A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
A respected financial company is downsizing and one of the victims is the risk management division head, who was working on a major analysis just when he was let go. His protégé completes the study late into the night and then frantically calls his colleagues in about the company's financial disaster he has discovered. What follows is a long night of panicked double checking and double dealing as the senior management prepare to do whatever it takes to mitigate the debacle to come even as the handful of conscientious comrades find themselves dragged along into the unethical abyss. Written by
Kenneth Chisholm (email@example.com)
The CEO's name, John Tuld, rhymes with the name of the ex-CEO of the now-defunct investment bank Lehman Brothers, Richard S. Fuld. Lehman Brothers, like the firm in this film, found themselves catastrophically over-leveraged in mortgage-backed-securities in the financial crisis of 2008. They eventually declared bankruptcy, and Richard Fuld was heavily criticized for his involvement in these events. See more »
The building that the movie takes place in is 1 Penn Plaza.
When Sam and Peter are outside talking while Sam smokes, they are on 33rd Street. They are then seen coming up the escalator to the building, but there isn't an escalator from the street. Even if they somehow went downstairs, the escalator they are on is from the LIRR Concourse on the 34th Street side of the building. See more »
Quietly gripping morality tale - a near perfect movie
Saw this last night. Set at a Wall Street firm on the night in 2008 when the leaders realize that changes in the market will wipe them out if they don't immediately stop selling the products that have been making them all rich, the movie centers on the moral dilemma - recognized by some characters but dismissed by others - that they face in unwinding their positions, saving themselves but shifting the pain to others.
The movie finds a way to hold the mirror up to our civilization, showing how we are all complicit in a collective 'dream' (one character says at one point, in response to another who says he feels like he is in a 'dream', 'Funny, it seems like I just woke up'). The dream is the illusion of easy, risk-managed wealth that the financial markets manufacture, again and again, since the emergence of capital markets 200 years ago, until the illusion morphs overnight into a panic. Reality intervenes, fear takes over, and the 'survivor' is the guy who first reaches the lifeboat. So there are no villains in this movie, just people, richly drawn, beautifully acted characters realized by some of our best actors who relish the opportunity to show what they can do given a killer script and enough screen time between lines to actually be the people they are portraying.
Central to the movie's success:
1) It gets across the essence of what is going on in the financial markets without bogging us down or dumbing it down
2) finding a moral question that can be resolved in a night, yet which is nevertheless a perfect allegory for the whole set of moral questions raised by an economy that works the way ours does, rewarding false confidence, recklessness, and deceit as often as industry, skill, and integrity
3) the placement of young, innocent but perceptive characters at the center of the drama, who function as our eyes and ears, who are like stand-ins for all of us who weren't there, at the heart of the dream machine, when the latest fantasy of easy wealth was exposed as a collective delusion
4) really 'gets' the trader ethos and manner - they are a kind of warrior caste, foul-mouthed, impulsive, deeply selfish, surviving by their ability to outplay their counterparts, and yet living by a warrior code that sets boundaries on what they will and will not do to one another (having spent three years on Wall Street several panics ago, it rang as true as any movie I have seen on the subject)
It's like Mamet, except you don't have to work as hard to figure out what everyone's up to. It's like Chinatown, except the 'crime' is something far worse than molesting a single young girl. These guys f****d the entire planet, for Ch*****sake. It's like the best movie I've seen in a little while.
What an incredibly sure hand from a director on his maiden voyage! Who is this guy? Whoever you are, please don't stop. I would pay a lot to see what he could do with topics like 'the decision to go to war', or 'the emergence of China/India/Brazil/Indonesia from poverty to global player'. Hell I would go see him revive Mother Goose, after this debut.
I'll calm down now. Enjoy.
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