| Julia McKenzie | ... | Miss Marple | |
| Nicholas Parsons | ... | Father Gorman | |
| Lynda Baron | ... | Mrs. Coppins | |
| JJ Feild | ... | Paul Osbourne | |
| Jodie Hay | ... | Bertie | |
| Jason Merrells | ... | Dr. Kerrigan | |
| Neil Pearson | ... | Inspector Lejeune | |
| Jonathan Cake | ... | Mark Easterbrook | |
| Nigel Planer | ... | Mr. Venables | |
| Jenny Galloway | ... | Bella | |
| Susan Lynch | ... | Sybil Stamfordis | |
| Pauline Collins | ... | Thyrza Grey | |
| Tom Ward | ... | Captain Cottam | |
| Sarah Alexander | ... | Lydia Harsnet | |
| Holly Valance | ... | Kanga | |
| Amy Manson | ... | Ginger Corrigan | |
| Mike Shepherd | ... | Chief Mummer | |
| Holly Willoughby | ... | Goody Carne | |
| Julia Molony | ... | Thomasina Tuckerton | |
| Bill Paterson | ... | Bradley | |
| rest of cast listed alphabetically: | |||
| Elizabeth Rider | ... | Mrs Davis | |
Directed by | |||
| Andy Hay | |||
Writing credits | ||
| Russell Lewis | (screenplay) | |
| Agatha Christie | (novel) | |
Produced by | |||
| Michele Buck | .... | executive producer | |
| Mary Durkan | .... | executive producer: for Chorion | |
| Rebecca Eaton | .... | executive producer: for WGBH Boston | |
| Matthew Hamilton | .... | co-producer | |
| Mathew Prichard | .... | executive producer: for Chorion | |
| Jennie Scanlon | .... | co-producer | |
| Karen Thrussell | .... | series producer | |
| Damien Timmer | .... | executive producer | |
Original Music by | |||
| Dominik Scherrer | |||
Cinematography by | |||
| Peter Greenhalgh | (director of photography) | ||
Film Editing by | |||
| Matthew Tabern | |||
Casting by | |||
| Susie Parriss | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Miranda Cull | |||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Bee Archer | .... | makeup artist | |
| Pamela Haddock | .... | hair and make-up designer | |
| Julie Kendrick | .... | makeup artist | |
| Vicki Lang | .... | makeup artist (as Vickie Lang) | |
| Hannah Proverbs | .... | makeup artist | |
Production Management | |||
| Kate Stannard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sean Clayton | .... | second assistant director | |
| Tussy Facchin | .... | third assistant director | |
| Paul Judges | .... | first assistant director | |
Art Department | |||
| Tim Bonstow | .... | production buyer | |
| Dave Channon | .... | construction manager | |
| Ron Dawling | .... | stand-by props (as Ron Dowling) | |
| Fred Foster | .... | stand-by construction | |
| Paul Gilpin | .... | supervising art director | |
| Jim Grindley | .... | property master | |
| Andrew Lavin | .... | stand-by art director | |
| Richard MacMillan | .... | stand-by props (as Richard Macmillian) | |
| Robert Muskett | .... | stand-by construction (as Bob Muskett) | |
| Jay Pales | .... | dressing props | |
| Mike Rawlings | .... | dressing props | |
| Mike Syson | .... | dressing props | |
| Tim Bonstow | .... | props (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Marc Hope | .... | foley editor | |
| Chris McLaughlin | .... | sound assistant | |
| Sarah Morton | .... | dialogue editor | |
| Ashley Reynolds | .... | sound maintenance | |
| Andrew Sissons | .... | sound recordist | |
| Nigel Squibbs | .... | re-recording mixer | |
| Simon Epstein | .... | foley mixer (uncredited) | |
Stunts | |||
| Tom Lucy | .... | stunt coordinator | |
Camera and Electrical Department | |||
| John Evans | .... | clapper loader | |
| Ben Gibb | .... | focus puller | |
| Jimmy Harris | .... | best boy | |
| Dermot Hickey | .... | focus puller | |
| Dean Murray | .... | clapper loader | |
| Greg Murray | .... | grip assistant | |
| Steve Murray | .... | a-camera/steadicam operator | |
| Steve Murray | .... | camera operator | |
| Jim Philpott | .... | camera grip | |
| Adam Walker | .... | electrician | |
| Gavin Walters | .... | gaffer | |
| Peter Davies | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Janine Marr | .... | costume supervisor | |
| Philip O'Connor | .... | assistant costume designer (as Phil O'Connor) | |
| Steve O'Sullivan | .... | costume assistant | |
| Sarah Ward | .... | costume assistant | |
Editorial Department | |||
| Simon Giblin | .... | on-line editor | |
| Kevin Horsewood | .... | colorist | |
| Vicky Tooms | .... | assistant editor | |
Music Department | |||
| Martin Thornton | .... | technical score assistant | |
Other crew | |||
| Meriel Baistow-Clare | .... | script editor | |
| Sam Baker | .... | production coordinator | |
| Natasha Bayford | .... | press officer | |
| Simon Blakey | .... | production secretary | |
| Julie Burnell | .... | production executive | |
| Sue Hills | .... | script supervisor | |
| Rebecca Kemp | .... | location assistant | |
| Caroline Russell | .... | production accountant | |
| Joanna Sanders | .... | assistant production accountant | |
| Patrick Smith | .... | picture publicist | |
| Mark Walledge | .... | assistant location manager | |
| Tracey Waller | .... | title design | |
| Chris White | .... | location manager | |
| Phil Hunnisett | .... | runner (uncredited) | |
| Donna Shakesheff | .... | production runner (uncredited) | |
| Izzi Shearman | .... | floor runner (uncredited) | |
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| Call Northside 777 | Suspicion | The Motorcycle Diaries | The Exorcism of Emily Rose | The Constant Gardener |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Okay, it isn't easy finding enough Miss Marple stories in the Christie canon to create a full-fledged series. But the producers have done a nice job of wedging her into one of Christie's most ingenious tales. Like "The Mirror Crack'd," "The Murder of Roger Ackroyd" and "Murder on the Orient Express," the tale features a wonderfully original plot device -- in this case, a whole new approach to contract killing. Throw in a kind of British take on re-creating the Salem witch trials and you have a mordantly murky and entertaining mystery. Purists may take umbrage at Miss Marple wandering off her own turf to solve a series of seemingly occult murders. But if it's a well-told mystery (as this one is) and doesn't otherwise twist Dame Agatha's story, why not?