| Tony Schiena | ... | Danny | |
| Rashad Evans | ... | Colton | |
| Vinnie Jones | ... | Anton Vargas | |
| Dwier Brown | ... | Kirkman | |
| Lance 'The Snake' Cartwright | ... | Axl | |
| Cheick Kongo | ... | Silas | |
| Kevin 'Kimbo Slice' Ferguson | ... | King (as Kimbo Slice) | |
| Sarah Ann Schultz | ... | Gwen | |
| Bai Ling | ... | Guard Flores | |
| Forrest Griffin | ... | Mule | |
| Curtis Moore | ... | London | |
| Arnold Chon | ... | Quang | |
| Joe Doerksen | ... | Slick | |
| Dave Fennoy | ... | Irving | |
| John B. Lowe | ... | Warden Burke | |
| Ernesto Griffith | ... | Rollins | |
| Paul Magel | ... | Quigley | |
| Kaitlyn Leeb | ... | Trina (as Kaitlyn Wong) | |
| Jason Wishnowski | ... | Mariani | |
| Blake Taylor | ... | Dr. Bell | |
| Alex Ferrer | ... | Bao | |
| Amber Lamps | ... | Cheerleader (as Amber Solstice) | |
| Allan Wallace Dunkeld | ... | Punk Inmate (as Allen Dunkeld) | |
| Jynx Vandersteen | ... | Warehouse Stripper | |
| Leilanie Giordmaina | ... | Kirkman's Hooker | |
| Sam Medina | ... | Ernesto |
Directed by | |||
| Daniel Zirilli | |||
Writing credits | ||
| D. Glase Lomond | (screenplay) and | |
| Daniel Zirilli | (screenplay) | |
| Bobby Mort | (story) | |
Produced by | |||
| John J. Anderson | .... | executive producer | |
| Ryan S. Black | .... | co-executive producer | |
| Freddy Braidy | .... | executive producer | |
| Barry Brooker | .... | executive producer | |
| Alan B. Bursteen | .... | executive producer | |
| Dan Caldwell | .... | executive producer | |
| Danny Cannon | .... | executive producer | |
| Edward E. Frumkes | .... | executive producer | |
| Dan Garcia | .... | co-executive producer | |
| Tim Katz | .... | executive producer (as Timothy Katz) | |
| Marc Kreiner | .... | executive producer | |
| Phyllis Laing | .... | producer | |
| Joe Laurin | .... | supervising producer | |
| Brad Marks | .... | executive producer | |
| David E. Ornston | .... | producer | |
| Jeff Rice | .... | executive producer | |
| Ellen Rutter | .... | line producer | |
| Eugene Shevertalov | .... | co-executive producer | |
| Robert Sprowls | .... | executive producer | |
| Missy Valdez | .... | co-executive producer | |
| Stan Wertlieb | .... | executive producer | |
| Daniel Zirilli | .... | producer | |
Cinematography by | |||
| Samy Inayeh | |||
Film Editing by | |||
| Anthony Cava | |||
Set Decoration by | |||
| Robb Paraskevopoulos | |||
Costume Design by | |||
| Patricia J. Henderson | (as Patti Henderson) | ||
| Sandra Soke | |||
Makeup Department | |||
| Nina Kvaternik | .... | assistant makeup artist | |
| Brenda Magalas | .... | makeup department head | |
Production Management | |||
| Jason A. Payne | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Reed Makayev | .... | trainee assistant director | |
Art Department | |||
| Gary Barringer | .... | graphic artist | |
| Lloyd Brandson | .... | key scenic artist | |
| Jamie Lou Morneau | .... | art department coordinator | |
Sound Department | |||
| Aaron Breeden | .... | sound re-recording mixer | |
| Aaron Breeden | .... | supervising sound editor | |
| Adam Breeden | .... | foley artist | |
| Adam Breeden | .... | sound effects editor | |
| Adam Breeden | .... | sound re-recording mixer | |
| Jackie Johnson | .... | sound recordist | |
| Mark O'Russa | .... | dialogue editor | |
| Sacha Rosen | .... | boom operator | |
Visual Effects by | |||
| Jason Mckee | .... | visual effects artist | |
| Jason Mckee | .... | visual effects supervisor | |
Stunts | |||
| Arnold Chon | .... | stunt coordinator | |
| Tony Schiena | .... | fight choreographer | |
| Dan Skene | .... | stunt performer | |
| Rick Skene | .... | stunt driver | |
| Rick Skene | .... | stunt rigger | |
| Sean Skene | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Allen Fraser | .... | still photographer | |
| Alex Gomez | .... | camera operator | |
| Jason Heke | .... | first assistant camera | |
| Christian Herrera | .... | camera operator | |
| Christian Herrera | .... | jib operator | |
| Jonathan Kennedy | .... | grip | |
Casting Department | |||
| Shelly Anthis | .... | casting | |
| Shelly Anthis | .... | extras casting | |
Costume and Wardrobe Department | |||
| Heather Neale | .... | assistant costume designer | |
Editorial Department | |||
| Travis Berry | .... | assistant editor | |
| Michael Pedraza | .... | additional editor (uncredited) | |
Music Department | |||
| Don Harrison | .... | music supervisor | |
Other crew | |||
| Dave Brown | .... | firearms safety coordinator | |
| Andrew Gallinger | .... | assistant location manager | |
| Rochelle Hykawy | .... | location production assistant | |
| John Edward Lee | .... | looping voices | |
| Jackie Maylee Mason | .... | looping voices | |
| Crystal Mikoluff | .... | production accountant | |
| Celene Miles | .... | first assistant accountant | |
| Mark S. Schneider | .... | business and legal affairs: Costa Abrams & Coate | |
| Andrew Schulz | .... | locations key | |
| Cliff Sumter | .... | location manager | |
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| Bronson | Reform School Girls | Colombiana | Ricochet | Island of Fire |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section |
I know this film didn't have a big budget like the ones many are comparing it to, but I judge a film by it's own merits. And to me a formula plot, especially in an action film, means I get what I paid for. The fight scenes were very stylized and music-driven, which added tons of excitement for me. Even with a low budget, the fights were awesome.
Okay, so the lead was a little stiff and needed more dimension, but I saw him as a Dirty Harry-type, or Christian Bale's Batman. Vinnie Jones was great - he stole every scene he was in and he's just a great bad ass. The MMA fighters were intense and provided a better performance than I expected. Plus, I got my dose of T&A in all the right places.
If you want a re-invention of the prison fight film, then perhaps you may not rate Locked Down at the top (though it's still worth a rental if you're a fan of the genre by any stretch). But if you want your blood, action and vengeance served to you without reservations, then Locked Down is your ticket. I thoroughly enjoyed this film.