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Directed by | |||
| Garry Marshall | |||
Writing credits | ||
| Katherine Fugate | (written by) | |
Produced by | |||
| Samuel J. Brown | .... | executive producer | |
| Michael Disco | .... | executive producer | |
| Toby Emmerich | .... | producer | |
| Heather Hall | .... | co-producer | |
| Mike Karz | .... | producer | |
| Garry Marshall | .... | producer | |
| Diana Pokorny | .... | executive producer | |
| Wayne Allan Rice | .... | producer | |
| Josie Rosen | .... | producer | |
Original Music by | |||
| John Debney | |||
Cinematography by | |||
| Charles Minsky | |||
Film Editing by | |||
| Michael Tronick | |||
Casting by | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Kim Jennings | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Gary Jones | |||
Makeup Department | |||
| Vivian Baker | .... | makeup artist: Hilary Swank | |
| Michal Bigger | .... | makeup artist: Ms. Parker | |
| Angel De Angelis | .... | hair department head | |
| Jerry DeCarlo | .... | hairstylist: Robert De Niro | |
| Sean Flanigan | .... | hairstylist: Katherine Heigl | |
| Jeong-Hwa Fonkalsrud | .... | makeup artist | |
| Carol Hemming | .... | personal hair stylist | |
| Paula Kelly | .... | additional make up artist | |
| Nicki Ledermann | .... | makeup department head | |
| Tracey Levy | .... | makeup artist: Mr. Kutcher | |
| Amanda Miller | .... | wig maker | |
| Mia Neal | .... | key hair stylist | |
| Rod Ortega | .... | hair designer: Ms Parker | |
| Tania Ribalow | .... | key makeup artist | |
| Sian Richards | .... | personal makeup artist: Halle Berry | |
| Mary Anne Spano | .... | assistant makeup artist | |
| Oney Syers II | .... | personal makeup artist | |
| Colleen Wheeler | .... | hair department head: re-shoots | |
| Carla White | .... | makeup artist: Robert DeNiro | |
| Natalie Young | .... | key makeup artist: re-shoot | |
Production Management | |||
| Michelle Morrissey | .... | production supervisor | |
| Diana Pokorny | .... | unit production manager | |
| Jay Vinitsky | .... | post-production supervisor | |
Art Department | |||
| Nikki Black | .... | assistant art director | |
| Diana Burton | .... | property master | |
| Philip Canfield | .... | leadman | |
| Katie Clinebelle | .... | on-set dresser: re-shoot | |
| Isobel Dryburgh | .... | art department assistant | |
| Lydia Fine | .... | art department assistant | |
| Scott Gertsen | .... | key carpenter | |
| Thomas Hocking | .... | best boy construction grip | |
| Arlo Hoffman | .... | on-set greens | |
| Warren Jorgensen | .... | camera scenic artist | |
| Hila Katz | .... | art department coordinator: set decoration | |
| Ana Lombardo | .... | assistant property master | |
| Jeffrey D. McDonald | .... | assistant art director | |
| Jose Pavon | .... | property master: second unit | |
| Will Scheck | .... | greens coordinator | |
| Lisa Scoppa | .... | assistant set decorator | |
| Sha-Sha Shiau | .... | art department coordinator | |
| David Stein | .... | assistant art director | |
| Gillian Stoneburner | .... | set dec assistant: reshoots | |
| Maki Takenouchi | .... | graphic designer | |
| Emmy Thelander | .... | art department assistant | |
| Joan Winters | .... | assistant art director | |
Sound Department | |||
| Richard L. Anderson | .... | sound effects editor | |
| Mike Chock | .... | sound effects editor | |
| Jenna Dalla Riva | .... | foley recordist | |
| Mark DeSimone | .... | adr mixer: New York | |
| Ezra Dweck | .... | sound editor | |
| Laura Graham | .... | adr editor | |
| Frank Graziadei | .... | boom operator | |
| Kimberly Harris | .... | adr supervisor | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Mark A. Mangini | .... | supervising sound editor | |
| Piero Mura | .... | sound effects editor | |
| Tom Nelson | .... | sound mixer | |
| Larry Provost | .... | sound mixer: second unit | |
| Ric Schnupp | .... | adr recordist | |
| Brian Seagrave | .... | audio post-conform | |
| Unsun Song | .... | re-recording mix technician | |
| Jason Stasium | .... | pro tools playback mixer | |
| Jon Taylor | .... | sound re-recording mixer | |
| Matt Perry Thomas | .... | playback operator | |
| Debby VanPoucke | .... | sound editor | |
