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6 out of 6 people found the following review useful:
Spurlock captures the heart of the San Diego Con, 14 April 2012

Author: janarrah1 from United States

I've been to the Comic Con International 5 times over the years and this movie captures the feel and the heart of the convention even though comics become less and less the core of the event each year. I won't tell you why....but you will definitely tear up during one of the climactic scenes. Show this movie to you family and friends so they will understand why nerds are such good people.....and if you aren't a nerd, that's your loss! It's available online so you don't have to be near one of the limited number of theaters showing this movie....I can't wait for the DVD to be released since this is already my pick for documentary of the year!

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11 out of 18 people found the following review useful:
More a love letter to the fans than it is a documentary, 31 October 2011

Author: DonFishies from Canada

Besides being a not so subtle nod to Star Wars, Comic-Con Episode Four: A Fan's Hope is a documentary told through the viewpoints of eight individuals as they descend into the madness that is the San Diego Comic Con. All of them have a purpose to be there, and all have a goal in mind, whether it is to sell a rare comic, win a masquerade or get signed on as an artist for a comic book company.

Morgan Spurlock's latest documentary was one of the late entries on my list of films to see at this year's past Toronto International Film Festival, and one I have continued wrestling with over how I felt about it. Packed with dozens of hilarious interview clips with real and internet celebrities, along with actual footage from the floor, Spurlock valiantly tries to capture what it is like entering and navigating through the four day convention that becomes bigger with each passing year. He gets access to some behind the scenes material, and offers a fan's eye view of some of the panels and events that had occurred at the 2010 event.

But what holds the film back from being anything but a fun and amusing diversion for the geek and convention crowd, is the fact that it is a film lovingly made almost explicitly just for them. While the interviews are entertaining and downright hilarious, they do not provide any real insight or explanation for what fan culture is or why so many people go to Comic-Con year after year. Even the stories contained within the film do not answer why these people do what they do, simply that they go to obscene lengths to make sure they can pull off their goals. I assume Spurlock's main goal was to tell multiple stories (more on that in a moment), but I cannot help but feel it hinders the film. It seems content at simply existing, as a memento for everyone who experiences this kind of subculture.

Then that brings up another point – what is the ultimate goal here? I go to at least one major fan convention per year, so I have experienced the rush of seeing and meeting geek idols, witnessing the detail of some of the costumes, and talking shop with people just like the ones profiled here. But what about people venturing in with no real grasp on geek culture? What are they supposed to take from this? Are they even supposed to venture into this film? It seems a bit elitist in that respect, because there is nothing really to grasp if you do not already have some preconceived knowledge on the topic. In his previous films, Spurlock has tackled tough topics and asked some tough questions. While some segments and films work better than others (the less said about the borderline ridiculous Where in the World is Osama Bin Laden?, the better), he still made a real attempt at getting the answers. Here, he just seems content without asking the bigger questions, and as a result, the film feels like a much weaker effort.

While I do fault Spurlock's lack of analysis here, I must praise the fact that outside of name credits, he does not appear in the film at all. He offers no narration whatsoever and does not appear on-screen at any time. He lets the people being profiled tell their stories, and lets the interviews help guide the film through its less-than-90-minute run time. It is a bit flabbergasting at first, considering how prolific and personal he has made his other documentary films, but I think it helps reflect his maturity both as a documentarian and filmmaker, and as a storyteller. It allows the film to become a more intimate film, and helps reinforce the notion that it is a film made as a kind of memento for the geeks. It is made up of their stories and quips, and Spurlock never interferes or redirects the film to follow him and his thoughts. It makes the film that much more different in that respect, and I think is the key reason why it works at all.

Comic-Con Episode Four: A Fan's Hope was an interesting idea on paper, but I think in practice it comes off as more flawed than it should. While it is entertaining to watch the ups and downs of the people profiled within the film, I cannot help but feel underwhelmed by the general lack of analysis on Spurlock's part. There have been documentaries before on specific fan cultures, but no real works centred around the mother of all conventions. There was plenty of material he could have mined and a wealth of individuals who could have given keen insight on the idea of fan and convention subculture. But in the end, it feels like a whole lot of ideas, and not a lot of actual follow through. As a love letter to the people that come out to San Diego once a year, it succeeds. But as a documentary on fan culture, it fails.

