| Photos (See all 32 | slideshow) | Videos (see all 16) |
| Emma Shorey | ... | Fisher Girl | |
| Molly Harmon | ... | Fisher Girl | |
| Ellisa Walker-Reid | ... | Fisher Girl | |
| Sophie Stuckey | ... | Stella Kipps | |
| Daniel Radcliffe | ... | Arthur Kipps | |
| Misha Handley | ... | Joseph Kipps | |
| Jessica Raine | ... | Nanny | |
| Roger Allam | ... | Mr. Bentley | |
| Lucy May Barker | ... | Nursemaid | |
| Indira Ainger | ... | Little Girl on Train | |
| Andy Robb | ... | Doctor | |
| Ciarán Hinds | ... | Daily | |
| Shaun Dooley | ... | Fisher | |
| Mary Stockley | ... | Mrs. Fisher | |
| Alexia Osborne | ... | Victoria Hardy | |
| Alfie Field | ... | Tom Hardy | |
| William Tobin | ... | Charlie Hardy | |
| Victor McGuire | ... | Gerald Hardy | |
| Cathy Sara | ... | Mrs. Jerome | |
| Tim McMullan | ... | Mr. Jerome | |
| Daniel Cerqueira | ... | Keckwick | |
| Liz White | ... | Jennet | |
| Alisa Khazanova | ... | Mrs. Drablow | |
| Ashley Foster | ... | Nathaniel Drablow | |
| David Burke | ... | PC Collins | |
| Janet McTeer | ... | Mrs. Daily | |
| Aoife Doherty | ... | Lucy Jerome | |
| Sidney Johnston | ... | Nicholas Daily | |
| rest of cast listed alphabetically: | |||
| Lu Corfield | ... | Jennet (voice) | |
| Angela Jobson | ... | Concerned Mother | |
| Neil Broome | ... | Villager (uncredited) | |
| Paul J. Dove | ... | The Village Butcher (uncredited) | |
| Dennis Hewitt | ... | Village Doctor (uncredited) | |
| Lee Steele | ... | Fisherman (uncredited) | |
| John R. Walker | ... | Archer (uncredited) | |
| Patricia Winker | ... | Villager (uncredited) | |
Directed by | |||
| James Watkins | |||
Writing credits | ||
| Susan Hill | (novel) | |
| Jane Goldman | (screenplay) | |
Produced by | |||
| Tobin Armbrust | .... | executive producer | |
| Vic David | .... | line producer: additional photography | |
| Neil Dunn | .... | executive producer | |
| Guy East | .... | executive producer | |
| Ben Holden | .... | co-producer | |
| Jonathan Hood | .... | assistant producer: additional photography | |
| Richard Jackson | .... | producer | |
| Roy Lee | .... | executive producer | |
| Xavier Marchand | .... | executive producer | |
| Simon Oakes | .... | producer | |
| Brian Oliver | .... | producer | |
| Paul Ritchie | .... | co-producer | |
| Marc Schipper | .... | executive producer | |
| Nigel Sinclair | .... | executive producer | |
| Todd Thompson | .... | co-producer | |
| Tyler Thompson | .... | executive producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Tim Maurice-Jones | (director of photography) | ||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| Kave Quinn | |||
Art Direction by | |||
| Paul Ghirardani | (supervising art director) | ||
| Kate Grimble | |||
Set Decoration by | |||
| Niamh Coulter | |||
Costume Design by | |||
| Keith Madden | |||
Makeup Department | |||
| Alexandra Brock | .... | hair stylist: additional photography | |
| Alexandra Brock | .... | makeup artist: additional photography | |
| Sidony Etherton | .... | makeup assistant | |
| Renata Gilbert | .... | hair stylist | |
| Renata Gilbert | .... | makeup artist | |
| Paul Hyett | .... | prosthetics supervisor | |
| Nicola Matthews | .... | hair stylist | |
| Nicola Matthews | .... | makeup artist | |
| Alex Rouse | .... | wigmaker | |
| Jeremy Woodhead | .... | hair designer | |
| Jeremy Woodhead | .... | makeup designer | |
| Stuart Conran | .... | special makeup effects technician (uncredited) | |
Production Management | |||
| Jeanette Haley | .... | post-production supervisor | |
