| Brian Geraghty | ... | David Hargrove | |
| Alice Eve | ... | Emily Brandt | |
| Josh Peck | ... | Corey Thompson | |
| Mike O'Brian | ... | The Man | |
| Robert Huculak | ... | Robert | |
| Ernesto Griffith | ... | Security Guard | |
| Bryan Clark | ... | Jerry | |
| Daniel De Jaeger | ... | Luke | |
| Omar Alex Khan | ... | Christian (as Omar Khan) | |
| Aaron Hughes | ... | Patrolman | |
| Will Woytowich | ... | Sargent | |
| Glen Thompson | ... | Harold | |
| rest of cast listed alphabetically: | |||
| Edgar Governo | ... | Bystander in Parka (uncredited) | |
Directed by | |||
| David Brooks | |||
Writing credits(in alphabetical order) | ||
| Chris Sparling | screenplay | |
Produced by | |||
| Paul Brooks | .... | producer | |
| Leon Clarance | .... | executive producer | |
| Dan Clifton | .... | executive producer | |
| Phyllis Laing | .... | co-producer | |
| Joe Laurin | .... | supervising producer | |
| Sarah Pineau | .... | executive producer | |
| Peter Safran | .... | producer | |
Original Music by | |||
| David Buckley | |||
Cinematography by | |||
| Bengt Jonsson | |||
Film Editing by | |||
| David Brooks | |||
Production Design by | |||
| Craig Sandells | |||
Set Decoration by | |||
| Bill MacInnis | |||
Costume Design by | |||
| Patricia J. Henderson | |||
Makeup Department | |||
| Jennifer Machnee | .... | assistant makeup department head | |
| Doug Morrow | .... | makeup department head | |
Production Management | |||
| Lesley Oswald | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles Crossin | .... | second assistant director (as Charles Sanford Crossin) | |
| Reed Makayev | .... | trainee assistant director | |
| Richard O'Brien-Moran | .... | first assistant director | |
Art Department | |||
| Gary Barringer | .... | graphic artist | |
| Matthew Holm | .... | set dresser | |
| Jonathan Kennedy | .... | carpenter | |
| Allan McGowan | .... | set dresser | |
| Erik Sedwick | .... | storyboard artist | |
Sound Department | |||
| Jay Cheetham | .... | backgrounds editor | |
| James Fonnyadt | .... | sound designer | |
| Kirby Jinnah | .... | supervising sound editor | |
| Leon Johnson | .... | production sound mixer | |
| Javier Marin Leyton | .... | foley recording engineer | |
| Stan Mak | .... | boom operator | |
| Glen Noseworthy | .... | foley mixer | |
| Glen Noseworthy | .... | foley recordist | |
| Ryan Nowak | .... | sound effects editor | |
| Iain Pattison | .... | sound re-recording mixer | |
| Cam Wagner | .... | foley artist | |
Special Effects by | |||
| Mark Burym | .... | special effects supervisor | |
| Louis Craig | .... | special effects coordinator | |
| Tim Freestone | .... | special effects technician | |
Visual Effects by | |||
| Russell Bowers | .... | digital compositor | |
| Perry Kroll | .... | visual effects supervisor | |
| Matthew Lincoln | .... | digital compositor | |
Stunts | |||
| Mark Behar | .... | stunt performer | |
| Tristan Carlucci | .... | lead stunt double | |
| Chuck Robinson | .... | stunt driver | |
| Kristen Sawatzky | .... | stunt double: Emily | |
| Dan Skene | .... | stunt performer | |
| Rick Skene | .... | stunt performer | |
| Sean Skene | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James Chrysler | .... | lamp operator | |
| Anthony Condello | .... | lamp operator | |
| Brad Crawford | .... | lamp operator | |
| Richard Falk | .... | lamp operator | |
| Allen Fraser | .... | still photographer | |
| Caley Gibson | .... | second assistant camera | |
| Casey Harrison | .... | first assistant camera | |
| Ryan Herdman | .... | best boy electric | |
| Joao Holowka | .... | gaffer | |
| Marvin Klein | .... | genny op | |
| Ryan McGregor | .... | digital imaging technician | |
| William Mills | .... | key grip (as Bill Mills) | |
| Christophe Nachtigall | .... | best boy grip | |
| Len Peterson | .... | camera operator | |
| Tai Pu | .... | electrician | |
| Rebecca Sandulak | .... | still photographer | |
| Daniel Sauvé | .... | a-camera/steadicam operator | |
Animation Department | |||
| Gary Barringer | .... | animator | |
Costume and Wardrobe Department | |||
| Michelle Boulet | .... | set costumer | |
| Angela Wells | .... | costume truck supervisor | |
Editorial Department | |||
| James Brill | .... | digital intermediate editor | |
| Lee Hultman | .... | digital intermediate operator | |
| Leandro Marini | .... | digital intermediate producer | |
| Trevor Smith | .... | digital intermediate production assistant | |
| Rain Valdez | .... | digital intermediate producer | |