6.5/10.

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3 out of 3 people found the following review useful:
The eat, sleep, and wear comics, 6 April 2012

Author: Steve Pulaski from United States

Filmmaker Morgan Spurlock brings his usual care and attention to a subject that, this time, sadly never gets it. From fast food, to terrorist-hunting, to product placement, and now to the largest convention in North America, Spurlock has proved diversity and that if you add the right balance of seriousness and wittiness to any subject, you'll be able to create a wonderful documentary. That's exactly what he does with Comic-Con Episode IV: A Fan's Hope.

To my knowledge and research, this is the first documentary ever made focusing on the convention itself. Sure, when it happens in July we have updates on the web, and VLogs from a number of people, but nothing has ever been compiled into a full length movie. Spurlock chooses to follow along four people who are traveling to the convention from all walks of life, with different goals in mind.

They are "The Geek" (Skip Harvey, a bartender hoping to write a graphic novel and get feedback on his artwork at the convention), "The Solider," (Eric Henson, also hoping to become a comic book artist to support his wife and kids), "The Designer," (Holly Conrad, a young woman in a small, concise town who is designing costumes for a Mass Effect reenactment she hopes to put on), and "The Survivor," (Chuck Rozanski, a struggling-comic book store owner who is hellbent on making a huge profit by selling hundreds of comics at the convention. Including the extremely rare, first issue of Marvel's "Red Raven" which can command thousands of dollars online).

In the mix of chronicling these four strangers, Spurlock also sets his sights on getting opinions and commentary from actors and directors who have been to the Con themselves. One of them is Kevin Smith, my favorite director, who attends Comic-Con to provide a monstrous Q&A session in the largest room of the convention. Other celebrities include Hostel director Eli Roth, stating that there is absolutely nothing wrong with having a passion for something you liked when you were young, Knocked Up star Seth Rogen, and comic book king Stan Lee.

We also follow a man who proposed to his girlfriend at Kevin Smith's panel last year at Comic-Con, as well as seeing a toy collector who is determined to acquire another entry in his prized collection, much to the dismay of his wife.

These people are genial, optimistic, and effortlessly likable. They aren't wallflowers, who sit back and expect to be taken under the wing immediately without contributing some amount of effort. They take the steps necessary in order to achieve their big goals. Comic book store owner Chuck seems to be the odd-man out when stating this, but if you look at his persistency, continuing to have faith in the comic book community and constantly spending money to run his store, he is truly fighting just as hard as the other subjects in the film. He already has his dream, he's just fighting to keep it.

The one downside with the documentary is Spurlock, himself, has virtually no part in the film whatsoever. This is quite a shame, seeing as we can see just by the way he captures the footage and edits it together (not to mention, last year, he wrote a book about the convention with the same title as the film) that he has a true love for the Con and the crowd it draws. Why doesn't he ever interact with the four subjects or the crowd themselves? It's a bummer because on top of him already remaining silent, it almost seems he doesn't have any questions for the people, when we already know that is highly unlikely. Spurlock seems to sit back and watch the fun happen, without ever getting involved or enjoying it for himself.

I would still call Comic-Con Episode IV: A Fan's Hope a documentary that needed to be made. As I've grown older, I've found it important to look at all walks of life with an open mind, and to see documentaries further illustrate that idea is wonderful. This is definitely an eclectic and ambitious film, not only documenting an extremely popular convention, but the kinds of people you'll find there. From what I hear, that's half the fun of going.

Starring: Skip Harvey, Eric Henson, Holly Conrad, Chuck Rozanski, Kevin Smith, Seth Rogen, Eli Roth, and Stan Lee. Directed by: Morgan Spurlock.

