Danny, a respected cop, is setup after an investigation goes wrong. While laying low in his new jail cell, Danny is forced to get involved in the inmates underground cage fighting circuit. ...
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Danny, a respected cop, is setup after an investigation goes wrong. While laying low in his new jail cell, Danny is forced to get involved in the inmates underground cage fighting circuit. With the help of Irving, a former mixed martial arts champion, Danny devises a scheme to bring justice and innocence to his family's name, if he can get out of the cage alive. Written by
The Japanese term he meant is used in martial arts and Zazen meditative practice, it is Mu-Shin. This is 'no mind' state. See more »
[Trina knocks at the door]
Wow. Look at you, all cleaned up. I've missed you.
I missed you, too. I have dinner reservations at...
I'm not hungry. Not for food.
[she bites her lip and grins at him]
Oh, nothing. Just a little bruise.
[...] See more »
Cliché prison story with music video-like fast mo-slow mo fight scenes.
After a drug sting operation goes bad with the death of 2 cops and the accidental death of the dealer, the cop who pretended to be a buyer in the sting is arrested some time later at his home where a search turns up money and drugs in the mattress of his bed. It is insinuated that he deliberately killed the dealer and his ass is sent to a prison where a criminal he sent away years before is running a "cage fighting" operation in the basement (Well, where else they gonna hold it?). At some point in the course of his stay, it is impressed on him by said criminal that he has to participate in the fights and "no" was not an option.
While this movie is a cliché of the genre (guy in prison fights to survive in illegal prison matches), it isn't unoriginality that necessarily spoils it because even original ideas can be executed badly. By the same token, old ideas can be done well. If you like clear, methodical, workman-like exchanges in your fight scenes you might not be happy with the "music video-editing-and-effects-type" of fighting employed here. Mind you, I think the music in this movie is good, and I like music videos --BUT-- this was a bit much. The whole film in retrospect seemed to me like one very long music video even though there were actually scenes without music. I wonder why?
Further, because of the way certain things were thoughtlessly thrown into this movie it seems to me that the people who made it were being exploitive and were probably using a formula directed at the younger crowd: hard rock and rap, visual effects (lots of slow mo & fast mo), and a little T&A thrown into the mix for good measure. So. Music, ass-whippings, and ass. A formula for success, no? "Not necessarily" is what this movie proves.
Instead of loud music, video editing and effects, the fight scenes should have been bare and workman-like; just 2 guys in a cage, mano a mano, showing their technique and the size of their balls with the only sound coming from their contacts and the crowd watching. This, by itself, with the same tired story-line would have been a great improvement. That said, the movie is not "worthless". It can provide "light entertainment" for the individual who just wants to kickback and not think too much. As well, if you can't get enough of music videos and don't mind your movie essentially turning into one, you could get something from this.
The guy wrongly convicted
The sadistic guard
The clueless or corrupt warden
The prison bully
The helpful cell-mate
The mess hall encounter
The showdown at the end
Can anyone put the list above to music? It should be a song by now. Love, Boloxxxi.
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