1-20 of 33 items from 2015 « Prev | Next »
“Benaroya Pictures is working quickly to remedy the delay in production on the feature film ‘Wake,’ and we are optimistic we will resume principal photography in approximately 2-3 weeks,” said the company in a statement.
Benaroya’s sales company International Film Trust introduced the project to international buyers at the Berlin Film Festival. CAA is representing U.S. rights.
Willis is portraying a sociopath who returns to his childhood home on a remote island for his brother’s wake. When the island comes under siege, he must save the family that banished him from his ancestral home years ago.
It’s the second time in less than four months »
- Dave McNary
The 2014 RopeofSilicon Movie Awards It's hard to believe I've been doing my own brand of "awards" for seven years now. Perhaps because film awards seem to have grown increasingly irrelevant, but when you watch as many movies as I do per year it is nice to sit back and remember the finer moments of the past year, especially when we're stuck in the doldrums of the early year releases, dealing with the likes of Jupiter Ascending, Taken 3, Blackhat and Seventh Son. So, as we are now only a few weeks away from the 87th Annual Academy Awards, it's time to hand out the 2014 RopeofSilicon Movie Awards, looking back on a year that turned out to be much better than it initially appeared it may be. A hard question I'm trying to answer is just what kind of year in movies was 2014c Like previous years, blockbusters came and went. »
- Brad Brevet
Oscar winner Ben Kingsley (The Boxtrolls, Iron Man 3) has joined the cast of John Pogue’s (The Quiet Ones) action thriller Wake starring Bruce Willis (Die Hard film franchise), and produced by Michael Benaroya (Lawless, Margin Call), Tobin Armbrust (A Walk Among The Tombstones, Begin Again), David Alpert (upcoming American Ultra, AMC’s ‘The Walking Dead’) and Chris Cowles (The Numbers Station, Autobahn).
International Film Trust (Ift) is handling foreign rights to the film, which they are actively selling at the European Film Market. CAA is representing the domestic sales rights.
“Sir Ben is a truly one of a kind talent, with a unique subtlety to his work. He brings characters to life and charges them with emotion and power at just the right moments. He’s a tremendous addition to this cast, I can’t wait to see what he does with Kole, this film’s powerful antagonist, »
- Michelle McCue
When she learns of the potential eruption of a supervolcano in the region, the scientist teams up with her nemesis to avert a global catastrophe.
Herzog wrote the script and will produce with his Queen Of The Desert collaborator and Margin Call producer Michael Benaroya alongside Nina Maag of Construction Film and Canana Films’ Pablo Cruz. CAA represents Us rights.
The producers plan to shoot Salt And Fire on the Bolivian salt flats.
“I couldn’t be more pleased to be endeavouring on another journey with Werner Herzog,” said Benaroya, a backer »
- firstname.lastname@example.org (Jeremy Kay) email@example.com (Andreas Wiseman)
Clarius Entertainment has acquired Us rights to Benaroya Pictures and The Genre Company’s thriller Cell starring John Cusack (upcoming Love & Mercy, Lee Daniels’ The Butler) and Oscar-nominated Samuel L. Jackson (upcoming Kingsman: The Secret Service, Django Unchained).
The film is based on the best-selling apocalyptic novel by Stephen King.
When a powerful signal is broadcast across mobile networks worldwide, cell phone users’ minds are instantly and dangerously re-programmed. Heading north through New England in search of his wife and son, Clay Riddell (Cusack) is joined by a group of survivors hoping to fend off the bloodthirsty and hyper-connected “phoners.”
- Michelle McCue
Get ready stateside filmgoers, because the “phoners” (aka “crazies”) are coming to the Us. Stephen King fans know that the master of macabre doesn’t like using cell phones. His 2006 novel, Cell, is a cautionary tale about what can go wrong by pressing portable phones to our ears and keeping them close at hand in our pockets, and its unflinching subject matter contains flocks of murderous lunatics that would be right at home in Danny Boyle’s 28 Days Later, George A. Romero’s The Crazies, or Simon Clark’s Blood Crazy.
We knew this unique King novel was getting the adaptation treatment, with King co-writing the screenplay and John Cusack and Samuel L. Jackson in the lead roles, but we’re now one big step closer to seeing it on the silver screen, as Clarius Entertainment has acquired the Us rights to the movie.
Slated to hit theaters this year, »
- Derek Anderson
Sold by Film Factory, “Ixcanul” world premieres next Saturday in Competition at the Berlin Festival.
