A mysterious tattoo artist puts his masterpiece, a human-faced spider, on a kidnapped woman's back. She and her lover are then forced into a conspiracy-born nightmare, where they face the ... See full summary »
Thirteen year-old Marta has recently moved back to southern Italy with her mother and older sister and struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church.
A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
The Peruvian anti-terrorist army takes control of a far away and unknown small village isolated in the Andes by the terrorist militia "Sendero Luminoso" (Shining Path), during the dirty war in Peru at 80's decade.
I went to see this film last night at the Melbourne International Film Festival. I must admit that the only reason I went was that the film is set in the city I was born and where I lived for the first two decades of my life. The story of Mary and Enzo was interesting and could have been very poignant. However, it was engulfed by a messy and incoherent collection of images from a bygone era which made no sense at all and added nothing to the story. It felt like a film student project where the student had been given full access to old footage and went for broke. It was obvious that the film attempted to recreate the poetic atmosphere of a Terence Davies production. In Davies's films all the component work harmoniously together. In this case, all the components fell apart and crushed loudly against the rocky beaches of the Genoese coastline. And sadly, the power of the story of Many and Enzo was weakened by the effort.
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