
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Storyline

Biopic of J. Edgar Hoover told by Hoover as he recalls his career for a biography. Early in his career, Hoover fixated on Communists, anarchists and any other revolutionary taking action against the U.S. government. He slowly builds the agency's reputation, becoming the sole arbiter of who gets hired and fired. One of his hires is Clyde Tolson who is quickly promoted to Assistant Director and would be Hoover's confidant and companion for the rest of Hoover's life. Hoover's memories have him playing a greater role in the many high profile cases the FBI was involved in - the Lindbergh baby kidnapping, the arrest of bank robbers like John Dillinger - and also show him to be quite adept at manipulating the various politicians he's worked with over his career, thanks in large part to his secret files. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The Most Powerful Man in the World


Motion Picture Rating (MPAA)

Rated R for brief strong language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

11 November 2011 (USA)  »

Also Known As:

Hoover  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$11,217,324 (USA) (11 November 2011)

Gross:

$37,304,950 (USA) (17 February 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Clint Eastwood is famous for shooting the screenplays he directs almost verbatim, not making changes. Dustin Lance Black has admitted he didn't like that, arguing he loves to discuss the screenplay with the director and improving it together with suggestions. See more »

Goofs

As the 1933 Inauguration parade passes by Hoover's office in the background, outside his window, is the National Archives building. Its cornerstone had been laid, at most, one month earlier in February 1933 and the building was not completed until late 1935. See more »

Quotes

[first lines]
J. Edgar Hoover: Let me tell you something. The SCLC has direct Communist ties. Even great men can be corrupted, can't they? Communism is not a political party. It is a disease. It corrupts the soul, turning men, even the gentlest of men, into vicious evil tyrants.
See more »

Connections

Features The Public Enemy (1931) See more »

Soundtracks

Red Sails in the Sunset
Written by Jimmy Kennedy and Will Grosz (as Hugh Williams)
Performed by Kyle Eastwood, Joe Bagg, Kye Palma, and Jason Harnell
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Solid Weight
13 November 2011 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. The best place to start with this one is by saying what it isn't. It is not a documentary. It is not a very detailed history lesson. It is not the best biography of the man. It is not a behind-the-scenes of the FBI. What it is ... another piece of quality filmmaking from Clint Eastwood. It's an overview of J. Edgar Hoover and his nearly 50 years of civil service under 8 U.S. Presidents.

The screenplay is from Dustin Lance Black, who also wrote the script for Milk, based on the story of Harvey Milk (played by Sean Penn). Clearly, Eastwood and Black had no interest in setting forth an historical drama that couldn't possibly be told within a two hour film structure. No, this is more of a fat-free character study that hits only a few of the highlights from an enigmatic man's fascinating career. With so few available details about Hoover's personal life, some speculation is required ... but Eastwood walks a tightrope so as to make neither a statement nor mockery.

Therein lies the only problem with the film. While hypnotic to watch, we are left with an empty feeling when it's over. How can that be? This man built the foundation of the FBI. He instigated the fingerprint system. He armed the secret police. His agency tracked down notorious gangsters. He led an anti-communist movement. He was in the middle of the investigation for the Lindbergh baby kidnapping. He supposedly kept secret files on most politicians and celebrities. He viewed the security of Americans as his responsibility. He was smack dab in the middle of almost 50 years of American history ... all while being a power-hungry, paranoid mama's boy who may have been, in her words, a daffodil.

An elderly Hoover's own words tell his story as he dictates his memoirs. We are told that his memories of these stories are blurred and he takes a few liberties to say the least. He longed to be the comic book hero like his own G-Men. He longed to be recognized for his contributions, even to the point of desiring a level of celebrity. In his mind, he was the face of national security and the hero cuffing many outlaws. In reality, he was also the black-mailing schemer who so frightened Presidents with his secret files, that all 8 of them backed off firing him. He could be viewed as the ultimate survivor in a town where few careers last so long and cross party lines.

The film picks up in 1919 when Hoover is a youngster making a name for himself as an all-work, no play type. That reputation stuck with him until the end. When he was first promoted, he hired Helen Gandy (Naomi Watts)to be his secretary. In one of the most remarkable hires of all time, she sticks with him until his death in 1972. Staunchly loyal to Hoover and totally dedicated to her job, Ms. Gandy helped Hoover with decisions and processes throughout. The other member of his inner circle was Clyde Tolson (Armie Hammer). Tolson was Hoover's right-hand man at the bureau, his trusted adviser, his daily lunch partner, and speculation never ceased on their personal ties.

Judi Dench plays Annie Hoover, J Edgar's controlling mother, who he lived with until her death. She was also his adviser, supporter and probably a factor in his stunted social skills. We also get glimpses of how he dealt with Robert Kennedy (Jeffrey Donovan) and his overall lack of respect for John Kennedy, Martin Luther King, Jr. and Richard Nixon. The Lindbergh case plays a key role because Hoover used it to gain more power for his bureau and increase funding for weapons, forensic labs and resources.

As for Leonardo DiCaprio, it's difficult to explain just how outstanding his performance is. It could have been a caricature, but instead he affords Hoover the respect his place in history demands. The 50 years of aging through make-up can be startling, especially since the time lines are mixed up throughout. His speech pattern mimics Hoover's, as does the growing waist line. There are some Citizen Kane elements at work in how the story is told and how it's filmed, but Eastwood wouldn't shy away from such comparisons.

If you want real details on Hoover, there are some very in-depth biographies out there. The number of documentaries and history books for this era are limitless. What Eastwood delivers here is an introduction to J Edgar Hoover. It is interesting enough to watch, and Leonardo's performance is a must-see, but the film lacks the depth warranted by the full story.


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