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Midnight in Paris (2011)

PG-13 | | Comedy, Fantasy, Romance | 10 June 2011 (USA)
2:04 | Trailer

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While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s everyday at midnight.



737 ( 14)
Won 1 Oscar. Another 23 wins & 96 nominations. See more awards »



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Cast overview, first billed only:
Maurice Sonnenberg ...
1920's Partygoer
1920's Partygoer
1920's Partygoer
Marie-Sohna Conde ...
1920's Partygoer (as Marie-Sohne Condé)


Gil and Inez travel to Paris as a tag-along vacation on her parents' business trip. Gil is a successful Hollywood writer but is struggling on his first novel. He falls in love with the city and thinks they should move there after they get married, but Inez does not share his romantic notions of the city or the idea that the 1920s was the golden age. When Inez goes off dancing with her friends, Gil takes a walk at midnight and discovers what could be the ultimate source of inspiration for writing. Gil's daily walks at midnight in Paris could take him closer to the heart of the city but further from the woman he's about to marry. Written by napierslogs

Plot Summary | Plot Synopsis

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual references and smoking | See all certifications »

Parents Guide:




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Release Date:

10 June 2011 (USA)  »

Also Known As:

Midnight in Paris  »

Box Office


$17,000,000 (estimated)

Opening Weekend:

$599,003 (USA) (20 May 2011)


$56,816,662 (USA) (16 March 2012)

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Gil and the Fitzgeralds visit the nightclub Chez Bricktop, which was owned and operated by the singer and dancer Bricktop from 1924 to 1961. Bricktop previously made a cameo appearance as herself in another Woody Allen film Zelig (1983), in which she claimed that the title character Leonard Zelig (played by Allen) frequented her club in the 1920s. See more »


In a scene set in the 1920s, the small bollards lining the kerbs to prevent cars from parking with two wheels on the pavement can be seen - they were installed in the 1990s. See more »


[first lines]
Gil: This is unbelievable! Look at this! There's no city like this in the world. There never was.
Inez: You act like you've never been here before.
Gil: I don't get here often enough, that's the problem. Can you picture how drop dead gorgeous this city is in the rain? Imagine this town in the '20s. Paris in the '20s, in the rain. The artists and writers!
Inez: Why does every city have to be in the rain? What's wonderful about getting wet?
See more »


Composed by James P. Johnson & Cecil Mack
© WB Music Corp.
© Carlin Music Publishing Canada, Inc.
On behalf of Redwood Music Ltd.
Performed by Enoch Light & The Charleston City All Stars
Courtesy of Geffen Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Midnight Magical Movable Feast
10 September 2011 | by (Virginia, USA) – See all my reviews

It had to happen sooner or later, and finally it did. Woody Allen and Paris "fell" in love with each other, and, as the result, we, the viewers, received a precious gift from the master of subtle, intelligent and charming dra-medies, gentle and charming "movable feast," the new movie "Midnight in Paris ".

I have been a fan of Woody Allen for long time and seen all his movies, those that he made, and those in which he starred or only wrote the screenplay for. I look forward to each of his films and I am ready to love them before I even see them. I knew I would like Midnight in Paris, but I had no idea how good it was. From the first frame, following the Darius Khondji's camera on such familiar but uniquely beautiful streets, alleys, boulevards and quays of the City of Light, it was hard not to fall in love with Paris and with the film of Allen, his love letter to the most famous city in the world, capital of love and Mecca for writers, artists, musicians and artists to whom Paris gave inspiration during all times and epochs - Belle Époque 1890s, the Golden days of the 1920s, and today, right now...

Midnight in Paris is a delightful, kind (yes, this is Woody Allen), light, and charming film, which can be described as A Paris Midnight Magical Movable Feast. Paris in the film is beautiful during day light, night time, bright sun, and rainy hours. Oscar nominee, the master cinematographer of many remarkable films, including Panic Room, Se7en and Evita, Darius Khondji worked with Allen on three films: Anything Else (2003), Midnight in Paris (2011), and the next film, the Roman project Bop Decameron (2012).

Soundtrack consists of Allen's favorite songs from the 1920s-30s by such songwriters as Cole Porter, Glen Miller, and Enoch Light, and from the repertoire of Josephine Baker and Juliet Greco. For the original film theme, Allen picked the guitar composition of the French jazz guitarist Stephane Wrembel "Bistro Fada". Wrembel's influence and source of inspiration has been the music of the famous French Gypsy guitarist Django Reinhardt, whose longtime fan and admirer is Woody Allen himself. According Wrembel, Allen was searching for a typical French-Parisian melody, reflecting the spirit and atmosphere of Paris. I can confirm that the film theme and the songs that Allen picked up for Midnight in Paris are important, integral component of the film's charm and add to the romantic and joyous feeling that the film brings to the viewers.

As always, in Woody Allen's movies, the actors give uniformly good performances. Owen Wilson is very convincing and likable as Gil, Hollywood's successful screenplay writer who works on a first novel, a protagonist, a much younger, attractive, and funny Woody Allen stand-in. Adrien Brody played the best role since The Pianist (very small cameo, but memorable and hilarious). Kathy Bates was very believable as a famous literary critic and friend to the struggling talented writers and artists. Alison Pill was impressive as the bright, outgoing but showing the signs of instability wife of the celebrated American writer. I hardly recognized Corey Stoll but liked him a lot as another famous American writer. Watching Marion Cotillard, I had no problems believing that the character she played, Adriana, could have been the muse and the girlfriend of not just one but three amazingly and uniquely talented world renowned painters. Rachel McAdams (Inez, Gil's not so romantic fiancée), Kurt Fuller and Mimi Kennedy (Inez's parents on the business trip in Paris who don't seem to approve their daughter's choice), and Michael Sheen (Paul, Inez's pedantic and arrogant former boyfriend from college) were quite good as not very likable Americans. The First Lady of France, Carla Bruni appeared in a small role of a museum guide.

The story itself was so lovely in using the time travel as the plot device and brought so many funny and sharp one-liners, dialogs and scenes as well as the plenty moments of recognizing the beloved literature and art figures of the past, that I sat and smiled happily during the whole film. Like I mentioned in the beginning, I expected to love the film even before I saw it and knew from the very first scene that I was in for something very special but my husband, who is much more reserved in his ratings and not often calls a film a masterpiece, used the word for Midnight in Paris and asked whether the film has won some prestigious prizes. Well, the awards season is several months away, but for me, and I am sure for all Woody Allen's fans, Midnight in Paris is a great prize from the writer/director.

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