Arp Selection’s acquisition marks the first distribution deal to go down on “Ixcanul,” which is raising large expectation after it made the Berlin Competition cut last month, competing with such seasoned directors’ latest as Terrence Malick’s “Knight of Cups,” Werner Herzog’s “Queen of the Desert” or Benoit Jacquot’s “Diary of a Chambermaid.”
The fact that Arp Selection has bought “Ixcanul” is noteworthy. Buying mostly from Europe, Arp targets often art films with potentially wider audience appeal: Ari Folman’s “The Congress,” with Robin J.C. Chandor’s “Margin Call,” and Paulo Sorrentino’s Sean Penn starrer “This Must Be the Place.” Arp Selection’s biggest recent release was Steven Soderbergh »
- John Hopewell
American Sniper easily led the box office for the third weekend in a row, while the three new wide releases flopped with less than $18 million combined.American Sniper added $30.7 million, which fell just shy of a new record for Super Bowl weekend behind Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour ($31.1 million). Unfortunately, it was off 53 percent from last weekend, which suggests that the intense interest surrounding the movie has cooled off quite a bit. Still, that $30.7 million ranks 21st all-time among third weekends, and that's with a hand tied behind its back thanks to the Super Bowl.To date, American Sniper has earned $247.8 million, which ranks sixth among 2014 releases. It could still wind up becoming the highest-grossing movie from 2014 ahead of The Hunger Games: Mockingjay*Part 1, though that no longer seems guaranteed.Playing at 2,893 locations, Project Almanac flopped with $8.3 million. That's the second worst debut »
- Ray Subers <firstname.lastname@example.org>
You probably don't need us to tell you that Superbowl weekend has just been and gone in the Us. But maybe you might have missed Ivan Reitman's smart comedy-drama Draft Day. Following Kevin Costner as Sonny, it's a movie that's got a surface of sport, but isn't really about it at all.
I'm from the UK, know next to nothing about American Football, and got to the end understanding all the things I needed to understand.
That's part of the magic trick of this movie. It's a bit like that wonderful movie Margin Call. You don't really know trading and all of that stuff, but you can still get very »
J.C. Chandor, who raced from Margin Call to All Is Lost to A Most Violent Year, has left the director’s chair of the upcoming film Deepwater Horizon. The reason? Our old friend “creative differences,” at least as far as the official knowledge base goes. Now, coming in to replace him, is Peter Berg, whose most […]
- Russ Fischer
One of the most fascinating filmmaking voices of the moment, and certainly one of the most prolific, J.C. Chandor has been moving from project to project — "Margin Call," "All Is Lost," "A Most Violent Year" — shifting from one genre to the next with ease. He had been on track to get his biggest project yet going, "Deepwater Horizon" starring Mark Wahlberg, but the director's participation has sunk. Chandor has exited the movie over the standard "creative differences." Instead, Wahlberg's "Lone Survivor" bud Peter Berg has stepped in to help, and yeah, "creative differences" starts to make a whole lot of sense now. Penned by Matthew Sand and Matthew Carnahan, the film is based on the true events that occurred on an oil rig in the Gulf of Mexico on April 20, 2010, and chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival »
- Kevin Jagernauth
Despite its title, A Most Violent Year is not about St. Louis in 2015 but about New York City in its most crime-ridden year of 1981. Oscar Isaac stars as ambitious Colombian immigrant Abel Morales, who began his career as a truck driver for a heating oil biz run by a mobster whose daughter Anna (Jessica Chastain) he eventually married. Abel took over ‘Standard Heating Oil’, and grew it quickly – but too quickly in the eyes of his competitors. As the movie opens, Abel and his attorney (Albert Brooks) are on the verge of a big move – borrowing a million and a half dollars to buy two oil tanks in a prime area of Queens. With 30 days to secure the cash needed to close the deal, it’s a risky investment, but if all goes according to Abel’s plan, he will eventually be able to store and move fuel on a larger scale. »
- Tom Stockman
Director: J.C. Chandor
Run Time: 125 minutes
Synopsis: During the cold winter of 1981, an honourable and ambitious immigrant is forced to fight and protect his business and family from the corruption and unscrupulousness sweeping New York City.
