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"Mad Men" Tomorrowland (2010)

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Mad Men: Season 4: Episode 13 -- Opportunity arises for Don and Peggy.


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Matthew Weiner (created by)
Jonathan Igla (written by) ...
View company contact information for Tomorrowland on IMDbPro.
TV Series:
Original Air Date:
17 October 2010 (Season 4, Episode 13)
Don takes the kids to California and comes back with a surprise announcement. Meanwhile, Betty fires the kids' nanny before they move out of the old house over one questionable incident, and Peggy gets a shot at a new account. Full summary » | Full synopsis »
User Reviews:
The Destruction of Morality See more (4 total) »


 (Episode Cast) (in credits order)

Episode Crew
Directed by
Matthew Weiner 
Writing credits
Matthew Weiner (created by)

Jonathan Igla (written by) and
Matthew Weiner (written by)

Produced by
Jonathan Abrahams .... producer
Lisa Albert .... consulting producer
Scott Hornbacher .... executive producer
André Jacquemetton .... co-executive producer (as Andre Jacquemetton)
Maria Jacquemetton .... co-executive producer
Janet Leahy .... consulting producer
Blake McCormick .... producer
Marcy Patterson .... associate producer
Dwayne L. Shattuck .... producer (as Dwayne Shattuck)
Dahvi Waller .... producer
Matthew Weiner .... executive producer
Original Music by
David Carbonara 
Cinematography by
Chris Manley  (as Christopher Manley)
Film Editing by
Tom Wilson 
Casting by
Carrie Audino 
Laura Schiff 
Production Design by
Dan Bishop 
Art Direction by
Christopher Brown 
Set Decoration by
Claudette Didul 
Costume Design by
Janie Bryant 
Makeup Department
René Dashiell Kerby .... makeup artist
Lana Grossman .... makeup department head
Amy Lederman .... makeup artist
Ron Pipes .... makeup artist
Tricia Sawyer .... makeup artist
Terrie Velazquez Owen .... assistant hair stylist (as Terrie Velasquez)
Production Management
Dwayne L. Shattuck .... unit production manager (as Dwayne Shattuck)
Nathaniel Smith .... post-production supervisor
Second Unit Director or Assistant Director
Rachel Caproni .... second second assistant director
Nina Jack .... first assistant director
Karen Radzikowski .... second assistant director
Art Department
Rhonda DeMarc-Elliott .... set decorating buyer
Ellen Freund .... property master
Kama Hayes .... art department coordinator
Wendy Jerde .... scenic painter
Geoffrey Mandel .... graphic designer
Lars Petersen .... construction coordinator
Shanna Starzyk .... assistant art director
Helga Tjia .... set dressing coordinator (as Helga Wool-Smith)
Steven C. Voll .... general foreman
Melissa McSorley .... prop food stylist (uncredited)
Sound Department
Peter Bentley .... sound mixer
Carey Milbradt .... foley mixer
Magic A. Moreno .... Digital Transfer Engineer: Todd Hollywood
David Padilla .... assistant sound editor
Bud Raymond .... utility sound technician
Monique Reymond .... foley artist
Martin Schloemer .... sound recordist
Christopher Sposa .... boom operator (as Chris Sposa)
Visual Effects by
Doug Ludwig .... visual effects supervisor
Michael S. Pryor .... visual effects producer: Laser Pacific
John J. Renzulli .... digital compositor
Chris Wright .... visual effects producer
Jason Wilson .... visual effects artist (uncredited)
Camera and Electrical Department
Michael Ambrose .... gaffer
Don Devine .... camera operator "a" camera
Oscar Gomez .... best boy rigging grip
Annika Iltis .... second assistant camera: "b" camera
Timothy James Kane .... first assistant camera: "b" camera (episode)
Michael Martino .... first assistant camera
Jay Pope .... rigging grip
Andrey Prikazchikov .... rigging grip
Jan Ruona .... a camera: first assistant
Hootly Weedn .... lighting technician
Michael Yarish .... still photographer
Micah Zarlow .... rigging grip
Animation Department
Jeremy Cox .... animator: opening titles (uncredited)
Michele Watkins .... coordinator: opening titles (uncredited)
Casting Department
Kendra Shay Clark .... casting associate
Costume and Wardrobe Department
Tiger Curran .... costume assistant
Laura Frecon .... assistant costume designer
Jennifer Ireland .... key costumer
Juan Lopez .... set costumer
Tiffany White Stanton .... costumer (as Tiffany White)
Jessica Dalager .... costumer (uncredited)
Editorial Department
Michelle Fellner .... assistant editor
Jay Steinberg .... on-line editor
Almond Wasserman .... post-production coordinator
Daniel Yang .... dailies color assist
Dennis Mackelburg .... colorist: dailies (uncredited)
Location Management
R. Scott Poole .... location manager
Music Department
James T. Hill .... music scoring mixer
Geoff Stradling .... orchestrator
Kasey Truman .... music coordinator
Brittany Whyte .... music coordinator
Russell Scott Ziecker .... music executive
Transportation Department
Duke Foster .... transportation coordinator
Other crew
Justin Allen .... assistant production coordinator
Clara Aranovich .... researcher
Mike Carrier .... post production assistant
David Hayes Cox .... production assistant
Coleman Gladis .... key production assistant
John Hampian .... production coordinator
Brett Johnson .... staff writer
Erin Levy .... staff writer
Cortney Norris .... script coordinator
Evan Price .... production assistant
Deborah Ricketts .... archive researcher
Carson Stroup .... payroll accountant (2010)
Suzanne C. Swindle .... script supervisor
Lois Theobald .... accounting assistant
Bernadette Valer .... first assistant accountant
Hartley Voss .... production assistant
Courtney Bennet .... stand-in: Elisabeth Moss (uncredited)
Steve Fogelman .... stand-in (uncredited)
Lauren Muir .... writers office intern (uncredited)

