|Index||9 reviews in total|
Rating - 7.5/10
Way More than an average Thriller, missed by decimals of being a great one. DEFINITE Watch for Thriller Lovers. Others - You won't be disappointed.
Story - Thorne is "the" Detective with "a" Past who while investigating a case of serial killing, struggles to keep from a case in his past . 3 girls have been found dead when the fourth victim Allison Willetts survives a stroke (artificially manipulated through pressure points on head and neck as in the dead victims) and is unlucky to be alive.She is completely paralyzed but can hear, feel and understand whatever goes around her. The police believes that the Killer has made his First mistake by leaving her alive. The Mystery unfolds with time of who this serial killer might be and what happened in Thorne's Past homicidal case.
I didn't really have a very positive feel when i decided to watch it(had not heard much about it) but it turned out to be one of the Good ones. I loved the Depiction of Allison Willetts, who has been paralyzed due to the attack. Thorne was a very convincing character and so were the others. All in all Great Acting with a Nice Cast.
Highly recommended if you are looking for a thriller !!! Just Watch IT.
Now and then during channel surfing late at night there appears
something new and unknown that results in making the viewer wish for
more. Such is the case for the series THORNE. It is a high tension
thriller of a series.
'Thorne' is DI Tom Thorne (David Morrissey) who in the Sleepyhead episode enters an investigation into a mysterious serial killer. His first three victims ended up dead. His fourth was not so fortunate. Alison Willetts (Sara Lloyd-Gregory ) is unlucky to be alive. She has survived a stroke, deliberately induced by manipulation of pressure points on the head and neck. She can see, hear and feel, she is aware of everything going on around her, but she is unable to move or communicate. In leaving Alison alive, the police believe the killer's made his first mistake. And it is this kind of complex story-weaving that makes this a very tense and enjoyable series. Written by Dudi Appleton and Jim Keeble and directed with panache by Benjamin Ross, the large cast includes some very fine actors - David Morrissey is at the top of the list - that includes Eddie Marsan, Sandra Oh, Lily Loveless, Neil Kelly among others. We can only hope that this 2010 series has more parts to it and that those episodes will reach our shores and TV screens. Definitely recommended for lovers of high mystery and thrillers. Grady Harp, June 21
"I have little doubt that author Billingham would be mortified at what
has been done to his brilliant book and beloved characters..."
Before you go all self important with the 'book was so much better' garbage, you may want to get your facts straight. Mark Billingham is listed as an executive producer, which, as I understand it, has an awful lot to do with how a film's made. No, I haven't seen the film, read the book, or even heard of any of it before looking at the review, but it just bugs the crap out of me when people think they own a movie just because they read the book. And to assume that the author might be disappointed without even looking into whether the author had a role in the movie adaptation? I'm pretty sure your review is useless.
The cops in this British drama don't act like professional policemen
but more like mentally deranged teenagers with anger management issues.
The main character, DI Thorne (David Morrissey), is not in control of
his emotions. His volatility and rage seem to infect the other members
of the cast so that in total what we have here is a virtual feeding
frenzy of scenery chewing. Cops yell at other cops and cops and medical
doctors yell at each other. In one scene one character becomes enraged
and punches another character repeatedly in the face for no reason that
was apparent to me. DI Thorne seems to believe that he can communicate
with a woman in a vegetative state by shouting at her. Other times he
seems depressed and on the verge of suicide. The plot is senseless and
contrived. Nobody appears to behave rationally. A woman doctor, when
she finds out that her daughter has been kidnapped, just freaks out and
starts screaming uncontrollably and Thorne freaks out too, running
around like a chicken with its head cut off. So who's minding the
I don't generally like procedurals that feature serial killers, and especially serial killers with weird and perverted MOs, and especially serial killers who have an obsession with the primary investigator, sending him taunting messages. These are tired, boring clichés. That's my prejudice. But I must admit that genre could be done well in the right hands. This one is just awful. Don't waste your time.
*** This review may contain spoilers ***
These British shows all seem locked into the same way of presenting
their story lines: a good start, a nice development of characters, weak
dialogue, ending in ever expanding vast plot sink holes. This one does
a nice job of dangling a variety of "suspects" in front of you, but
unfortunately falls into the "don't ignore the first suspect" method.
It's always nice to see McElhone and Morrissey never bores, but in the
end the ludicrousness of the plot twists ever morphing does it in.
***********************SPOILER********************* Tell me how does a non medical individual gather half a million pounds worth of medical equipment, set it up securely in an abandoned slum, set up electricity that would cost a fortune and would alert the authorities, off of a janitor's salary??
*** This review may contain spoilers ***
There is a reason that Mark Billingham's original novel Sleepyhead was such a huge Bestseller when it came out. Watching the TV show version you would be forgiven for wondering what all the fuss was about. The novel was an ripping edge-of-the-seat page turner with twists and turns that would make your head spin. This is the most unfaithful adaptation imaginable, with terrible writing and clichéd characters and a completely re- written and boring plot. The book does make brief mention of one of DI Thorne's previous cases, a gay serial killer. The TV show decides to expand this mention while simultaneously reducing the story from the book to virtually nothing. The resulting story is a deeply confusing hotchpotch of incongruous ideas and fumbled attempts at carving a new direction. TV SHOW ENDING SPOILER: The killer from the book is completely different to the show with a genius MO missing from the show version. I have little doubt that author Billingham would be mortified at what has been done to his brilliant book and beloved characters.
Forgettable performance by the main characters of a London crime unit
in the investigation of two serial killer cases; plots, hats off to the
writer Mark Billingham, were complex and wonderful but often mangled in
a choppy pace with one too many tired social drama or work place
politics. Thorne came across as an insensitive self-centered bully in
the first case and a sophomoric know-it-all copper in the second. No
wonder it got only 1.5% viewer share per Wikipedia:
"Running on a Sunday evening in the prime 2100 slot on satellite against strong terrestrial competition from the popular Julian Fellowes' period drama series Downton Abbey, the first episode of four-part drama Single Father starring David Tennant, and a reshowing of the Dan Brown thriller The Da Vinci Code, the show drew 402,000 viewers and 1.5% audience share, according to preliminary BARB figures."
Just watched the first one of these shown here on local telly.
Don't know what it was called and couldn't care anyway.
Pretentious garbage. Cut and paste of so many clichés. Average acting with the lead playing his role like a Liam Neeson clone.
Not sure what else I can say other than, don't waste your time.
Seriously, don't waste your time.
This line is just for IMDb.
So is this.
Well OK, I can say that it also uses those stupid camera sequences where things share and images swap - like a cheap Japanese horror movie. As I said - pretentious.
Here we have a three-ring circus PLUS the kitchen sink. This show is so chock-a-block with clichés, red herrings, obvious plot contrivances, and all the current motifs of crime TV that it's hard to imagine what they left out. (We have the renegade cop always in trouble but with infallible instincts, the cold female boss, the seemingly genius serial killer that no one can catch no matter how many clues are strewn about in plain sight, the 'orrible, 'orrible crime, the cop himself and/or loved ones drawn into danger, dubious psychology made up on the fly, etc., ad nauseum.) The show is all so blatantly contrived that it seems to veer into self-parody on numerous occasions, totally undercutting whatever dread or deep engagement we're supposed to be experiencing. Sadly, with so much fine British TV to chose from, never seen on these shores, this is a show that Encore chose to bring over to the US. No thanks.
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