| Photos (See all 20 | slideshow) | Videos (see all 2) |
| Seth Rogen | ... | Himself | |
| Seth Green | ... | Himself | |
| Kevin Smith | ... | Himself | |
| Eli Roth | ... | Himself | |
| Stan Lee | ... | Himself | |
| Adrianne Curry | ... | Salve Leia | |
| Paul Scheer | ... | Himself | |
| Paul Dini | ... | Himself | |
| Jon Schnepp | ... | Himself | |
| Holly Conrad | ... | Herself | |
| Scott Mantz | ... | Himself | |
| Jessica Merizan | |||
| Eric Henson | ... | Himself | |
| Michael Bender | ... | Himself | |
| Mish'al Samman | ... | Himself | |
| James Darling | |||
| Skip Harvey | |||
| S.K. Darling | (as Se Young Kang) | ||
| Maxim Stoyalov | |||
| Andrew Page | ... | Himself | |
| Sean Walsh | (as Tank Rigormortis) | ||
| Stephenie Werner | |||
| Edgar Gallego | ... | Himself | |
| Chuck Rozanski | |||
| Tayler Hudson | |||
| Eric Cajiuat | ... | Jedi Elvis (uncredited) | |
| Brian Fitzharris | ... | Himself / Hot Wheels Rep (uncredited) | |
| Paula LaBaredas | ... | Princess Leia (uncredited) |
Directed by | |||
| Morgan Spurlock | |||
Writing credits(in alphabetical order) | ||
| Jeremy Chilnick | ||
| Morgan Spurlock | ||
| Joss Whedon | ||
Produced by | |||
| Chelsea Barnard | .... | field producer | |
| Michelle Blumenschine | .... | line producer | |
| Gill Champion | .... | executive producer | |
| Jeremy Chilnick | .... | producer | |
| Kief Davidson | .... | field producer | |
| Matthew Galkin | .... | producer | |
| Shannon Gibson | .... | associate producer | |
| Lisa Hepner | .... | field producer | |
| Ross Kauffman | .... | field producer | |
| Harry Jay Knowles | .... | producer | |
| Stan Lee | .... | producer | |
| Brian Runnels | .... | associate producer | |
| Jack Selby | .... | executive producer | |
| Morgan Spurlock | .... | producer | |
| Benjamin Statler | .... | executive producer | |
| Thomas Tull | .... | producer | |
| Joshua Z. Weinstein | .... | field producer | |
| Joss Whedon | .... | producer | |
Cinematography by | |||
| Sandra Chandler | |||
| Bryan Donnell | |||
| Nick Higgins | |||
| Ross Kauffman | |||
| Dane Lawing | |||
| Daniel Marracino | |||
| Jason Miller | |||
| Guy Mossman | |||
Film Editing by | |||
| Tova Goodman | (co-editor) | ||
| Tim K. Smith | |||
Casting by | |||
| Michael Sutton | |||
Art Direction by | |||
| Matt Haley | |||
Production Management | |||
| Senain Kheshgi | .... | production manager: California | |
| Sebastian Weinberg | .... | post-production manager | |
Sound Department | |||
| Abe Dolinger | .... | sound mixer | |
| Brian Fish | .... | sound mixer | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| Paul Graff | .... | sound mixer | |
| Giles Khan | .... | sound mixer | |
| Michael Legum | .... | sound supervisor | |
| Cate Montana | .... | sound editor | |
| Caleb Mose | .... | sound mixer | |
| Tom Ryan | .... | adr mixer | |
| Matthew Sutton | .... | sound mixer | |
| Richard Walters | .... | sound mixer | |
Camera and Electrical Department | |||
| Tiffany Armour-Tejada | .... | digital imaging technician | |
| Beau Lambert | .... | time-lapse cinematographer | |
| Fortunato Procopio | .... | cinematographer | |
| Joshua Z. Weinstein | .... | camera operator | |
| Max Wheeler | .... | assistant camera | |
Animation Department | |||
| Lewis Kofsky | .... | animation producer | |
Casting Department | |||
| Maria Luisa Gambale | .... | casting producer | |
| Mary A. Lively | .... | casting producer | |
| Kristin Meyer | .... | casting producer | |
| Sarah Scott-Farber | .... | casting associate | |
| Melissa Wulfemeyer-Valenzuela | .... | casting (as Melissa Valenzuela) | |
Editorial Department | |||
| Brian Boyd | .... | colorist | |
| Jeycob Carlson | .... | assistant editor | |
| Thomas Favilla | .... | associate editor | |
| Tova Goodman | .... | co-editor | |
| David Pleiss | .... | assistant editor | |
| Brian Reali | .... | digital intermediate producer | |
| Lenka Somolova | .... | assistant editor | |
Music Department | |||
| Jingle Punks | .... | composer: additional music | |
Thanks | |||
| Stephen Christy | .... | special thanks | |
| Misty Lee | .... | special thanks | |
| Michael McMillian | .... | special thanks | |
| Zachary Quinto | .... | special thanks | |
| Gareb Shamus | .... | special thanks | |
| Kevin Smith | .... | special thanks | |
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| Dean LeCrone vs. the Mutants of Comic-Con | Crumb | The Con | Act Your Age: The Kids of Widney High Story | Almost Famous |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I'm not an avid comic book fan, but I really enjoyed this cheerful, passionate geek-doc. It's really not as much about Comic-Con in itself, as it is about the people that travel there from different parts of the world in order to follow their lifelong hopes and dreams of distinguishing themselves in this ever-changing, tremendously cool industry.
By juxtaposing the interviews with some awesome, well-known people, with the adventures of a few Comic-Con regulars Morgan Spurlock achieved a subtle level of tenderness and showed a much different side of this enormous, spectacular fan gathering. The subheading (A Fan's Hope) reveals the whole truth about this picture, as the movie truly corresponds to the adventures of five attendees, who think of Comic-Con as a place of ultimate fulfillment. Comic-Con is a cultural phenomenon that's able to bring together not only all the true geeks and cos-players, but also many people, who aren't actually interested in comic books, yet they still want to take part in this splendid event. The truth is that this is the only place in the whole world where all of those people can really feel at home.
Apart from showing the passion and energy that permeate the place, this documentary also ponders a very difficult topic, namely the gradual demise of the cult fan-base, due to the overpowering force of corporate impact on the industry. While comic books will be made and fans will still read them, Comic-Con is slowly changing into a sort of business conference, where money is mentioned more times than any superhero or villain. That's a thought that the creators of the movie leave the audiences with.