Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Roger Brown an Executive Headhunter and a part-time high end painting thief finds himself embroiled in a cat and mouse game when he tries to destroy Clas Greve's career prospects. However, Clas is a former member of a special tactical military force and will stop at nothing to ensure Roger is out of the picture and the job is his. Written by
Roger Brown pronounces his first name with a hard "g", whereas Claes Greve uses the American pronunciation. In the book, Roger himself shifts between the two depending on who he's talking to. See more »
Clas fires two consecutive blanks in the final shootout. This would not have been possible, since the recoil from the blanks is not sufficient to cycle the pistol without a barrel adaptor. See more »
Rule #1: Make sure you know everything about those you visit. 2: Never spend more than 10 minutes. Every extra minute increases the chance of someone returning home unexpectedly. 3: Do not leave DNA traces. 4: Don't waste time getting an expensive reproduction. Even a simple forgery will go unnoticed for weeks. 5: Sooner or later, one of two things will happen. You find a work of art so valuable that you never need to worry again, or... you'll get caught.
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Roger Brown has a pretty good life. By day, he's a corporate recruiter (headhunter) who goes home at night to a magnificent house and stunning wife. Unfortunately, Roger's insecurities (he's only 5'6") lead him to seek a lifestyle well beyond his means. How does he make up the difference between his income and expenses? High-priced art theft, of course.
Such is the premise of "Headhunters," a terrific Norwegian film that follows up its run at the 55th San Francisco International Film Festival with a general release. The film garnered quite a lot of buzz at the Festival and, after a recent screening, it's easy to see why. A mixture of crime/heist drama, action/suspense thriller, and love story, it's what the 1999 version of "The Thomas Crown Affair" might have looked like if it had been directed by Sam Peckinpah.
Brown, played by Aksel Hennie, is looking for one big score to settle him for life. Circumstances bring that possibility to him, but things are not what they seem. Things go wrong - very, very wrong - and Roger finds himself in deep, deep sh** (literally as well as figuratively.) To say much more would spoil the intricate plot (I'll leave that to the trailer,) but suffice it to say you should just sit back, buckle up, and enjoy the ride. This film has more twists and turns than a fjord-side road.
Fast paced and extremely violent in spots, this film is not for the squeamish. If you can get through a little (well, a lot) of body mutilation, high impact body trauma and the occasional spearing, you'll find yourself enjoying (yes, I said it enjoying) a cinematic thrill ride that puts its American counterparts (see Ocean's Eleven/Twelve/Thirteen, etc.) to shame.
Catch it before the typical half-assed American remake appears
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