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1 out of 1 people found the following review useful:
Enjoyable., 30 December 2012

Author: planktonrules from Bradenton, Florida

The biggest reason I watched this documentary was that it was co-produced and directed by Morgan Spurlock--and he always seems to make interesting films. However, I was very surprised at the style of the film, as it's nothing like his other movies and you don't see him at all during the picture. Instead, you simply are taken to ComicCon in San Diego and get to see the sights as well as follow a few nice folks there. There are also LOTS of interviews with the royalty in the geek world. This made the film very free-flowing and natural--like a REAL experience in going to this convention as well as getting a personal interview with these people. Now considering it's practically impossible to get tickets (believe me, my daughter has tried!), it's the best most people can do. My only complaint? I would have liked to have seen more! Highlights--seeing the guy propose, the AMAZING cos-play team and the guy who wanted to become a comic artist AND succeeded amazingly well!

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1 out of 1 people found the following review useful:
Geeks unite, 18 December 2012

Author: Patryk Czekaj from Warsaw

I'm not an avid comic book fan, but I really enjoyed this cheerful, passionate geek-doc. It's really not as much about Comic-Con in itself, as it is about the people that travel there from different parts of the world in order to follow their lifelong hopes and dreams of distinguishing themselves in this ever-changing, tremendously cool industry.

By juxtaposing the interviews with some awesome, well-known people, with the adventures of a few Comic-Con regulars Morgan Spurlock achieved a subtle level of tenderness and showed a much different side of this enormous, spectacular fan gathering. The subheading (A Fan's Hope) reveals the whole truth about this picture, as the movie truly corresponds to the adventures of five attendees, who think of Comic-Con as a place of ultimate fulfillment. Comic-Con is a cultural phenomenon that's able to bring together not only all the true geeks and cos-players, but also many people, who aren't actually interested in comic books, yet they still want to take part in this splendid event. The truth is that this is the only place in the whole world where all of those people can really feel at home.

Apart from showing the passion and energy that permeate the place, this documentary also ponders a very difficult topic, namely the gradual demise of the cult fan-base, due to the overpowering force of corporate impact on the industry. While comic books will be made and fans will still read them, Comic-Con is slowly changing into a sort of business conference, where money is mentioned more times than any superhero or villain. That's a thought that the creators of the movie leave the audiences with.

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1 out of 1 people found the following review useful:
A film for comic fans, 13 May 2012

Author: FilmPulse

The phenomenon of San Diego's Comic-con has grown to astronomic levels in both attendance and exhibition since it's inception in 1970. It has morphed into something much more than just a gathering of comic book nerds, packed into a hotel conference room. Comic-Con encompasses all things pop culture, be it comics, movies, games, or anything else people can geek out over. Famed director Morgan Spurlock decided to chronicle the 2010 con, and follow a select few to document their reasons for being there, and their experience.

In addition to following around a genuine, and interesting cast of characters, Spurlock sprinkles in some interviews with some of the con's most prolific figures including Kevin Smith, Joss Whedon, Seth Rogan, and many more. Having these people give their thoughts and anecdotes about the con was a nice touch, and added some flavor to the film.

The real meat of the documentary, however, is with the interesting group of central characters. We see two aspiring artists, a costume designer, a collector, a comic book dealer, and a young couple in love. All of the characters have different reasons for being there, and yet they all share the same passion for comics, movies, and games. The characters were varied enough to keep things interesting, and they were all very likable people. In addition to learning about who these people are, and their reasons for attending Comic-Con, we learn that there's much more to the con than to simply see famous people and buy memorabilia. People use Comic-con as an opportunity to showcase their talents, and hopefully further their careers.

One of the other important topics discussed in this documentary is the concept of geek culture, the rise of geek coolness, and the commercialization of Comic-Con. As most of us know, many of the things that were considered nerdy when we were kids, are actually cool now, and as a result, many companies are cashing in. When Comic-Con began, it was just a small convention focusing on comics, however now, comics take a backseat to all the other stuff going on in the con. Nowadays, many of the people that attend, don't even know, or particularly care about comics. This is upsetting to comic book fans, especially since the industry has been suffering for years.

Although Comic-Con Episode IV may not break new ground in the documentary genre, it does give people an inside look at one of the biggest pop culture events of the year. As stated in the film, everyone can find something to love about Comic-Con, and the same can be said about the film itself. It's a light and enjoyable film, that's certainly worth a watch, even if you aren't a die hard comic fan.