Margin Call’s J.C Chandor continues to prove how masterful he is at balancing understated boldness with restrained menace in his latest film A Most Violent Year. The film’s metaphoric contradictions will have you transfixed from the get go: attentively attuned to the thrilling, fast-paced action one second and then… Bam! You’re frustrated beyond belief because the pace of this gripping film is so sluggishly steady it’ll have you begging the screen ‘C’mon – give me something’! It’s The Godfather in warm yellow tones, but not. It’s about principled capitalism, »
- Sacha Hall
★★★★☆ With just three films J.C. Chandor has managed to prove himself a director capable of morphing to suit his subject matter. Margin Call (2011) was dialogue-heavy and cerebral, reflected in the computer screens and shimmering steel and glass of the surroundings. In the far more elemental All Is Lost (2013) the sea was the ever-shifting landscape for Robert Redford's near-wordless toil. Most recently, the director has turned his hand to a crime drama of sorts, adopting a grimy, muted aesthetic in keeping with the tumultuous setting of New York in 1981. The scintillating A Most Violent Year (2014) highlights what has been the through-line of Chandor's terrific career to date; the struggle to survive.
- CineVue UK
Not as violent as the title would imply, this is a sterling essay in inner strength.The story is set in New York City in 1981, in what we are told is the most violent year in the city’s history. Before we go any further, it should be noted that J.C. Chandor’s wonderfully transporting story is not a particularly violent one. His previous hit “Margin Call” was much more violent, at least emotionally violent and his recent “All is Lost” is just a violent as is this movie.In fact, “A Most Violent Year” has much in common with “All is Lost.” […] »
- Ron Wilkinson
It's often the case that period stories can tell us more about our current society than those set in the present day. In his first non-contemporary script, writer-director Jc Chandor probes at urgent ideas about gun control and proportional response within the framework of a brooding, meticulous crime drama.
In the grim winter of 1981, statistically one of the most crime-ridden years in New York's chequered history, principled oil entrepreneur Abel (Oscar Isaac) is trying to forge a righteous path amidst the chaos. His oil trucks are being hijacked at gunpoint, attracting the kind of attention he doesn't need from the district attorney (David Oyelowo), and he's on the brink of losing a crucial real estate deal thanks to his snowballing misfortune.
The idea of man wrestling with forces beyond his control is common throughout Chandor's work, »
A Most Violent Year, 2014.
Written and Directed by J.C. Chandor.
In New York City 1981, an ambitious immigrant fights to protect his business and family during the most dangerous year in the city’s history.
How far do you go to chase your American Dream while all around you is being torn asunder in the most violent year in the history of the greatest city in the world? For Abel Morales (Oscar Isaac, Inside Llewyn Davis), an immigrant who has worked his hands to the bone to become the city’s premium purveyor of oil, he will go as far as being decent and upstanding will take him. Along with his wife Anna (Jessica Chastain, Interstellar), they have worked their way to the top, but despite Abel’s best intentions of keeping his business clean, »
- Scott J. Davis
Filmmaking careers are born at Sundance, as evidenced by directors Kevin Smith (“Clerks”), J.C. Chandor (“Margin Call”) and Damien Chazelle (“Whiplash”). This year’s festival features plenty of returning artists as well as new voices with something fresh to say. TheWrap talked to buyers and sellers before whittling down this list of 10 buzzworthy filmmakers on the eve of Sundance. Something tells us we’ll be hearing about them for years to come.
Nikole Beckwith, »
- Jeff Sneider
The Museum Of Modern Art and the Film Society Of Lincoln Center announced the first nine films in the long-lived showcase for new work. They include Myroslav Slaboshpytskiy’s winner of the Critics’ Week grand prize at Cannes, which is set in a Ukrainian school for deaf and mute coeds and is told entirely in sign language, with no subtitles. The Tribe is one of four films that will make their way to Manhattan from Park City, Utah, where they’re also on the Sundance roster: Charles Poekel’s Christmas, Again, about a heartbroken Christmas-tree salesman; Rick Alverson’s Entertainment, a follow-up to The Comedy, about a broken-down comedian doing stand-up across the Mojave Desert and Kornél Mundruczó’s White God, winner of the Un Certain Regard prize at Cannes about a dog’s journey back to its owner after being abandoned in the city.
Representing 11 countries from around the world, »
- The Deadline Team
I think a good way to judge whether or not you thought the past year of film was a good one is how difficult it was to compile your top ten of the year. Did you struggle to fill spots or were there a bunch of films vying for positionsc 2014 ended up in the latter category for me, which is a very good thing. I was impressed with the slate of films released this year, mainly from the smaller side. Major Hollywood studios did manage to crank out a couple of high quality, blockbuster entertainments, like Edge of Tomorrow and X-Men: Days of Future Past, which, in my opinion, is two more than they usually produce. Obviously, we are not far away enough to know how remembered 2014 will be, and if it is, for whatc Will people remember this as the year Marvel could put out whatever and people would »
- Mike Shutt
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