Legendary explorer Thor Heyerdal's epic 4,300-mile crossing of the Pacific on a balsawood raft in 1947, in an effort to prove that it was possible for South Americans to settle in Polynesia in pre-Columbian times.
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Pål Sverre Hagen,
Ellen Dorrit Petersen
Somewhere in Sub-Saharan Africa, Komona, a 14-year-old girl, tells her unborn child growing inside her the story of her life since she has been at war. Everything started when she was abducted by the rebel army at the age of 12.
Alain Lino Mic Eli Bastien,
The Norwegian explorer Thor Heyerdahl crossed the Pacific Ocean in a balsawood raft in 1947, together with five men, to prove that South Americans back in pre-Columbian times could have crossed the ocean and settled on Polynesian islands. After financing the trips with loans and donations, they set off on an epic 101-day-long trip across 8000 kilometers, while the world was waiting for the result of the trip. The film tells about the origin of the idea, the preparations, and the events on the trip. The "Kon-Tiki" was named after the Inca sun god, Viracocha, and "Kon-Tiki" is an old name for this god. Heyerdahl filmed the expedition, which later became the Academy Award winning documentary in 1951, and he wrote a book about the expedition that was translated into 70 languages and sold more than 50 millions copies around the world. Heyerdahl believed that people from South America could have settled Polynesia in pre-Columbian times, although most anthropologists now believe they did not... Written by
Large parts of the film were filmed in two versions at the same time, one in Norwegian, the other in English, in order to secure international funding. See more »
The crew were not worried about whether the ropes would hold the float together, as it is portrayed in the film. As we can see in the Kon-Tiki documentary, the balsa wood was much softer than the rope, and it was actually the rope that ate through the wood. The result was that the rope eventually was protected by the space that had been created around it. See more »
[Talking about Thor's theories, rejected several times]
Don't worry, Heyerdahl. Scientific Committees my ass. Am I right, McGregor, or am I right?
[he realices that Herman Watzinger looks his wooden leg]
Frostbite. The winter of '24. It taught me one thing: Do as the natives do. Down to the smallest detail. Don't use nails if they used rope. Don't use steel if they used bone. It took their ancestors. Go with them. And you just might hang on to your leg.
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Before the closing credits, short clips are shown in which original footage shot by Heyerdahl was reenacted by the "Kon-Tiki" actors: urinating overboard in the open sea, dancing with natives under palms, portraits, and the like. Along with this, brief notes concerning each crew member's path of life after the trip are given. See more »
I'm not saying this just because I'm Norwegian and extremely proud that my country managed to produce this amazing adventure. Kon-Tiki is definitely one of the most original, well- written and fun films I've seen this year.
It's the 1940s. Without spoiling the story (which is real by the way), we are invited to follow Thor Heyerdahl as he gathers a crew of overly confident Scandinavians attempting to cross the Pacific on a balsa wood raft. All in the name of science and a boyish thirst for adventure! This attitude is understandable; after enduring the misery of WW2, little seemed more tempting than escaping to faraway exotic lands. Bravery or stupidity? In either case, viewers can look forward to one hell of a boat ride.
What I adore about Kon-Tiki is the presentation of the raft's surroundings. The Pacific Ocean is just as magnificent and beautiful as it is dangerous and merciless, and this dynamic is perfectly balanced. Peaceful waters and clear skies suddenly give way for dangerous sea- creatures and storms mighty enough to tear the old-fashioned raft apart. Kon-Tiki is simply grand. At times my adrenaline rose, my heart started pumping, and I started lusting for adventure myself - just by watching.
Another strong point is the cast. The actors do a brilliant job at depicting the slightly eccentric yet adventurous Scandinavians far away from their Nordic comfort zone. Thor Heyerdahl is particularly well portrayed with his dreamer-like attitude and awkward English skills. Although I would prefer more emphasis on character development, Kon-Tiki make them just interesting enough for viewers to care for them.
Kon-Tiki is such a delight to watch, because it's original, different and not your typical Hollywood adventure flick. No, the plot is not complex. It has no twists or turns, and Kon-Tiki certainly doesn't contain the amount of drama you'd expect. And this is what makes it good - the film is all about the sheer excitement of the adventure. Of course it isn't perfect, but for a Norwegian film, I'd say it holds its ground rather strongly.
I honestly haven't had this much fun with a film for a long while. If you're lucky, Kon-Tiki might show up on a festival or international cinema near you. In that case, do watch it.
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