Adam FilmPulse.Net

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1 out of 1 people found the following review useful:
Comic Con Insights, 20 April 2012

Author: Catt Jones (cattjones@chixchatonfilm.com) from TX, United States

I had heard of comic-con before but never really understood what went on there. I was a huge comic book fan (X-men, Tales from the Crypt and Archie, etc.) but I really did not think that they were still all that popular, especially with the all the electronic gadgets that are out today. As the film illustrated, there are still folks out there that love to draw action figures (my brother being one of them) and are looking to break into the comic book industry. The two gentlemen depicted in this film are adamant about the opportunity to show the portfolios of their art and this film takes us with them on their journey on trying to get there and get someone to look at their work and hire them. I actually started to feel sorry for one of the guys because he was really heart-broken and I felt his pain. The film also showed other aspects of the convention like what goes into actually making some of the costumes that are showcased and what the sales folks have to compete with trying to sell their books in an electronic age. I enjoyed the film about the inter-working of the convention that is held in San Diego annually; I just had no idea that so many people attended and how many geeks (me being one) are actually left in this world. Emma and I are planning on attending the one that will be held here in Irving, Texas next month. That should make for some interesting pictures (smile). If you are a lover of comic books, action heroes and all related stuff, this would be an excellent film for you to experience.

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A documentary that celebrates instead of challenges, 18 July 2012

Author: Movie_Muse_Reviews from IL, USA

The transformation of San Diego's Comic-Con International is fascinating. What was once a small comic-book convention intended to connect comic creators with their fans has evolved into an annual celebration of geek culture that validates and rewards those who have dived deeper into the pop-culture pool than most.

What Morgan Spurlock has done with "Comic-Con Episode IV: A Fan's Hope" is essentially to re-validate Comic-Con, only with the big picture in mind. He and the film's many producers have crafted a love letter to this convention, one clearly born from their inner-geek's own longing to capture what the Con has become.

As such, it's hard to say how much an "outsider" to geek culture would even care about what happens at Comic-Con and consequently this film. It does take a certain predisposition to care about the subjects of the movie, namely to accept their obsessions with comics/gaming/movies and in some cases their dreams and aspirations to make the leap from fandom to professionalism. Anyone who can relate even the slightest bit to that notion, however, will enjoy the film.

The best choice Spurlock and co-writers Jeremy Chilnick and Joss Whedon (yes, that Joss Whedon) make for this documentary is to come at the Con from every possible angle. They have found a diverse group of subjects that as a whole manage to embody every type or person or personality who passionately seeks out Comic-Con each year.

The chosen subjects consist of two aspiring comic book artists hoping to get valuable feedback and perhaps even a job offer from the major names in the business; a young woman hoping her costumes featuring Mass Effect video game characters will grab some attention; a long-time comic book collector and vendor contending with the shriveling devotion to comics at the convention created specifically for them; a young man who hopes to propose to his girlfriend whom he met at Comic-Con the year before.

Some of these subjects aren't even likable people, but there's something that even someone who's only part geek will connect with in each of them. They are dreamers, and they all embrace the kid inside without any trepidation, and anyone who does that or yearns to do that more often will be caught up in these stories.

Peppered into these narratives are testimonials from various celebrities or annual Comic-Con personalities. While they lend an authoritative voice to the documentary, their words and thoughts feel remarkably more hollow in comparison to the people whose stories are being told. Even if they are genuine, they feel like a forced means of guiding the documentary from chapter to chapter.

And then there's the fact that it's not exactly poignant. The end note is that Comic-Con is a place where everyone can let their geek flag fly, a point that becomes evident minutes into the movie. The only challenging question that the documentary raises is whether Comic-Con has "sold out," yet that's not the emphasis of the film.

Documentaries are supposed to push boundaries and ask tough questions, but "Comic-Con: Episode IV" was created similar to how a middle school student chooses a research topic — because the subject is something he loves, not because he has some provocative thesis he's dying to test.

Setting aside those pre-teen motivations for making the film in the first place, "Comic-Con: Episode IV" is exceptionally well made for what it is — a celebration of geek culture and the dreamer's mentality.

