| Photos (See all 74 | slideshow) | Videos (see all 16) |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Raphaël Benoliel | .... | co-producer | |
| Javier Méndez | .... | executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Jaume Roures | .... | producer | |
| Stephen Tenenbaum | .... | producer | |
Cinematography by | |||
| Darius Khondji | (director of photography) | ||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Stéphane Foenkinos | |||
| Patricia Kerrigan DiCerto | |||
| Juliet Taylor | |||
Production Design by | |||
| Anne Seibel | |||
Art Direction by | |||
| Jean-Yves Rabier | |||
Set Decoration by | |||
| Hélène Dubreuil | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| Veronique Bosle | .... | hair stylist (as Véronique Boslé) | |
| Avril Carpentier | .... | additional makeup artist | |
| Catherine Jabes | .... | hair supervisor (as Cathy Vidal-Jabes) | |
| Natasha Ladek | .... | wig maker: Kathy Bates | |
| Catherine Leblanc | .... | hair stylist | |
| Thi Thanh Tu Nguyen | .... | makeup supervisor | |
| Patricia Planche | .... | makeup artist | |
| Lydia Pujols | .... | makeup artist | |
| Aurélie Rameau | .... | additional make up artist | |
| Alice Robert | .... | additional makeup artist | |
| Jean-Christophe Roger | .... | additional makeup artist | |
| Olivier Seyfrid | .... | hair stylist | |
Production Management | |||
| Helen Robin | .... | unit production manager | |
| Matthieu Rubin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Franck Allera | .... | trainee assistant director | |
| Mallorie Ballestra-Duquesnoy | .... | assistant director | |
| Delphine Bertrand | .... | second assistant director | |
| Baptiste Caux | .... | trainee assistant director | |
| Aurore Coppa | .... | third assistant director | |
| Raphael Holt | .... | school trainee assistant director (as Raphaël Holt) | |
| Robert Karn | .... | assistant director | |
| Gil Kenny | .... | first assistant director | |
| Geoffroy Koeberle | .... | dga trainee | |
| Guilhem Malgoire | .... | additional assistant director | |
| Arnaud Rivaille | .... | crowd assistant director | |
Art Department | |||
| Samudrika Arora | .... | art department assistant | |
| Didier Bautz | .... | plasterer | |
| Benoit Bechet | .... | assistant art director (as Benoît Béchet) | |
| Thomas Beele-Chanvril | .... | swing gang | |
| Lilith Bekmezian | .... | illustrator | |
| Stéphane Blanc | .... | painter | |
| Tatiana Bouchain | .... | art department coordinator | |
| Nicolas Brechat | .... | swing gang (as Nicolas Bréchat) | |
| Philippe Béhar | .... | stand-by carpenter | |
| Jeremy Chapelet | .... | head carpenter (as Jérémie Chapelet) | |
| Bernard Chedin | .... | prop buyer (as Bernard Chédin) | |
| William Clément | .... | construction buyer | |
| Olivier Crespin | .... | stand-by props | |
| Francine Crolbois | .... | upholsterer | |
| Liliane De Vos Conil | .... | head painter (as Liliane Conil De Vos) | |
| Christophe De Vos | .... | construction grip | |
| Séverine Depye | .... | upholsterer | |
| Pierre Maxime Duval | .... | standby props assistant (as Pierre-Maxime Duval) | |
| Patrice Fasola | .... | painter | |
| Acacio Francisco | .... | painter | |
| Tina Gardinier | .... | art department trainee | |
| Gilles Geraud | .... | dressing props (as Gilles Géraud) | |
| Dominique Gréau | .... | swing gang | |
| Alain Guenier | .... | construction grip | |
| Peter Hammond | .... | standby painter | |
| Madjid Hamzaoui | .... | head carpenter (as Madjid Hamaoui) | |
| Georges Kafian | .... | graphic artist | |
| Jacques Kazandian | .... | upholsterer | |
| Bertrand Laval | .... | construction grip | |
| Thomas Lemierre | .... | swing gang | |
| Tanty Lokonga | .... | swing gang | |
| Christophe Lunay | .... | construction grip | |
| Jérôme Magne | .... | carpenter | |
| Jean Miel | .... | dressing props | |
| Hadjila Nezlioui | .... | assistant set decorator | |
| Hadjila Nezlioui | .... | storeman | |
| Antonio Nogueira | .... | swing gang | |
| Hervé Pesquer | .... | construction grip | |
| Francois Poublan | .... | standby props assistant (as François Poublan) | |
| Benoît Tetelin | .... | props buyer | |
| Patrick Tombette | .... | head construction grip | |
| Patrick Veron | .... | construction manager (as Patrick Véron) | |
| Aneymone Wilhelm | .... | set decoration assistant (as Aneymone Wylhem) | |
| Leo Zandvliet | .... | props | |
| Uriel Zylberman | .... | stand-by props trainee | |
Sound Department | |||
| Jean-Marie Blondel | .... | sound mixer | |
| Rachel Chancey | .... | foley editor | |
