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| Glenn Close | ... | Albert Nobbs | |
| Antonia Campbell-Hughes | ... | Emmy | |
| Mia Wasikowska | ... | Helen | |
| Pauline Collins | ... | Margaret 'Madge' Baker | |
| Maria Doyle Kennedy | ... | Mary | |
| Mark Williams | ... | Sean Casey | |
| James Greene | ... | Patrick | |
| Serena Brabazon | ... | Mrs. Moore | |
| Michael McElhatton | ... | Mr. Moore | |
| Dolores Mullally | ... | Milady | |
| Bonnie McCormack | ... | Miss Shaw | |
| Phyllida Law | ... | Mrs. Cavendish | |
| Brendan Gleeson | ... | Dr. Holloran | |
| Kenneth Collard | ... | Monsieur Pigot | |
| Judy Donovan | ... | Madame Pigot | |
| Jonathan Rhys Meyers | ... | Viscount Yarrell | |
| Phoebe Waller-Bridge | ... | Viscountess Yarrell | |
| Emerald Fennell | ... | Mrs. Smythe-Willard | |
| John Light | ... | Mr. Smythe-Willard | |
| Daniel Costello | ... | Mr. Sweeney | |
| Angeline Ball | ... | Mrs. Gilligan | |
| Philip O'Sullivan | ... | Mr. Gilligan | |
| Aaron Taylor-Johnson | ... | Joe (as Aaron Johnson) | |
| Brenda Fricker | ... | Polly | |
| Katie Long | ... | Young Kitchen Maid | |
| Katie O'Brien | ... | Older Kitchen Maid | |
| Mark Doherty | ... | Porter | |
| Rhys Burke | ... | George Moore | |
| Lauren Kinsella | ... | Milly Moore | |
| Janet McTeer | ... | Hubert Page | |
| Katie Ann McDonough | ... | Laundry Maid | |
| Kathleen Warner Yeates | ... | Laundry Maid | |
| Cate MacGabhan | ... | Laundry Maid | |
| Bronagh Gallagher | ... | Cathleen | |
| Antoinette Healy | ... | Woman on Landau | |
| Annie Starke | ... | Chocolate Shop Waitress | |
| Cathy White | ... | Nanny | |
| Malcolm Blacow | ... | Health Official | |
| Lily Melcher | ... | Country Girl | |
| Lucie Melcher | ... | Country Girl | |
| Raul Riva | ... | Albert Joseph - Helen's baby | |
| Juno | ... | Polly's Dog | |
| rest of cast listed alphabetically: | |||
| Anna Elizabeth McGrath | ... | Laundry Maid | |
| Una C. | ... | Snooty Dinner Guest (uncredited) | |
Directed by | |||
| Rodrigo García | |||
Writing credits | ||
| Glenn Close | (screenplay) | |
| John Banville | screenplay | |
| George Moore | short story | |
| Gabriella Prekop | screenplay | |
| István Szabó | story | |
Produced by | |||
| Marcia Allen | .... | co-executive producer | |
| John Amend | .... | co-executive producer | |
| Teresa Amend | .... | co-executive producer | |
| Pierre-Francois Bernet | .... | co-producer: Chrysalis Films (as Pierre-Fran¸ois Bernet) | |
| Glenn Close | .... | producer | |
| Ruth Coady | .... | associate producer: Patallel Films | |
| Bonnie Curtis | .... | producer | |
| John Eger | .... | co-executive producer | |
| Cami Goff | .... | executive producer | |
| John Goff | .... | executive producer (as John C. Goff) | |
| Sharon Harel | .... | executive producer (as Sharon Harel Cohen) | |
| Julie Lynn | .... | producer | |
| Caroline McManus | .... | post-production producer | |
| Alan Moloney | .... | producer | |
| Susan Mullen | .... | associate producer: Parallel Films | |
| Patrick O'Donoghue | .... | line producer | |
| Daryl Roth | .... | executive producer | |
| David E. Shaw | .... | executive producer | |
Original Music by | |||
| Brian Byrne | |||
Cinematography by | |||
| Michael McDonough | (director of photography) | ||
Film Editing by | |||
| Steven Weisberg | |||
Casting by | |||
| Amy Hubbard | |||
| Priscilla John | |||
Production Design by | |||
| Patrizia von Brandenstein | |||
Art Direction by | |||
| Susie Cullen | (supervising art director) | ||
Set Decoration by | |||
| Jenny Oman | |||
Costume Design by | |||
| Pierre-Yves Gayraud | |||
Makeup Department | |||
| Eileen Buggy | .... | additional hair stylist | |
| Martial Corneville | .... | hair stylist: Ms. Close and Ms. McTeer | |
| Martial Corneville | .... | wig maker: Ms. Close and Mc. Mcteer | |
| Eilis Coughlan | .... | hair trainee | |
| Lorraine Glynn | .... | makeup artist (as Lorraine Glynn Whelan) | |
| Aurelio Guzman | .... | makeup lab | |
| Jamie Hess | .... | makeup lab | |
| Lynn Johnson | .... | key makeup artist (as Lynn Johnston) | |
| Lynn Johnson | .... | prosthetic application (as Lynn Johnston) | |
| Alexis LaCentra | .... | makeup lab | |