~Steven C

Thanks for reading! Visit moviemusereviews.com

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The long and the short of San Diego's Comic-Con..., 27 April 2012

Author: Contributing Writer from Geek Speak Magazine

Morgan Spurlock's newest "unique documentary" could be split into two entirely different movies: 1. "Movie No. 1" tells different personal stories of people who are putting themselves out there as they travel to San Diego for Comic-Con.

2. "Movie No. 2" isn't a movie. It's actually difficult to define. Morgan Spurlock got celebrities and people in costumes to stand in front of a white screen. And they talk about Comic-Con. A LOT.

I don't think either of these movies is particularly terrible, and in fact, some of the "Profiles in Comic-Con" from Part 1 were really well done.

There was a pathos-ridden piece about Mile-High Comics, and its attempts to sell Red Raven #1 (the most valuable Marvel Comic ever published). And there was the comedic piece that was legitimately funny, where a young dork tries to publicly propose to his young dork girlfriend.

The problem was that those story lines (along with at least 3 others) were meshed with random crap from "Movie No. 2" about how celebrities and other fans like Comic-Con.

Famous people being funny (like Matt Groening and Joss Whedon) is cool, but it took so much time away from the profiles that were stretched across the whole movie.

For instance, when a Navy employee eventually sells some of his art, it felt like I only identified with him because he seemed like a nice guy. The "build-up" from Spurlock was kind of thin, and mostly involved him walking around San Diego and looking up at the sky.

Even at 88 minutes, I could've given Spurlock some serious editorial advice. The interlude involving the parade of women in Princess Leia bikinis was just gross and unnecessary. And it was presented with no connection to anything else.

The aforementioned wedding proposal was funny, but it devolved into the "Extended Cut" of the "climactic" Kevin Smith panel when he proposes. You should save the video of the guy wandering around, and of Kevin Smith bantering, for the DVD.

Not to mention that the movie demonstrates that Comic-Con was facilitating the dork's ability to make his public proposal, and that moment arguably demonstrated an agreement between Spurlock and the "Con". I'm not expecting Edward R. Murrow from Morgan Spurlock, but that just makes me sad.

And now that I'm not pulling any punches, the movie had terrible cinematography and visual editing. Having "on the ground" footage of Comic-Con is fine, but Spurlock tried to art it up. He would often float the camera upwards and/or laterally, which makes you think about the camera instead of his "real people protagonists." And I don't want to say his *AWESOME COMIC BOOK PANELS* are seizure inducing, but they definitely challenged my eyes' ability to absorb gaudy colors. And doing them over and over again, such as an announcement that it is now 'Day 3" of a 4 day convention, is just lazy.

I decided to give this movie a six star rating because it has a lot of interesting moments, even if they are mostly incredibly shallow stories of happiness or rare sadness. But if you like Morgan Spurlock or nerdy celebrities, then the time will fly by fairly easily.

That being said, this feels like a typical live spot for basic cable. And I'm sure some day it will be that, and only that.

-- Jason Luna

This review first appeared in Geek Speak Magazine - www.geekspeakmagazine.com

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Lighthearted look at the convention, 16 April 2012
Author: (HoustanHills) from United States

Comic-Con Episode IV: A Fan's Hope is a well made documentary - apparently made to order for the geekiest. I doesn't try to uncover some deep dark secrets behind this famous convention, which has grown from a small gathering of comic book and superhero die hards to a major convention, but simply shows us what happens at this convention. And just following some of the people interacting with others is really quite interesting to watch

Watching the people who attended the 2010 convention, including comic book dealer, Chuck; Holly, a costume designer and a couple of fans trying to get their ideas sold; one soon realizes that this is a salute to the event itself. There is a strong and very real feeling of camaraderie with pretty much everyone that attends. This is because the geeks have conquered (as they probably should) and appreciate their growth in numbers. There really isn't a strong opposing view on Comic-Con or what it is all about. But that's okay, because that is not what this is about. it is about the people, their characteristics and what happens at this convention, which has become a real force to be reckoned with.

Once again, director Morgan Spurlock (Supersize Me) has brought us a documentary that is entertaining while giving us some insight in his subject matter.

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