| Ryan Collison | .... | foley engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Matthew Haasch | .... | foley supervisor (as Matt Haasch) | |
| Robert Hein | .... | supervising sound editor | |
| Thomas Kodros | .... | dolby sound consultant | |
| Sylvia Menno | .... | dialogue editor | |
| Frédéric Pardon | .... | boom operator | |
| Theotime Pardon | .... | second boom/cableperson (as Théotime Pardon) | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| David Wahnon | .... | sound editor | |
Visual Effects by | |||
| Ryan Duffy | .... | scanning: deluxe New York | |
| Markus Janner | .... | digital scanning and recording | |
| Marika D. Litz | .... | digital restoration artist (as Marika Litz) | |
| Chris MacKenzie | .... | digital opticals | |
Casting Department | |||
| Anaïs Barrat | .... | casting trainee | |
| Elodie Demey | .... | casting assistant | |
| Samia Fadli | .... | crowd casting | |
| Frederique Charlotte Veret | .... | assistant crowd casting (as Frédérique Charlotte Véret) | |
Costume and Wardrobe Department | |||
| Magali Bonnot | .... | alterations | |
| Jérôme Brousseau | .... | crowd dresser | |
| Claire Chanat | .... | costume supervisor | |
| Dominique Cristina | .... | costume buyer | |
| Virginie de Kinkelin | .... | costume buyer | |
| Céline Frécon | .... | alterations | |
| Elsa Le Guichard | .... | crowd dresser | |
| Françoise Le Tellec | .... | principals' dresser | |
| Emily Martin | .... | principals' dresser | |
| Jean Marc Mirete | .... | head of sewing room (as Jean-Marc Mirete) | |
| Julian Moeglin | .... | crowd dresser | |
| Aurore Pageot | .... | principals' dresser | |
| Pascal Pecastaing | .... | costume assistant | |
| Eleonora Pelletier | .... | crowd dresser (as Elenore Pelletier) | |
| Guillaume Puthod | .... | costume assistant | |
| Solange Saban | .... | assistant costume designer | |
Editorial Department | |||
| François Aubé | .... | project manager: LTC | |
| Matt Breitenbach | .... | hd deliverables | |
| Xavier Desjours | .... | dailies color grader | |
| Christian Dutac | .... | photochemical grader: Quinta Industris | |
| Joe Gawler | .... | digital intermediate colorist: Deluxe New York (as Joseph Gawler) | |
| Kate Rose Itzkowitz | .... | assistant editor | |
| Tim Mullen | .... | digital intermediate engineer | |
| Fabien Napoli | .... | dailies color grader | |
| Morgan Neville | .... | first assistant editor | |
| Jonathan Sanden | .... | digital intermediate editor | |
| Grégory Sapojnikoff | .... | scanlab operating manager | |
| Darrell R. Smith | .... | digital intermediate supervising producer | |
| Harry Muller | .... | color timer (uncredited) | |
Transportation Department | |||
| Nathalie Anselme | .... | transportation coordinator | |
| Jalal Aqdim | .... | picture vehicles assistant | |
| Claire Augé | .... | unit driver | |
| Philippe Bénard | .... | unit driver (as Philippe Benard) | |
| Alexandre Gautier | .... | unit driver | |
| Cyril Guillaumin | .... | unit driver | |
| Charles Heidet | .... | picture vehicles supervisor | |
| Nicolas Jaubert | .... | unit driver | |
| Francois Litou | .... | unit driver (as François Litou) | |
| Phillippe Rinino | .... | unit driver (as Philippe Rinino) | |
| Bruno Szwarcbart | .... | unit driver | |
Other crew | |||
| Deborah Alexander | .... | assistant to Mr. Tenenbaum | |
| Carme Anglada | .... | press: Mediapro | |
| Nicolas Biaugeaud | .... | production assistant | |
| Nicolas Biaugeaud | .... | set production assistant | |
| Fanette Boisot | .... | assistant location manager | |
| Angélique Bosio | .... | production secretary | |
| Barbara Chayoux | .... | script trainee | |
| Morgan Cluette | .... | set production assistant (as Cluett Morgan) | |
| Laura Comerford | .... | insurance: AON/Albert G. Ruben Inc. | |
| Alice Cordie | .... | location trainee (as Alice Cordiè) | |
| Laurence Coutaud-Garnier | .... | production coordinator | |
| Mathieu Debusschère | .... | production office trainee | |
| Antonin Depardieu | .... | location manager | |
| Serge Desfilles | .... | assistant location manager | |
| Jessica Drake | .... | dialect coach: prep | |
| Bernat Elias | .... | staff production crew: Mediapro | |
| Marisa Fernández Armenteros | .... | staff production coordinator: for Mediapro | |
| Helena Fernández Pérez | .... | legal affairs: Mediapro | |
| Elena García González | .... | staff production crew: Mediapro | |
| Inés Gete | .... | legal affairs: Mediapro | |
| Perrine Gilbert | .... | stand-in | |
| Anna Gonzálvez Ortuño | .... | press: Mediapro (as Anna González) | |
| Michael J. Harker | .... | completion bond representative | |