| Clare Lambe | .... | makeup artist | |
| Matthew W. Mungle | .... | special makeup designer | |
| Aisling Nairn | .... | additional assistant makeup artist | |
| Sevlene Roddy | .... | hair stylist | |
| Ciara Scannell | .... | trainee makeup artist | |
| Chloe Bourke | .... | daily makeup trainee (uncredited) | |
Production Management | |||
| Dee Collier | .... | post-production supervisor | |
| Judith Fleeton | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Edna Doherty | .... | second assistant director | |
| Ger Duffy | .... | trainee assistant director | |
| Denis Fitzpatrick | .... | trainee assistant director | |
| John McKeown | .... | first assistant director | |
| Grace Morgan | .... | trainee assistant director | |
| Sonja Otto | .... | trainee assistant director | |
| Ceri Quinn | .... | trainee assistant director | |
| Felipa Robertson | .... | trainee assistant director | |
| Nick Thomas | .... | second second assistant director | |
Art Department | |||
| Tony Boston | .... | standby props | |
| Simon Boyd | .... | standby props | |
| Dermot Butler | .... | supervising carpenter | |
| Stephen Byrne | .... | props trainee | |
| Darach Culhane | .... | assistant buyer | |
| Fiona Daly | .... | standby art director | |
| Simone Delaney | .... | buyer | |
| Shane Donnelly | .... | standby stagehand | |
| Ciaran Drew | .... | carpenter | |
| Mark Forbes | .... | painter | |
| Jono Fortune | .... | props trainee | |
| Mick Fortune | .... | greensman | |
| Martin Goulding | .... | draftsman | |
| Martin Hayes | .... | construction manager | |
| Tony Kelly | .... | stagehand | |
| Arne Klohn | .... | props trainee | |
| Rene Knol | .... | dressing props | |
| John Lamon | .... | carpenter | |
| David Lee | .... | standby carpenter | |
| Eoin Lewis | .... | dressing props | |
| Liam Maguire | .... | props runaround | |
| Louise Mathews | .... | art director trainee | |
| Jerome McDonnell | .... | standby props (as Jerome MacDonnell) | |
| Adrienne McGrane | .... | graphic designer | |
| Ciara McKenna | .... | store person | |
| Noel McKenna | .... | standby rigger | |
| Nuala McKernan | .... | property master | |
| Brian Molloy | .... | carpenter | |
| Linda Murphy | .... | art department coordinator | |
| Gary O'Donnell | .... | standby scenic | |
| Danny O'Reilly | .... | standby rigger | |
| Christy O'Shaughnessy | .... | supervising painter (as Christopher O'Shaughnessy) | |
| John Purdy | .... | standby stagehand | |
| John Quilty | .... | props trainee | |
| Ger Richardson | .... | painter | |
| Erica Jane Ryan | .... | food specialist | |
| Brian Thompson | .... | construction runaround | |
| Melanie Whelan | .... | art department trainee | |
| Lyndon Johnston | .... | dressing props (uncredited) | |
| Eleonora McNamara | .... | prop maker (uncredited) | |
Special Effects by | |||
| Kevin Byrne | .... | special effects coordinator | |
| Gerry Farrell | .... | senior special effects technician | |
| Kevin Nolan | .... | senior special effects technician | |
Visual Effects by | |||
| Jaume Arteman | .... | digital compositor: Screen Scene | |
| Fiorenza Bagnariol | .... | digital film bureau: Deluxe 142 Features | |
| Ed Bruce | .... | visual effects supervisor: Screen Scene | |
| Roberto D'Ippolito | .... | digital compositor: Screen Scene | |
| Attila Gall | .... | digital compositor: Screen Scene | |
| Dan Helme | .... | data wrangler: Deluxe 142 Features | |
| Aled Rhys Jones | .... | digital compositor: Screen Scene | |
| Timothy P. Jones | .... | digital film bureau: Deluxe 142 Features | |
| Michael McCarthy | .... | matchmover: Screen Scene | |
| Sarah Mooney | .... | visual effects producer: Screen Scene | |
| Nicholas Murphy | .... | visual effects production assistant: Screen Scene | |
| Liam Neville | .... | digital compositor: Screen Scene | |
| John O'Connell | .... | 3d technical director: Screen Scene | |
| John Palmer | .... | digital film bureau manager: Deluxe 142 Features | |
| Gordon Pratt | .... | digital film bureau: Deluxe 142 Features | |
Stunts | |||
| Joe Condren | .... | stunt coordinator | |
| Robert O'Brien | .... | stunt performer (as Robbie O'Brien) | |
Camera and Electrical Department | |||
