| Hikari Mitsushima | ... | Sawako | |
| Kôtarô Shiga | ... | Tadao | |
| Ryô Iwamatsu | ... | Nobuo | |
| Kira Aihara | ... | Kayoko | |
| Masashi Endô | ... | Kenichi | |
| rest of cast listed alphabetically: | |||
| Makiko Amuro | |||
| Kurt Chiba | |||
| Katsuki Emura | |||
| Yumi Hirose | |||
| Miyoko Inagawa | |||
| Toshiaki Inomata | |||
| Tsubasa Itô | |||
| Tsubasa Kikuchi | |||
| Tomiko Kudô | |||
| Emi Makino | |||
| Akie Maruyama | |||
| Maki Meguro | |||
| Ryû Morioka | ... | Tennis club captain | |
| Keiko Shinohe | |||
| Satoshi Shiomi | |||
| Natsumi Suzuki | |||
| Tong Toro Tong | |||
| Nawo Uchiyama | |||
| Yoshiko Yoshino | |||
Directed by | |||
| Yûya Ishii | |||
Writing credits | ||
| Yûya Ishii | (screenplay) | |
Produced by | |||
| Mayumi Amano | .... | producer | |
| Ryuhei Chiba | .... | executive producer | |
| Natsuhiko Ujiie | .... | executive producer | |
| Yasuhide Uno | .... | executive producer | |
| Toshiyuki Wake | .... | assistant producer | |
| Hiroshi Yauchi | .... | executive producer | |
Original Music by | |||
| Chiaki Nomura | |||
Cinematography by | |||
| Yukihiro Okimura | |||
Film Editing by | |||
| Koichi Takahashi | |||
Art Direction by | |||
| Tatsuo Ozeki | |||
Costume Design by | |||
| Kyoko Baba | |||
Production Management | |||
| Shunta Kezuka | .... | assistant production manager | |
| Hiroaki Matsushita | .... | assistant production manager | |
| Naoko Nakamaruo | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Yuki Kondo | .... | assistant director | |
Art Department | |||
| Naoki Ohtani | .... | assistant art director | |
| Hanako Yanagi | .... | props | |
Sound Department | |||
| Yamato Katô | .... | sound | |
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| Kimi to arukou | Bare-assed Japan | Godzilla Versus the Sea Monster | Chichi ariki | All About Lily Chou-Chou |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
(See the previous review for a very good plot synopsis)
I went to see this movie in Tokyo because Pia Magazine (the leading Japanese language entertainment magazine in Tokyo) had done theater exit polls for several movies and this one had scored best with 50+ respondents giving it an average of >90/100 points. Clearly Japanese audiences liked it.
I liked it too, in general. There were parts that were quietly funny and pleasantly quirky. There were scenes that were very funny. The performance of the leading lady, however, was somewhat mixed. She was very convincing in some scenes, less convincing in others. Also, the overall pace of the movie was a little slow. It probably could have been edited down by about 10 minutes with beneficial effect.