| Veronique Hassid | .... | legal services (as Véronique Hassid) | |
| Rebecca Hawkes | .... | worldwide technical services: Schedule 2 | |
| Shani Hinton | .... | legal services: Jitterbug Law | |
| Grégoire Jeudy | .... | crowd marshall | |
| Yann Jouannic | .... | location scout | |
| Rabia Kassam | .... | school trainee | |
| Scott Kordish | .... | production coordinator | |
| Bernard Lamy | .... | production accountant | |
| Eric Leblond | .... | production office assistant | |
| Pietro Lorino Jr. | .... | production accountant: ny | |
| Eponine Maillet | .... | set production assistant | |
| Mauro Margenat | .... | chief financial officer: Mediapro | |
| Ana Martí | .... | tax consultant: for Mediapro | |
| Richard McCune | .... | production financing: City National Bank (as Richard V. McCune) | |
| Tigrane Minassian | .... | production office trainee | |
| Astrid Monarque | .... | assistant production accountant | |
| Franck Nicolas | .... | assistant production accountant | |
| Erik Piecuch | .... | production financing: City National Bank | |
| Emma Pindar | .... | worldwide technical services: Schedule 2 | |
| Sandra Puig | .... | business affairs: Mediapro | |
| Pascal Ricuort | .... | assistant location manager | |
| Plessy Robin | .... | set production assistant | |
| Max Roures | .... | set productin assistant | |
| Teia Roures | .... | staff production crew: Mediapro (as Teia Roures Cervera) | |
| Julio Rubio | .... | press: Mediapro | |
| Yaiza Ráez | .... | staff production assistant: Mediapro | |
| Carole Schmidlin | .... | set production assistant | |
| Elena Sota García | .... | legal affairs: Mediapro | |
| Timothee Talandier | .... | assistant location manager (as Timothèe Talandier) | |
| Irwin J. Tenenbaum | .... | legal services: Loeb & Loeb | |
| Melissa Tomjanovich | .... | assistant: Woody Allen | |
| Carl Turnquest Jr. | .... | projectionist | |
| Meritxell Ventanilla | .... | business affairs: Mediapro | |
| Stèphanie Vèron | .... | location trainee | |
| Katie Watson | .... | business representative: SAG | |
| Anne Wermelinger | .... | script supervisor | |
| Luis Elías García | .... | production intern (uncredited) | |
Thanks | |||
| Vanessa Bruno | .... | the producers gratefully acknowledge and wish to thank | |
| Julien Civange | .... | the producers gratefully acknowledge and wish to thank | |
| Lydia Courteille | .... | the producers gratefully acknowledge and wish to thank | |
| Jerome Dreyfuss | .... | the producers gratefully acknowledge and wish to thank | |
| Gaelle Duchemin | .... | the producers gratefully acknowledge and wish to thank | |
| Rene Furterer | .... | the producers gratefully acknowledge and wish to thank | |
| Caroline Goux | .... | the producers gratefully acknowledge and wish to thank | |
| Leonor Greyl | .... | the producers gratefully acknowledge and wish to thank | |
| Muriel Guidoni | .... | the producers gratefully acknowledge and wish to thank | |
| Dr. Hauschka | .... | the producers gratefully acknowledge and wish to thank | |
| Greg Johnson | .... | the producers gratefully acknowledge and wish to thank | |
| Emmanuelle Khanh | .... | the producers gratefully acknowledge and wish to thank | |
| John Kochman | .... | the producers gratefully acknowledge and wish to thank | |
| Isabelle Marrant | .... | the producers gratefully acknowledge and wish to thank | |
| David Mayer Naman | .... | the producers gratefully acknowledge and wish to thank | |
| Cédric Meeschaert | .... | the producers gratefully acknowledge and wish to thank | |
| Christophe Musitelli | .... | the producers gratefully acknowledge and wish to thank | |
| Howard Neustadt | .... | thanks | |
| Howard Neustadt | .... | the producers gratefully acknowledge and wish to thank | |
| Anthony Peto | .... | the producers gratefully acknowledge and wish to thank | |
| Jamin Puech | .... | the producers gratefully acknowledge and wish to thank | |
| Jay Rubin | .... | the producers gratefully acknowledge and wish to thank | |
| Eric Zeller | .... | the producers gratefully acknowledge and wish to thank | |
|
|
|
|
|
| 2 Days in Paris | An American Werewolf in Paris | Le divorce | Paris, je t'aime | Rendezvous in Paris |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Spain section |
It had to happen sooner or later, and finally it did. Woody Allen and Paris "fell" in love with each other, and, as the result, we, the viewers, received a precious gift from the master of subtle, intelligent and charming dra-medies, gentle and charming "movable feast," the new movie "Midnight in Paris ".