| Fionn Comerford | .... | camera operator: "b" camera | |
| Conor Crowley | .... | second assistant camera: "a" camera | |
| Shane Deasy | .... | first assistant camera: "a" camera | |
| Damien Heffernan | .... | practical electrician | |
| Jon Leahy | .... | provider: camera and lenses, Production Depot | |
| Sean Leonard | .... | second assistant camera: "b" camera | |
| Louise MacEllin | .... | first assistant camera: "b" camera (as Louise McEllin) | |
| Simon Magee | .... | electrician | |
| Greg McGuinness | .... | camera trainee | |
| James McGuire | .... | gaffer | |
| Richie O'Connor | .... | grip trainee | |
| Eoin O'Keefe | .... | camera trainee | |
| Micheal O'Mogáin | .... | best boy | |
| Michael O'Toole | .... | provider: lighting equipment, Cine Electric | |
| Patrick Redmond | .... | still photographer | |
| Peter Robertson | .... | steadicam operator | |
| Martin Stephens | .... | camera operator: "a" camera | |
| Jean-Martin Ó'Flatharta | .... | electrician | |
| Pádric Ó'Fátharta | .... | generator operator | |
| John Connon | .... | grip (uncredited) | |
| Niall Mannion | .... | electrician (uncredited) | |
Casting Department | |||
| Simon Cox | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Elisa Cameirano | .... | wardrobe: crowd | |
| Laura Fortune | .... | costume cutter | |
| Graham Hunter | .... | assistant costume designer | |
| Ben Maguire | .... | wardrobe: crowd | |
| Tamsin McKiernan | .... | wardrobe trainee | |
| Barbara Milne | .... | dresser | |
| Lucia Nardone | .... | key costume assistant | |
| Jessica O'Leary | .... | costume supervisor | |
| Tatjana Zemcugova | .... | breakdown artist | |
Editorial Department | |||
| Julie Carr | .... | assistant editor | |
| John Como | .... | trainee editor | |
| Cheryl Goodbody | .... | digital intermediate producer: Deluxe 142 Features | |
| Lucy Gouldthorpe | .... | post-production coordinator | |
| Dave Hughes | .... | digital intermediate colorist | |
| Jenny Keane | .... | title placement | |
| Stephen Kidney | .... | assistant editor | |
| Matt Maddox | .... | additional editor | |
| Patrick Malone | .... | digital intermediate head of department: Deluxe 142 Features | |
| Sean McGrath | .... | post-production coordinator | |
| Tim Morris | .... | digital intermediate supervisor | |
| Jeremiah O'Driscoll | .... | additional editor | |
| Allyn Quigley | .... | red rushes assistant | |
Music Department | |||
| Umberto Belfore | .... | music recordist: piano | |
| Brian Byrne | .... | musician: piano and harpsicord | |
| Ciaran Byrne | .... | score mixer | |
| Ciaran Byrne | .... | score recordist | |
| John Byrne | .... | music preparation | |
| John Byrne | .... | score supervisor | |
| Damian Chennell | .... | assistant score recording engineer | |
| Mia Cooper | .... | orchestra leader | |
| Fraser Fifield | .... | musician: whistle | |
| Martin Johnson | .... | musician: cello | |
| Anthony Long | .... | orchestra general manager | |
| John O'Brien | .... | musician: whistle | |
| Geraldine O'Doherty | .... | musician: harpist | |
| R.T.E. Concert Orchestra | .... | musicians (as The RTÉ Concert Orchestra) | |
| Ken Rice | .... | musician: solo violin | |
| Bill Shanley | .... | musician: guitar and mandolin | |
Transportation Department | |||
| Frank Burke | .... | driver | |
| Willie Cooley | .... | driver: standby electrical truck | |
| James Cullen | .... | transportation coordinator | |
| Paul Cullen | .... | transportation captain | |
| Wayne Cullen | .... | driver: standby camera truck | |
| Alan Dixon | .... | driver | |
| John Fearon | .... | driver: facilities | |
| Stephen Fearon | .... | facilities manager | |
| Patrick Fisher | .... | driver: facilities | |
| Johnny Fortune | .... | driver: facilities | |
| Gordon Geraghty | .... | driver | |
| Peter Hill | .... | driver: standby construction truck | |
| Tony Lupton | .... | driver: facilities | |
| Gavin McGlashan | .... | driver: facilities | |
| John McMenamin | .... | driver: standby props truck | |
| Graham McWilliams | .... | driver: minibus | |
| Peter O'Toole | .... | driver: minibus | |
| Colman Sharkey | .... | driver | |
| Peter Thornton | .... | driver | |
