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Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

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Won 1 Oscar. Another 76 wins & 101 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Eva
Alexandre Tharaud ...
Alexandre
...
Geoff
Ramón Agirre ...
Concierge's Husband
Rita Blanco ...
Concierge
Carole Franck ...
Nurse #1
Dinara Drukarova ...
Nurse #2 (as Dinara Droukarova)
...
Police Officer #1
Jean-Michel Monroc ...
Police Officer #2
...
Neighbour
Damien Jouillerot ...
Paramedic #1
Walid Afkir ...
Paramedic #2
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Storyline

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including a disturbing act, and for brief language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

20 September 2012 (Germany)  »

Also Known As:

Amour  »

Filming Locations:

 »

Box Office

Budget:

$8,900,000 (estimated)

Opening Weekend:

$68,266 (USA) (21 December 2012)

Gross:

$225,377 (USA) (27 November 2015)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to Jean-Louis Trintignant, one of the main reasons why the pigeon scenes took so much to shoot is because Michael Haneke tried to direct the animal constantly. See more »

Goofs

When Georges and Anne are eating together he first cuts her food for her with a Laguiole knife. Later on he is holding a classic knife with a round point. See more »

Quotes

Anne: There's no point in going on living. That's how it is. I know it can only get worse. Why should I inflict this on us, on you and me?
Georges: You're not inflicting anything on me.
Anne: You don't have to lie, Georges.
Georges: [looks down at the floor contemplatively] Put yourself in my place. Didn't you ever think that it could happen to me, too?
Anne: Of course I did. But imagination and reality have little in common.
Georges: But things are getting better every day.
Anne: I don't want to carry on. You're making such sweet efforts to ...
[...]
See more »

Connections

Referenced in The 85th Annual Academy Awards (2013) See more »

Soundtracks

Impromptu opus 90 - no3
Franz Schubert
Interprétés au piano par Alexandre Tharaud
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User Reviews

 
Best Love Story since "Eternal Sunshine"

It was bound to happen. A film encompasses the soul and meaning of love and executes the physical and emotional demand it requires to be told effectively and correctly. That film is Michael Haneke's Amour. Haneke steers the film effortlessly, as if he were telling a shot-for-shot story of his own experiences. He constructs and creates two real and authentic people, Georges (Jean-Louis Tringnant) and Anne (Emmanuelle Riva). It's wonderful to see Haneke allow the powerful leads to feel and interpret these people of their own accord. It's one of his finest writing efforts of his career. Tringnant's heart is visible and available for all the viewers to see. He's fearless as he walks through the film frail and broken yet confident and composed. He challenges the audience to empathize and question our own reactions and reality. Same goes Riva, who does everything right that was wrong with similar performances like Hilary Swank in Million Dollar Baby (2004). Riva goes above and beyond the call of duty, wearing Anne on her skin with vulnerability. It's one of the great performances of the year by any woman in any category. The two leads together is even more brilliant than when they're apart. Adding in the talents of Isabelle Hupert as Eva, the daughter of our married couple who finds her own love tested, is wonderfully operational. While many will chalk this film up to depression and elderly inevitability, I don't share the same sentiments. The film is front to back about love, pure and simple. The events circle a morose and saddened sequence but Georges and Anne is the great love story of the year. The film dares you to find someone you love that much, in both perspectives. Haneke focuses on the couple with no outside stories of their neighbors, life before these events, or extra characters. He puts them in the spotlight, front and center. Amour could be the best film of the year and is the best film of the New York Film Festival so far.


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