| Andrew J. Wahlquist | .... | digital intermediate technical supervisor | |
Music Department | |||
| Terri D'Ambrosio | .... | music supervisor | |
| Scott Johnson | .... | music editor | |
Transportation Department | |||
| Jared Billings | .... | daily driver | |
| Donny Kaldane | .... | daily driver | |
| Jason Leverault | .... | daily driver | |
| Raymond Michaud | .... | daily driver | |
| Dave Perich | .... | daily driver | |
| Gregory Sullivan | .... | daily driver | |
Other crew | |||
| Cameron Arguelles | .... | quality control | |
| Neal Baksh | .... | assistant location manager | |
| Denys Curle | .... | chef | |
| Jordan Fines | .... | head animal trainer | |
| Laura Forrest | .... | travel services provided by | |
| Rochelle Hykawy | .... | production assistant | |
| Tamara Mauthe | .... | production coordinator | |
| Tanya Mazur | .... | script supervisor | |
| Celene Miles | .... | first assistant accountant | |
| Cody Morgan | .... | location production assistant | |
| Bernard Narvey | .... | location manager | |
| Eduardo Ricketts Jr. | .... | location scout | |
| Andrew Schulz | .... | locations key | |
| Krystle Snow | .... | stand-in | |
| Karen Stermscheg | .... | office production assistant | |
| Helen Tolouey | .... | assistant: Mr. Scott Niemeyer | |
| Kevin Uddenberg | .... | film liaison: City of Winnipeg | |
| Michelle Walker | .... | key craft service | |
| Matt Webber | .... | stand-in | |
Thanks | |||
| Guy Danella | .... | special thanks | |
| Sebastien Nasse | .... | special thanks | |
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| Stuck | Fierce People | Maximum Overdrive | The Funhouse | Southland Tales |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
In all honesty, I can really see why the film-makers thought that this movie would be a good idea and something that could work out well. You can really tell that this movie had some good ideas in it but things aren't really thought out well enough and the movie is incredibly flawed, mostly due to its story.
These sort of thrillers/horror movies set mostly at one location, are somewhat popular now days and this movie obviously tried to have a go at it as well and ride on the success of the genre. Nothing wrong with that, as long as the movie is good, which obviously isn't the case with this movie.
Problem is that its concept is ridiculously flawed and not thought out properly. The movie doesn't exactly feature, what you could consider, a tight plot. It's build around the concept of 3 people being stuck inside an ATM because outside there is an hooded maniac, looking to kill them, as soon as they get out. Now, this is something that could had worked if things got written a bit more tight and complicated. But this is all there is to the movie really; 3 people being stuck inside a small building, with 1 guy lurking around outside. It's really silly, once you really start thinking about it. First of all, it's 3 versus 1 and it's not like the guy has some sort of superpowers, or is armed to the teeth. I'm not saying that they should had taken on the guy but surely they could had ran out quite easily, the moment the guy was at the back, trying to break into the ATM. The movie is filled with moments like this, that just are plain stupid. It just far too often doesn't make sense and because of that, there also really is no true tension in this movie.
The movie still thinks it's being really clever at times, mostly toward its end, when the 'twist' comes but let me just tell you, the ending simply makes no sense at all and doesn't explain anything. It only makes things look more flawed and ridicules and besides forced. Why do these sort of movies often feel the need to have a 'surprise' ending in it? Sometimes a movie is simply better off when it's being more straight-forward and not by trying to be clever and surprise its audience.
This was an obvious low budget production, which becomes apparent through its looks but also really its acting. No, I definitely wasn't impressed by any of the acting in this movie, which was perhaps another reason why I just wasn't taken at all by it.
But it still wasn't a movie I hated watching. I guess it's too short and harmless for that. Maybe the more casual movie goer can still get some enjoyment and entertainment out of this movie, as long as they don't spend too much time thinking about its plot. But even those people have to admit at the end that this is a far from great or effective enough movie.
Really can't recommended it.
5/10
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