Other crew | |||
| Maya Amsellem | .... | international sales: WestEnd Films | |
| Lorcan Berney | .... | assistant location manager | |
| Grant Bobbett | .... | assistant location manager | |
| Fiona Bonnie | .... | chaperone | |
| Emerson Burns | .... | legal services: U.S. | |
| Mark Byrne | .... | head of legal services: Bórd Scannán na hÉireann/Irish Film Board | |
| Ruth Carter | .... | development executive: Parallel Films | |
| Eamon Casey | .... | advisor: silver service | |
| Aoife Cassidy | .... | production coordinator | |
| Caroline Cassidy | .... | catering supervisor | |
| Peter Conway | .... | location manager | |
| Tadhg Conway | .... | epk | |
| Jamie Deasy | .... | epk: additional footage | |
| Jamie Deasy | .... | production trainee | |
| Niall Delaney | .... | supervising accountant: Parallel Films | |
| Avril Donohue | .... | cashier | |
| Bill Dowling | .... | epk | |
| Tony Doyle | .... | courier services: Aerfast International | |
| Eddie Drew | .... | animal wrangler | |
| Gavin Duffy | .... | extras coordinator intern | |
| Ger Duffy | .... | stand-in | |
| John Duffy | .... | office security: MCM Security | |
| Nancy Evans Cox | .... | assistant: Ms. Close (as Nancy Evans) | |
| James Andrew Felts | .... | assistant: Ms. Curtis | |
| Fiona Fitzsimons | .... | historical advisor | |
| Dermot Furey | .... | chef | |
| Donal Geraghty | .... | production accountant | |
| Ben Good | .... | horse and carriage master | |
| Karen Graci | .... | assistant: Mr. Garcia | |
| Brendan Gunn | .... | dialect coach | |
| Tamara Harel-Cohen | .... | assistant: Ms. Lynn | |
| Orla Heffernan | .... | production assistant | |
| Ruth Hodgson | .... | post production executive: Film Finances | |
| Johanna Hogan | .... | legal services: Matheson Ormsby Prentice | |
| Susan Holmes | .... | production executive: Parallel Films | |
| Elsa Huisman | .... | legal services: France | |
| Ruth Hunter | .... | legal services: Matheson Ormsby Prentice | |
| Jérôme Jouneaux | .... | press attache: France | |
| Kevin Kearns | .... | health and safety officer | |
| Jonathan Kelly | .... | legal services: Bórd Scannán na hÉireann/Irish Film Board, Philip Lee Solicitors | |
| Vicki Kisner | .... | assistant: Mr. Moloney | |
| David Korda | .... | production executive: Film Finances | |
| Dina Kuperstock | .... | sales representative: North American Sales, CAA | |
| Joan Lambe | .... | first assistant accountant | |
| Zeke Lawless | .... | production assistant: Parallel Films | |
| Kate Lee | .... | unit publicist: Freud Communications | |
| Ciara Lyons | .... | extras coordinator | |
| Mike Mackie | .... | intern: Mockingbird | |
| Will Mackie | .... | intern: Mockingbird | |
| Jane McCabe | .... | assistant production coordinator | |
| Deirdre McMahon | .... | legal services: Matheson Ormsby Prentice | |
| Jane McNally | .... | production executive: Parallel Films | |
| Belinda Murphy | .... | choreographer | |
| Andrew Noonan | .... | location security: Strand Security | |
| Philip O'Carroll | .... | location trainee | |
| Ann O'Neill | .... | horse and carriage coordinator | |
| John O'Sullivan | .... | insurance broker: Media Insurance | |
| Linda Pather | .... | production monitoring supervisor: Film Finances | |
| Bairbre Quinn | .... | payroll accountant | |
| Cathal Quinn | .... | dialect coach | |
| Ceri Quinn | .... | stand-in | |
| Jana Rich | .... | social media consultant | |
| Cristan Sabau | .... | general operative | |
| Eve Schoukroun | .... | international sales: WestEnd Films | |
| Emma Scott | .... | production executive: Bórd Scannán na hÉireann/Irish Film Board | |
| James Selman | .... | unit publicist: Freud Communications | |
| Sarah Stapleton | .... | catering assistant | |
| Daniel Steinman | .... | sales representative: North American Sales, CAA (as Dan Steinman) | |
| Kieron Walshe | .... | extras coordinator assistant | |
| Andrew Waters | .... | paramedic | |
| Kathleen Weir | .... | script supervisor | |
| Genevieve Whitfield | .... | catering coordinator | |
| Julia Wilson Dickson | .... | dialect coach (as Julia Wilson-Dickson) | |
Thanks | |||
| Orlando Bloom | .... | special thanks | |
| Stephen Frears | .... | special thanks | |
