Albert Nobbs struggles to survive in late 19th-century Ireland, where women aren't encouraged to be independent. Posing as a man so she can work as a butler in Dublin's most elegant hotel, Albert meets a handsome painter and looks to escape the lie she has been living.
In 19th century Dublin, Albert Nobbs, an eccentric man in the latter part of middle age, works as a waiter in Morrison's Hotel run by the stingy and controlling Marge Baker. Albert is hard working and saves his money so that one day he will be able to eke out a better life for himself by owning his own business rather than work at the hotel. Beyond his work colleagues, he is all alone in the world. One day, a man named Hubert Page is hired by Mrs. Baker to paint one of the rooms in the hotel. She forces Hubert to share Albert's bed for the one night he is required to stay to complete the work, much to Albert's horror. Hubert discovers the reason Albert did not want to share a room with him. But rather than the issue being a problem, Hubert shows Albert that he can follow a slightly different life path than the one he envisioned for himself - one closer to the life that Hubert leads with his wife Cathleen - which includes getting married and having a wife to support him emotionally. ... Written by
Essie Davis was originally cast in this film back in the early 2000s but funding fell through. Glenn Close and Essie Davis went on to star together in A Street Car Named Desire in London's West End. See more »
When Glenn Close is running on the beach, she falls down in a spot where it is obvious that the sand was disturbed in a previous shot or rehearsal. See more »
Janet McTeer is absolutely transcendent in ALBERT NOBBS.
The waves of emotion which she wraps into Hubert Page are a wonder to behold. Her performance is not one of those 'knock me over with a feather' performances; it's more like a performance that settles in the bottom of your heart and stays there well after the movie ends. It keeps you up at night, and tugs at you for days afterward.
The story itself is more layered than it appears to be. Glenn Close has brought to the screen a very private yet very emotional character. Such a character is difficult to portray -- and the 'talking to one's self scenes' were a bit annoying, as all such scenes are.
In the end, however, this is a movie well worth your time.
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