A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
Set during New Year's Eve in New York city, this movie follows several people and how the day affects them. Kim is a single mother who still thinks of her daughter, Hailey as a child who wants to go out with a boy so that she could kiss him at midnight. Claire, who is in charge of the city's annual tradition, the ball drop on Times Square. And when something goes wrong she has to ask an electrician, who was fired, to come and fix it. Laura, a chef who is cooking the New year's Eve party for a record company who runs into Jensen, her ex who's a singer whose performing at the party. While he tries to apologize for how things ended, she refuses to accept it. Ingrid, a woman who works at the record company, after having a near death experience decides to quit her job and asks a young messenger, Paul to help her fulfill her resolutions. And at a hospital, Stan, a man who is in the final stages of cancer, only wishes to see the ball drop. Also Griffin and Tess, a couple who are expecting, ... Written by
'New Year's Eve' felt mechanical and forced, a project merely designed for profit. This is rather a 118 minute tourist video about how wonderful The Big Apple is
After his last holiday-themed box-office smash Valentine's Day in 2010, director Garry Marshall has carbon-copied the exact same formula for his latest film New Year's Eve which uses its gigantic ensemble cast to document various different relationships and states of emotions over the course of a single day and night in New York City.
The story lines include: a couple awaiting the birth of their child, two people who become trapped together in an elevator and a gentleman who is trying to enjoy his last New Year's Eve on earth as he sadly lays on his deathbed.
Much like Valentine's Day, Marshall's latest film seems to forget the importance of character development and indeed sure-footed narrative; these films feel like the audience are watching Ashton Kutcher flirt with Lea Michele, or Zac Efron helping Michelle Pfeiffer, which in all honesty they are. Never are viewers able to break away from the celebrities portraying these supposed characters, which cause great issues when trying to build and present emotion.
The film also has some bizarre cast members, including the incredibly pointless Jon Bon Jovi who slinks about, and may as well be promoting a new Greatest Hits album when he enters the frame. Stars like Halle Berry and Robert De Niro are incredibly redundant here, even though they do benefit from moderate screen-time. Performers like De Niro are worthy of a solid script and something more important to do rather than just stand around holding a theoretical sign saying 'And Robert De Niro'.
Contrary to the opinion of the majority of critics (or males), 'Valentine's Day' was yes fluffy, gooey and forgettable two hours, but also entertaining. It did try very slightly to be different with a gay romance amongst other things and whilst this was all still "Hollywood", there were far worse movies released in 2010.
To be fair to 'New Year's Eve', it is not amongst the worst of the year. This might be due to the fact that most of the audience had or have extremely low expectations upon arrival. Expecting a film to be bad makes it all the less painful if the final product is indeed poor and consequently, makes it seem much better than it truly is if a viewer is not disappointed.
'New Year's Eve' felt mechanical and forced, a project merely designed for profit there is no love nor compassion, no credibility nor realism. This is rather a 118 minute tourist video about how wonderful The Big Apple is, and how beautiful the people who reside in it are. Throw in disgusting amounts of product placement and an old rock star, and hey, you've got a $100 million motion picture! Spend your £8 at the cinema this Christmas on a film that gives like 'Hugo' rather than this, and save the holiday romances for 'Love Actually' on DVD with the family or partner.
Verdict: It is better if Marshall does not attempt to make another movie about a commercial holiday again. If we see a trailer with Kutcher dressed as the Easter Bunny for love next year, run for your life.
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