| Jonathan King | .... | special thanks | |
| Jonathan Loughran | .... | special thanks | |
| Athana Matu | .... | special thanks | |
| Amanda Seyfried | .... | special thanks | |
| István Szabó | .... | special thanks (as Istvan Szabo) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
At first glance, Albert Nobbs could seem to be another dry and stuffy period piece that would follow in the tradition and be mostly about the acting. However once you delve into it, the film ends up being a surprisingly dense character drama focused around one troubled, courageous woman whose loneliness gets the better of her years of living in secrecy. The titular waiter is a delicate, frail woman masquerading as a man and actress Glenn Close delves into the role with such complete detail that she truly does disappear.
I'm always skeptical of performances that are claimed to be "fully unrecognizable" and at first I must admit that it just felt like Close playing a man, but as the film continued I slowly lost sight of my cynicism and when a later scene portrays Nobbs wearing a dress for the first time I was blown away at the fact that I was seeing this woman be a real woman for the first time. I was amazed at how absorbed Close was in the role, I genuinely forgot all about this woman playing a character and just believed the character's facade, as well as Close's. Close has gotten attention for the role as a potential Oscar vehicle and some have lashed back against that due to the performance being quite restrained, but I admire her delicacy in taking on the role. This is a woman who spent her entire life trying to blend in and be unseen, and Close's ability to be this fly on the wall creature is remarkable.
I was glad that there weren't any hysterics on her part and when the few scenes came where, in isolation, she broke down I was devastated by this woman fearing for her life to unravel. It's such a delicate and entirely human performance, and as far as I'm concerned one of the best of Close's very strong career. The central narrative revolves around Nobbs' desire to woo a young maid named Helen (played with an Irish tilt by the up-and-coming Australian Mia Wasikowska, again shining) to leave their life of servitude and open up a tobacco shop together. Throughout the film I was bothered by this belief that Nobbs was supposed to be in love with Helen and that's why she wanted to open the shop with her, but as the film reached it's final conclusion I came to the realization that it had nothing to do with love.
Throughout her life Nobbs had put in all of her effort to having no one notice her that when she's introduced to a similar woman masquerading as a man (played by the strong and unbelievably convincing Janet McTeer) who has a happy life married to a woman, Nobbs realizes the potential that maybe she doesn't have to live her life alone. It's not about loving Helen at all, it's just about not wanting to be alone anymore and once that became apparent to me the film became quite devastating. Nobbs trapped herself in this prison and Close plays it with such restrained heartache that it truly hit a level with me. Even in writing this I am realizing that the film had a much stronger impact on me than I had previously thought. This is a devastating story of a woman trapped in circumstances of her own making, portrayed with such genuine believability by Close that I forgot I was watching an actress pretend to be a man but instead just saw Nobbs.
There's a line where McTeer's character asks Nobbs what her name is and she responds, "Albert". Then McTeer repeats the question, clearly asking for her birthname instead of the one she is hiding behind and Nobbs again responds, "Albert". At the time I rolled my eyes at the exchange, but now that the whole film has settled with me it speaks so much to this trapped, wounded soul who was so lost in herself that she couldn't escape her own prison, let alone the one that she had built for Nobbs. I found Albert Nobbs to be quite the moving, hushed character piece led by a wrenching performance by Close and backed up by several other strong performances from McTeer, Wasikowska and a grimy Aaron Johnson.