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Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.



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Won 1 Oscar. Another 76 wins & 102 nominations. See more awards »



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Complete credited cast:
Alexandre Tharaud ...
Ramón Agirre ...
Concierge's Husband
Rita Blanco ...
Carole Franck ...
Nurse #1
Dinara Drukarova ...
Nurse #2 (as Dinara Droukarova)
Police Officer #1
Jean-Michel Monroc ...
Police Officer #2
Damien Jouillerot ...
Paramedic #1
Walid Afkir ...
Paramedic #2


Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both. Written by Kenneth Chisholm (

Plot Summary | Add Synopsis


Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including a disturbing act, and for brief language | See all certifications »

Parents Guide:




| |



Release Date:

20 September 2012 (Germany)  »

Also Known As:

Amour  »

Filming Locations:


Box Office


$8,900,000 (estimated)

Opening Weekend:

$68,266 (USA) (21 December 2012)


$225,377 (USA) (27 November 2015)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Marion Cotillard and Emmanuelle Riva are the only actors to win both a BAFTA and a César award for the same performance. Cotillard won both awards in 2008 for La Vie en Rose (2007) and Riva won in 2013 for "Amour". See more »


At the end of the movie, when Georges is writing the letter, the sound of the pen scratching the paper does not match up. See more »


Anne: You are a monster sometimes.
See more »


Referenced in Tosh.0: The Oscars Spoiler Alerts (2013) See more »


Bagatelle opus 126 - no2
Ludwig van Beethoven
Interprétés au piano par Alexandre Tharaud
See more »

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User Reviews

French-language masterpiece of the year
14 November 2012 | by (Warsaw) – See all my reviews

The fact that Amour is an instant classic in the art-house world is as indisputable as the emotions presented by the protagonists of the film are bewildering. This picture is Haneke's minimalistic yet mightily expressive homage to love as we know it, showing the feeling's overpowering force and heartfelt, altruistic nature. While remaining a thoroughly unsentimental and provocative picture, Amour delivers a most-demanding portrayal of an elderly couple's last days together. Those cultivated, sophisticated characters need to evaluate their long-lasting marriage and come to terms with their own emotions, and, simultaneously, discover the true meaning of love in itself. Decisions need to be made, and some of them might be shocking to say the least.

It's a beautiful but considerable piece of filmmaking, where a sombre atmosphere and touching yet disturbing imagery permeate every scene. Haneke's steady and visionary directorial hand promises many moving and heartbreaking sequences, while still providing a poetic exemplification of a well- lived life's concluding moments. It's impossible to find neither a plausible sense of redemption nor an authentic touch of consolation, no. The film displays a marvelous character-driven narrative, where loving individuals diverge from the seemingly familiar path and start arguing with their own opinions and ideals, leading to some truly perplexing choices. In the most unexpected manner Amour touches the controversial topic of euthanasia, emphatically depicting how difficult it might seem to even consider such a harsh decision.

Amour is a tender, scrupulous, demanding, two-hour visualization of a romance well beyond boundaries, and through its difficult notions it shows human existence in its most intimate and most elegiac state. That death seems inevitable from the very first minutes is certain, but the way Haneke chooses in order to finally arrive at this intensely upsetting conclusion is an uneasy one. Amour is definitely a cinematic powerhouse, which will leave the audiences in a most pensive, quiet - even downcast - mood, still astounding with its ubiquitous beauty.

88 of 117 people found this review helpful.  Was this review helpful to you?

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