| Christopher T. Welch | .... | dialogue editor | |
| Don White | .... | foley recording mixer | |
| Dean A. Zupancic | .... | sound re-recording mixer | |
Visual Effects by | |||
| Jason Bond | .... | visual effects artist | |
| Cara Buckley | .... | head of production: Method Studios NYC | |
| Charles Bunnag | .... | digital artist | |
| Michael Colburn | .... | digital compositor | |
| Zachary Cole | .... | compositor | |
| Chad E. Collier | .... | data technician: Method Studios | |
| Matt Conway | .... | matte painter | |
| Robert Nicholas Dauphinais | .... | digital compositor: Method Studios | |
| Brent Droog | .... | visual effects artist | |
| Mathias Frodin | .... | digital compositor | |
| Alex Gitler | .... | compositing supervisor: Method Studios | |
| Rachel Faith Hanson | .... | visual effects coordinator | |
| Michael S. Harbour | .... | compositor | |
| Chris Holmes | .... | production executive: ICO VFX | |
| Alexander Jacquet | .... | digital compositor: Method Studios | |
| Samuel Jørgensen | .... | digital compositor | |
| Alice Kahn | .... | visual effects coordinator: Method Studios | |
| Jeffrey Kalmus | .... | visual effects supervisor: ICO VFX | |
| Raechel Kasprzak | .... | visual effects coordinator: Method Studios (as Raechel Rowland) | |
| James Kuroda | .... | senior digital compositor: Method Studios | |
| Samuel P. Larson | .... | compositor | |
| Tram Le | .... | visual effects producer: Method NYC | |
| Steve McLafferty | .... | visual effects artist | |
| Kama Moiha | .... | compositor: Method Studios | |
| Andy Mower | .... | compositor: Method Studios | |
| Marc Nanjo | .... | senior compositor: Method Studios | |
| Vinh Nguyen | .... | compositor | |
| David Piombino | .... | digital compositor: Method Studios | |
| Lesley Robson-Foster | .... | visual effects supervisor | |
| Wendy Seddon | .... | digital compositor | |
| Jay Shindell | .... | visual effects | |
| Thomas J. Smith | .... | visual effects supervisor | |
| Doug Spilatro | .... | visual effects artist | |
| Hirofumi Takeda | .... | digital compositor | |
| Shannon Triplett | .... | vfx production coordinator: ICO VFX | |
| Michele C. Vallillo | .... | visual effects producer: Method Studios | |
| Nancey S. Wallis | .... | senior digital compositor | |
| Sean Ware | .... | visual effects production supervisor | |
| Matt Wilson | .... | compositor | |
| Taigne Hammock | .... | resource manager (uncredited) | |
| Eddie Offermann | .... | software developer (uncredited) | |
| Eddie Offermann | .... | visual effects color (uncredited) | |
| Chris B. Schnitzer | .... | director of visual effects: Warner Bros. (uncredited) | |
Stunts | |||
| Chris Barnes | .... | stunts | |
| Bobby Beckles | .... | stunt player | |
| Scott Burik | .... | stunts | |
| Nicole Callender | .... | stunt | |
| Blaise Corrigan | .... | stunt coordinator | |
| William Cote | .... | stunt double | |
| Aja Frary | .... | stunt double: Michelle Pfeiffer motorcycle stunt | |
| Jeffrey Lee Gibson | .... | stunts | |
| Declan Mulvey | .... | stunt double: Jon Bon Jovi | |
| Victor Paguia | .... | stunts | |
| Christopher Place | .... | stunt double | |
| Thomas Place | .... | stunts | |
| Stephen A. Pope | .... | stunt coordinator | |
| J.C. Robaina | .... | stunt driver | |
| Jeremy Sample | .... | stunts | |
| Shawnna Thibodeau | .... | stunt double: Michelle Pheifferfer | |
| Jen Weissenberg | .... | stunt double: Abigail Breslin | |
| Adam Wood | .... | stunt double: Zac Efron (uncredited) | |
Animation Department | |||
| Luis Amaury Rodriguez | .... | layout & camera | |
Casting Department | |||
| Kate Caldwell | .... | casting associate | |
| Mia Cusumano | .... | casting associate | |
| Jandiz Estrada | .... | casting associate | |
| Allison Hall | .... | casting associate | |
| Allison Hall | .... | extras casting associate | |
| Lindsay Lieberman | .... | extras casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Christina Rosado | .... | extras casting assistant | |
| Jamie Jacobson | .... | child extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Danielle Cadorette | .... | specialty costumes | |
| Sabrina Calley | .... | costumer to Hilary Swank | |
| Jonathan Clay | .... | additional costume production assistant | |
