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A Good Day to Die Hard (2013)

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John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.

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4 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Irina (as Yulia Snigir)
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Alik (as Rasha Bukvic)
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Collins
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Sergey Kolesnikov ...
Chagarin
...
Anton
Zolee Ganxsta ...
MRAP Driver (as Ganxsta Doglegy Zolee)
Péter Takátsy ...
Prosecutor
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...
Pretty Reporter
...
Lucas
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Storyline

Iconoclastic, take-no-prisoners cop John McClane, for the first time, finds himself on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes. Written by Guy from Estonia

Plot Summary | Plot Synopsis

Taglines:

Like father. Like son. Like hell! See more »

Genres:

Action | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

| |

Release Date:

14 February 2013 (USA)  »

Also Known As:

Die Hard 5  »

Filming Locations:

 »

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Box Office

Budget:

$92,000,000 (estimated)

Opening Weekend USA:

$24,834,845, 17 February 2013, Wide Release

Gross USA:

$67,349,198

Cumulative Worldwide Gross:

$304,654,182
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (Extended Cut)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The "Idiot's Travel Guide to Moscow" that McClane flips through in the back of the cab is listed as being written by Tom Karnowski, one of the film's executive producers. See more »

Goofs

In the chase scene, the blue van with Jack and Komarov has a loose headlight. In the next shot, it's fixed, and then broken again in the next. See more »

Quotes

John McClane: [during a shoot out] You remember the last time we talked just before you went away?
Jack McClane: Ah no. No! No, no, you're not gonna open up to me before we die. That's not your thing, John.
John McClane: What's my thing?
Jack McClane: Fucking killing bad guys, that's your thing!
John McClane: [preparing to return fire] You're not gonna die today.
See more »

Connections

Featured in Honest Trailers: Die Hard (2015) See more »

Soundtracks

Ode To Joy (Cell Phone)
Written by Ludwig van Beethoven
Arranged by Michael Klein and John Mccurry
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
I kept an open mind, but so much was left to be desired.
14 February 2013 | by See all my reviews

In the early '80s and '90s, the "Die Hard" series of films were all about entertainment. Sure it's not a thought-provoking piece of art, but it's art done with class, integrity and art; these films were made at a time when action films were..actually..action films. They had no quick-style MTV editing that tries to pass itself off as "action", they were done with pure and honest craftsmanship with stunt men willing to put it all out for all to see. And for that aspect alone, they did a commendable job.

So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.

Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.

The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.

In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.

I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.


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