John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
Iconoclastic, take-no-prisoners cop John McClane, for the first time, finds himself on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes. Written by
Guy from Estonia
Shot with Super 35, and with the series' traditional 2.35:1 scope aspect ratio in mind, director John Moore re-framed the film to 1.85:1 (possible through the Super 35 format) after deciding the opening car chase sequence looked better that way. He also believed the 1.85:1 ratio would better accommodate the hand-held camera work scenes. See more »
In the chase scene, the blue van with Jack and Komarov. The left headlight is loose (broke). But in the next shot, it looks like he's made. The shot after, the headlight hangs again. See more »
I love Die Hard, but shaky camera ruined it for me this time. I can't see because 35% film use shaky camera, 25% out of focus, blurry and 10% rapid zoom ins. Please STOP using Shaky Camera in Films, PLEASE :I am some of those remaining species, who go to watch feature films in cinemas. I never download a movie for free, I pay to netflix. Just doing my part to save the cinema I love. But, some directors and movie making houses, make stupid moves. One of them is use of unwanted, un-needed, shaky camera. So, I want to get my voice heard. If you are a fan, go see the movie, but if you don't like Shaky Camera, then think twice.
166 of 216 people found this review helpful.
Was this review helpful to you?