Stones in Exile (2010)A look at the creation and impact of the 1972 Rolling Stones album "Exile on Main St." Director:Stephen Kijak |
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Stones in Exile (2010)A look at the creation and impact of the 1972 Rolling Stones album "Exile on Main St." Director:Stephen Kijak |
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| Credited cast: | |||
| The Rolling Stones | ... |
Themselves
(archive footage)
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| Mick Jagger | ... |
Himself
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| Keith Richards | ... |
Himself
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| Charlie Watts | ... |
Himself
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| Bill Wyman | ... |
Himself
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| Mick Taylor | ... |
Himself
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| Rest of cast listed alphabetically: | |||
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Marshall Chess | ... |
Himself
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| Sheryl Crow | ... |
Herself
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| Benicio Del Toro | ... |
Himself
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| Caleb Followill | ... |
Himself
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Ashli Haynes | ... |
Singer
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Andy Johns | ... |
Himself
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| Anita Pallenberg | ... |
Herself
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| Liz Phair | ... |
Herself
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| Martin Scorsese | ... |
Himself
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In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization. Written by <jhailey@hotmail.com>
Great band. Great album. Mediocre documentary.
This is a patchwork of stills, video, and voice overs looking at the iconic album Exile on Main Street.
The beginning was excellent staging the setting of how the Stones were forced out of England due to tax issues. Taking up residence in the South of France would lead them to cut this great album.
But that is when the documentary began to drift. The story was cut with lots of recreations. Truly. Grainy black and white video with actors who are supposed to resemble the Stones are frequently cut in.
What I would like to have seen (heard) is more music. Seriously.
Perhaps gathering the band together, not scattered as they were (save Mick and Charlie) would have permitted more dialogue and insight into the creative process.