I have been a fan of Woody Allen for long time and seen all his movies, those that he made, and those in which he starred or only wrote the screenplay for. I look forward to each of his films and I am ready to love them before I even see them. I knew I would like Midnight in Paris, but I had no idea how good it was. From the first frame, following the Darius Khondji's camera on such familiar but uniquely beautiful streets, alleys, boulevards and quays of the City of Light, it was hard not to fall in love with Paris and with the film of Allen, his love letter to the most famous city in the world, capital of love and Mecca for writers, artists, musicians and artists to whom Paris gave inspiration during all times and epochs - Belle Époque 1890s, the Golden days of the 1920s, and today, right now...
Midnight in Paris is a delightful, kind (yes, this is Woody Allen), light, and charming film, which can be described as A Paris Midnight Magical Movable Feast. Paris in the film is beautiful during day light, night time, bright sun, and rainy hours. Oscar nominee, the master cinematographer of many remarkable films, including Panic Room, Se7en and Evita, Darius Khondji worked with Allen on three films: Anything Else (2003), Midnight in Paris (2011), and the next film, the Roman project Bop Decameron (2012).
Soundtrack consists of Allen's favorite songs from the 1920s-30s by such songwriters as Cole Porter, Glen Miller, and Enoch Light, and from the repertoire of Josephine Baker and Juliet Greco. For the original film theme, Allen picked the guitar composition of the French jazz guitarist Stephane Wrembel "Bistro Fada". Wrembel's influence and source of inspiration has been the music of the famous French Gypsy guitarist Django Reinhardt, whose longtime fan and admirer is Woody Allen himself. According Wrembel, Allen was searching for a typical French-Parisian melody, reflecting the spirit and atmosphere of Paris. I can confirm that the film theme and the songs that Allen picked up for Midnight in Paris are important, integral component of the film's charm and add to the romantic and joyous feeling that the film brings to the viewers.
As always, in Woody Allen's movies, the actors give uniformly good performances. Owen Wilson is very convincing and likable as Gil, Hollywood's successful screenplay writer who works on a first novel, a protagonist, a much younger, attractive, and funny Woody Allen stand-in. Adrien Brody played the best role since The Pianist (very small cameo, but memorable and hilarious). Kathy Bates was very believable as a famous literary critic and friend to the struggling talented writers and artists. Alison Pill was impressive as the bright, outgoing but showing the signs of instability wife of the celebrated American writer. I hardly recognized Corey Stoll but liked him a lot as another famous American writer. Watching Marion Cotillard, I had no problems believing that the character she played, Adriana, could have been the muse and the girlfriend of not just one but three amazingly and uniquely talented world renowned painters. Rachel McAdams (Inez, Gil's not so romantic fiancée), Kurt Fuller and Mimi Kennedy (Inez's parents on the business trip in Paris who don't seem to approve their daughter's choice), and Michael Sheen (Paul, Inez's pedantic and arrogant former boyfriend from college) were quite good as not very likable Americans. The First Lady of France, Carla Bruni appeared in a small role of a museum guide.
The story itself was so lovely in using the time travel as the plot device and brought so many funny and sharp one-liners, dialogs and scenes as well as the plenty moments of recognizing the beloved literature and art figures of the past, that I sat and smiled happily during the whole film. Like I mentioned in the beginning, I expected to love the film even before I saw it and knew from the very first scene that I was in for something very special but my husband, who is much more reserved in his ratings and not often calls a film a masterpiece, used the word for Midnight in Paris and asked whether the film has won some prestigious prizes. Well, the awards season is several months away, but for me, and I am sure for all Woody Allen's fans, Midnight in Paris is a great prize from the writer/director.