| Megan Ehrling | .... | costume production assistant | |
| Sue Gandy | .... | assistant costume designer | |
| Peter Habbit | .... | costume production assistant | |
| Joseph La Corte | .... | costumer to Ms. Parker | |
| Tim McKelvey | .... | costume supervisor | |
| Kirsten Mogg | .... | costumer | |
| Margaret Moy | .... | additional set costumer | |
| Yaneya Rovira | .... | daily set costumer | |
| Edward Ryan | .... | production assistant: costume | |
| Thomas Stokes | .... | costume supervisor | |
| Mitchell Travers | .... | key costume shopper | |
| David Turk | .... | key costumer | |
Editorial Department | |||
| Adoma Ananeh-Firempong | .... | editorial assistant | |
| Aaron Brock | .... | first assistant editor | |
| Rick Derby | .... | assistant editor | |
| Sergio Gutierrez | .... | assistant editor | |
| Erik Kaufmann | .... | digital intermediate editor | |
| Kristopher Layng | .... | post-production assistant | |
| Heather J. Morrison | .... | assistant editor | |
| Adam Ohl | .... | digital intermediate producer | |
| Greg Parsons | .... | additional editor | |
| Jill Piwowar | .... | assistant editor | |
| Kat Spiess | .... | assistant editor | |
| Scot Starbuck | .... | colorist | |
| Erica Sterne | .... | post-production coordinator | |
| Loretta Wallace | .... | telecine sync operator | |
| Seth Weinman | .... | post-production technician | |
| Jan Yarbrough | .... | digital intermediate colorist | |
Music Department | |||
| Jeff Carson | .... | music editor | |
| George Doering | .... | musician | |
| Jessica Dolinger | .... | music clearance | |
| Mark Graham | .... | head of music preparation | |
| Tom Hardisty | .... | score recordist | |
| Tanya Noel Hill | .... | music editor | |
| Julianne Jordan | .... | music supervisor | |
| Kevin Kaska | .... | orchestrator | |
| Tom Kramer | .... | music editor | |
| Shawn Murphy | .... | scoring mixer | |
| Jessica Neilson | .... | music coordinator | |
| Victor Pesavento | .... | music preparation | |
| Peter Rotter | .... | orchestra contractor | |
| Jacob Saylor | .... | singer/songwriter | |
| Patrick Spain | .... | assistant recording engineer | |
| Matt Perry Thomas | .... | digital music playback operator | |
Transportation Department | |||
| Gabe Turiello | .... | camera car driver | |
| Owen Holland | .... | driver: camera car (uncredited) | |
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What? It's not a sequel to Valentine's Day?
Let's be honest here. There was absolutely NO reason to make this movie. Well, maybe one: money. During a viewing of this excruciatingly painful melo-dramedy, one will find absolutely no artistic value, underlying message, or actual creative backbone. This film is just an excuse to slap a couple of famous face in front of the same camera, within the same period of time. You know what that's called on the set of a good movie? Bad casting.
I can't believe someone made the same mistakes that were made just a year or two ago! When I first saw the poster, I thought "Is this a parody?". But then I saw who was directing this prick of a film.
Garry Marshall: Probably the single most desperate man in America. I am convinced that his last and final wish (let's be honest, he's not exactly in his twenties) is to meet as many famous people as he can; and what does that leave the helpless moviegoers with? The atrocities that were (and still are) Valentine's Day and New Years Eve.
Looking for a fun holiday film to put a spring in your step, and a sparkle in your smile? Then spend your ten bucks elsewhere, because this movie is not worth the dough.
The whole thing is a jumbled mess of popular actresses of today, and a few familiar faces that we all know. Then of course your Ashton Kutcher and your Jessica Biel who insist upon us that "Yes look, we're still famous! We promise!"
Well I don't need it. I don't need it, and I encourage everyone to stray far away from this badly written, far-fetched, soap cushion of a love story that sincerely wants to be literally everything that it's not. It's a drama for people who don't like dramas, a comedy for people who don't like comedies, and a romance for people who don't like romance. Not worth a second of your time.