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Only God Forgives (2013)

R | | Crime, Drama | 22 May 2013 (France)
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Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
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11 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Gordon Brown ...
...
Mai
...
...
Kim
Pitchawat Petchayahon ...
...
Kowit Wattanakul ...
Choi Yan Lee (as Kovit Wattanakul)
Wannisa Peungpa ...
Kanita
Narucha Chaimareung ...
Papa San
Danai Thiengdham ...
Waiter / Li Po
Wittchuta Watjanarat ...
Ma Fong
Nophand Boonyai ...
Charlie Ling
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Storyline

Bangkok. Ten years ago Julian killed a man and went on the run. Now he manages a Thai boxing club as a front for a drugs operation. Respected in the criminal underworld, deep inside, he feels empty. When Julian's brother murders an underage prostitute, the police call on retired cop Chang - the Angel of Vengeance. Chang allows the father to kill his daughter's murderer, then 'restores order' by chopping off the man's right hand. Julian's mother Crystal - the head of a powerful criminal organization - arrives in Bangkok to collect her son's body. She dispatches Julian to find his killers and 'raise hell'. Written by www.joblo.com

Plot Summary | Plot Synopsis

Taglines:

Time to Meet The Devil

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong bloody violence including grisly images, sexual content and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

|

Release Date:

22 May 2013 (France)  »

Also Known As:

Só Deus Perdoa  »

Filming Locations:

 »

Box Office

Budget:

$4,800,000 (estimated)

Opening Weekend:

$313,958 (USA) (19 July 2013)

Gross:

$778,565 (USA) (30 August 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Production hit a snag when it became necessary to pay off the local authorities in order to get permission and protection to film at night, including firing gunshots, for certain scenes. Refn and star Ryan Gosling were invited to a film festival in Thailand. After some negotiating and taxes, they received 90,000 USD in cash for showing up. Refn recounts in his commentary how, having never seen that amount in cash in his entire life, he enjoyed counting it out himself. It was enough to bribe the necessary authorities, and production continued. See more »

Goofs

After the fight of the opening scene, the arm of the winner is raised by the referee and the defeated fighter is picked up by his helpers in blue. When the camera cuts to the other side of the ring, this is shown again. See more »

Quotes

[first lines]
Julien: [in Thai] Go.
See more »

Connections

References El Topo (1970) See more »

Soundtracks

Kid Teung Ban
("Missing Home")
Lyric/Melody by Asanee Polchan as performed by Surachai Chantimatorn
Performed by Vithaya Pansringarm
See more »

Frequently Asked Questions

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User Reviews

 
Quite possibly the most tedious revenge movie ever made.
1 June 2014 | by (Hampshire, England) – See all my reviews

Drive, the previous movie from director Nicholas Winding Refn and actor Ryan Gosling, utilised a deliberate and rather stilted style that not only resulted in a unique air of cool but which also had the effect of making the movie's explosive scenes of violence more impactful. In Only God Forgives, Refn and Gosling repeat this sparing, slow-burn technique, but take it to the nth degree; this time around the effect is to completely bore the crap out of the viewer.

Quite simply, Only God forgives has got to be one of the most excruciating exercises in cinema it has ever been my misfortune to witness. Every pan, track or zoom is agonisingly drawn out, the camera movement often being almost imperceptible. A good percentage of scenes comprise of corridors, or people not moving, or people moving very slowly, or karaoke performances (slow songs, of course). Virtually every scene is lit in either red or blue, which gets extremely irritating. Gosling's brooding expression remains the same throughout the entire film. Conversations take an age to unfold. Minutes seem like hours. Hours seem like days. Time eventually loses all meaning.

Even the film's few scenes of brutal violence are shot in such a way as to render them totally boring.

Art-house types will love the film (or at least pretend to), finding hidden meaning and symbolism in its languorous plot and mind-bogglingly dull execution, but most right-minded people will quite rightly dismiss this for the utter garbage that it is.


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