Soon after her return from a business trip to Hong Kong, Beth Emhoff dies from what is a flu or some other type of infection. Her young son dies later the same day. Her husband Mitch however seems immune. Thus begins the spread of a deadly infection. For doctors and administrators at the U.S. Centers for Disease Control, several days pass before anyone realizes the extent or gravity of this new infection. They must first identify the type of virus in question and then find a means of combating it, a process that will likely take several months. As the contagion spreads to millions of people worldwide, societal order begins to break down as people panic. Written by
The Russian title of the film ("Zarazhenie") contains nine letters, like the English one, and the poster of the film also mentions nine cities' names with one letter highlighted and the highlighted letters form the name of the film. They are, from top to bottom: kaZan, atlAnta, san fRancisco, chicAgo, pariZH (Paris), gEneva, loNdon, tokIo (Tokyo), pErm - Z-A-R-A-ZH-E-N-I-E. Kazan and Perm are Russian cities. See more »
When the two characters are overlooking the burial of the bodies and one asked the other, "When did we run out of body bags?" both characters are wearing dual cartridge air masks and each air mask has no filter cartridge on the left side (from the wearer's point of view) of the mask. On such a mask, they would be breathing contaminated air as that model mask must have cartridges screwed into both sides to be effective. See more »
[Putting a body in a mass grave]
When did we run out of body bags?
Two days ago.
See more »
The colors of the Warner Bros. Pictues logo are slightly faded. See more »
Fictional viral outbreak plausibly dramatized in docu-like fashion
Stephen Soderbergh's latest direction, "Contagion" (2011), even though bringing less than expected excitement, is an absorbing movie to watch, efficient as a social and behavioural study, but no less as an accomplished collection of individual case studies, offering sufficiently thought-provoking arguments, such as the fact that--despite all the scientific advances and exhaustive efforts of the thousands of specialists--humankind still stands pretty helpless in the prevention of new viral outbreaks and their many strains occurring globally, when even seemingly well organised societies easily slip into chaos, leaving all individuals to fend for themselves in the ultimate fight for survival, all further fuelled by unstoppable leaks (however, lucrative sensationalism, as well) on an almost inevitable, mutually supportive (money and power shouldn't mix, but mostly they do) corporal and governmental cover-ups. Surely it is a disturbing reminder that even at the most difficult of times, humanity's good traits still get so easily overpowered by the seed of all evil--selfishness and greed.
Many good actors partake in the movie: Kate Winslet, Matt Damon, Jude Law, Jennifer Ehle, Marion Cotillard, Laurence Fishburne, Elliott Gould, to name a few, though one cannot expect remarkable character development when action is dispersed and story spread on so many leads. Nevertheless, Soderbergh knows how to make people count and, albeit somewhat shy about it, he's sufficiently confident in decisive difference their increasingly frequent, self-sacrificing actions could make, having faith in ultimately predominant selflessness and benevolence, kindness and compassion, whether among pre-organised, or ad hoc gathered communities, down to the last individual, rediscovering--now under extreme conditions--their altruism and, as implied in a reserved hope raised towards the end, having--this way or another--humanism in humankind still prevail.
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