An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
In Alaska, a team of oil workers board a flight home; however, they cross a storm and the airplane crashes. Only seven workers survive in the wilderness and John Ottway, who is a huntsman that kills wolves to protect the workers, assumes leadership of the group. Shortly after they learn that they are surrounded by a pack of wolves and Ottway advises that they should seek protection in the woods. But while they walk through the heavy snow, they are chased and attacked by the carnivorous mammals. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the last moments of the firewood-search scene, Diaz holds up a book and makes a quip about it being a bestseller. This line of dialogue was added to the film in post-production. See more »
During the final scene there is a flipped shot, which can be seen when Ottway's facial cut changes sides. See more »
A job at the end of the world. A salaried killer for a big petroleum company. I don't know why I did half the things I've done, but I know this is where I belong, surrounded by my own. Ex-cons, fugitives, drifters, assholes. Men unfit for mankind.
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An airplane loaded with roughneck oilmen crashes in Alaska and the survivors trek through a snow storm to survive while a pack of wolves kill them off one by one.
Some reviewers loved it. Some hated it. Those who loved it saw a competently directed action horror film in a realistic setting filled with real people facing real threats. Those who hated it saw an unrealistic depiction of wildlife behavior and unworkable outdoor skills. People who loved it thought the movie was realistic. People who hated it thought it was ridiculous.
Without giving away the story, let me tell you that this is not a story about actual wolf behavior. This is more like the numerous movies of the produced through the '70s, '80s and '90s about a group of people picked off one by one by unseen creatures lurking in the dark. In the '70s, they were natural animals like sharks, killer whales, reptiles, furry animals and insects. In the '80s they were space aliens and robots. In the '90s they were super assassins. Lately they are vampires and zombies. Now we are back to furry animals. But the overall theme is the same.
It is refreshing to see this theme played out in the Alaskan wilderness rather than on a space ship or an underground city overrun by zombies. In that sense, this movie is realistic. But the furry animals in the movie behave more like space aliens than actual wolves. The "expert hunter" in the movie is not actually giving you wisdom that will be useful in the Alaskan wilderness. He is more of a generic zombie hunter. In that sense, this movie is unrealistic.
So whether you like this movie or not depends entirely on what you are in the mood to see. If you want Discovery Channel, look elsewhere. If you want to see good acting in a scenic backdrop with lots of scary moments, you will like this movie. You don't have to really check in your brain at the door. Like so many Ridley Scott movies, this one is also a meditation on the nature of fate. This movie is a good piece of fiction. Just a bad documentary.
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