Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
Soon after her return from a business trip to Hong Kong, Beth Emhoff dies from what is a flu or some other type of infection. Her young son dies later the same day. Her husband Mitch however seems immune. Thus begins the spread of a deadly infection. For doctors and administrators at the U.S. Centers for Disease Control, several days pass before anyone realizes the extent or gravity of this new infection. They must first identify the type of virus in question and then find a means of combating it, a process that will likely take several months. As the contagion spreads to millions of people worldwide, societal order begins to break down as people panic. Written by
Steven Soderbergh and Scott Z. Burns were planning to follow up The Informant! (2009) with a biopic about controversial German director Leni Riefenstahl, but Soderbergh decided to abandon that project because it would have a very limited potential audience. The two men then came up with an idea for a suspense and drama look at a worldwide medical crisis, which they fine-tuned into this film. See more »
Right after Dr. Ellis Cheever announces that approximately 1 in 12 people will contract the disease, we see a montage of abandoned places from around the world. One of locations is a deserted office in what we would assume to be a deserted city. Unfortunately, several cars can be seen driving through the window on the right side of the office, depicting what one would see in a typical, bustling city. See more »
[Putting a body in a mass grave]
When did we run out of body bags?
Two days ago.
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Not much to say that hasn't been already the critics are right, it is an effective slick movie that may be a bit slight as far as character development but doesn't suffer too badly for it. This is a movie far more about ideas than people and that is not necessarily a bad thing.
Excellent direction from Soderbergh, masterful cinematography, and while there are a few logical mis-steps, the writing more than makes up for that by confounding expectations more than once in truly creative and credible ways.
Unfortunately trailers have many seeking an action thrill-ride, when what it delivers for the most part is a slow boiling suspenseful drama. When will Hollywood learn that setting expectations that don't match the product may sell a few extra tickets in the beginning, but hurts word of mouth and user reviews which are needed for the success of a film beyond the opening weekend.
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