Series Crew
These people are regular crew members. Were they in this episode?
Writing credits
(in alphabetical order)
Matthew Weiner  created by

Production CompaniesDistributorsOther Companies
  • Visual Sound  post-production facilities (closed captioning)

Additional Details

48 min
Sound Mix:

Did You Know?

This episode takes place in October 1965.See more »
Betty Francis:I wanted a fresh start, OK? I'm entitled to that!
Henry Francis:There is no fresh start! Lives carry on.
Betty Francis:Jesus, Henry, just once could you take my side?
Henry Francis:No one's ever on your side, Betty.
See more »
Movie Connections:
References The Sound of Music (1965)See more »


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51 out of 56 people found the following review useful.
The Destruction of Morality, 17 October 2010
Author: Red_Identity from United States

Whenever one is about to watch the season finale of Mad Men, one cannot even begin to predict what is going to happen. Mad Men is such a one-way show that every episode is completely unpredictable, and this season especially has shown that. Tomorrowland was another excellent end to another great season.

Over the course of the season, we have been forced to really watch and understand these characters and their flaws, and this episode particularly wanted us to do that with the Don and Betty. Betty has become unlikeable and cold-hearted over the series, and this season especially enforced that. The reasons were because of her disturbed relationship with her own mother, and because of the events that Don put her through. Again here, Betty shows us just how evil she can truly be, but it also shows us just how sullen she is. She is unhappy, and her husband is too. She wonders if she will be left again, or cheated on, and for now this is where she is. We will have to wait until we see where she is and in what progress she has made in the next season.

Don Draper. The show's lead, and while he is certainly more charming with his kids than Betty is, his root flaw is the fact that he cannot keep himself away from women. He has had at least one affair in each season, and again in this episode he sees himself 'falling' for his secretary, despite having a girlfriend back home. The reason? Because he is in another city, he feels the love and passion and... well, not much. One would like to be as happy as Don is right now with his fiancée, but how can we? We say to ourselves 'Maybe this IS Don's true love, just maybe', yet we know underneath that he is doing what he does best. His girlfriend back home said it best, Faye, 'You only like the beginning of things'. She got this one spot on. Pity too, since I really liked Faye, and along with being a well rounded character, she also accepted Don's most personal secret. We can hope for the best in Don, but despite having high hopes earlier in the season that he was finally going to realize his past mistakes, it is so heartbreaking to see him once again step into his own trap. The sad thing is, he also knows it. In a scene with him and his new love, he says that while sometimes people try to change, it is not enough. That line right there pretty much sums up the whole season.

The great thing about the episode is that while Don and Megan may be as happy as can be, others know best, particularly Joan and Peggy. In a great scene in Joan's office, both talk about how pointless their engagement is, and it roots back to how both of their jobs will be affected, which points back to another point of the season. Throughout the season, we have seen how Peggy is successfully breaking herself out from the majority of women in jobs like these, and how Joan is much more old-fashioned in her approach. Whereas Joan tries to be successful in her persona life, Peggy has focused primarily on her business life, which comes back to her problem here. She is now worried about how this new relationship will cause Megan's job to be elevated, and how she might be decreased in importance, which in turn is when Joan tells her that's why she finds other things to be happy about. Who knows, in this case maybe Joan is right.

Overall, there are many wonderful things in this episode, and it already seems like I am missing Mad Men. The continuing wheel in Don's life also seems to never stop, and one can wonder when will the wheel finally come to a stop.

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