| Lottie Mason | .... | unit manager (as Charlotte Mason) | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Jennifer Wynne | .... | production manager | |
Art Department | |||
| Mark Adams | .... | supervising painter | |
| Huw Arthur | .... | standby art director | |
| Rachel Atherton | .... | painter | |
| Ian Bee | .... | hod carpenter | |
| Paul Beeson | .... | stand-by carpenter | |
| Paul Bowring | .... | construction manager | |
| Leigh Chesters | .... | carpenter | |
| Nicholas Clayton | .... | carpenter | |
| Nigel Crafts | .... | carpenter | |
| John Davies | .... | hod painter | |
| Quentin Davies | .... | prop storeman | |
| Simon Duric | .... | storyboard artist | |
| Kevin Fowler | .... | stagehand | |
| John Fox | .... | assistant property master | |
| Stella Fox | .... | assistant set decorator | |
| Jack Garwood | .... | dressing props | |
| Joe Hawthorne | .... | carpenter | |
| Ben Johnson | .... | stand-by props: additional photography | |
| Alan Jones | .... | standby props | |
| Alex MacDonald | .... | painter (as Alex McDonald) | |
| Danny Montague | .... | painter | |
| Daniel Nussbaumer | .... | art department vision trainee | |
| Andrew Palmer | .... | assistant art director | |
| Alan Payne | .... | graphic designer | |
| Geraint Powell | .... | prop buyer | |
| Simon Robilliard | .... | carpenter | |
| Mark Sasahara | .... | swing: additional photography | |
| Mary Pat Sheahan | .... | standby painter (as Mary-Pat Sheehan) | |
| Jessica Sinclair | .... | assistant art director | |
| Geoff Stainthorp | .... | supervising carpenter (as Geoff Stainthorpe) | |
| Kate Stainthorp | .... | painter | |
| Amanda Waddington | .... | painter | |
| Damian Léon Watts | .... | art department assistant (as Damian Leon Watts) | |
| Alex Wells | .... | carpenter | |
| Jamie Wilkinson | .... | property master | |
| Simon Wilkinson | .... | supervising standby props | |
| Tina Charad | .... | visual research (uncredited) | |
| Anthony Szuch | .... | drapes master (uncredited) | |
| Toby Wagner | .... | dressing prop (uncredited) | |
| Craig Whiteford | .... | greensman (uncredited) | |
| Ian Whiteford | .... | greensman (uncredited) | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Niv Adiri | .... | sound effects editor | |
| Mark Appleby | .... | adr mixer | |
| Ben Barker | .... | supervising sound editor | |
| Sandy Buchanan | .... | foley mixer | |
| Andrew Caller | .... | sound re-recording mixer | |
| Simon Diggins | .... | adr mixer | |
| Gillian Dodders | .... | supervising dialogue editor | |
| Glenn Freemantle | .... | sound consultant | |
| Michael Gassert | .... | sound mixer: additional photography | |
| Andrea King | .... | foley artist | |
| James Kum | .... | sound assistant | |
| Emilie O'Connor | .... | assistant sound editor | |
| Richard Pryke | .... | sound re-recording mixer: premix | |
| Tom Sayers | .... | sound effects editor | |
| Timothy Siddall | .... | sound mix technician | |
| Jack Stew | .... | foley artist | |
| Ivor Talbot | .... | sound mixer | |
| Ian Tapp | .... | sound re-recording mixer | |
| Michael Wallach | .... | boom operator: additional photography (as Mike Wallach) | |
| Tarn Willers | .... | boom operator | |
| James Hyde | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Kingsley Fryer | .... | special effects technician | |
| Adam Hollow | .... | special effects technician | |
| Bob Hollow | .... | special effects supervisor | |
| David Woods | .... | special effects technician | |
| Elle Baird | .... | fabricator (uncredited) | |
| Chris Fitzgerald | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Fiorenza Bagnariol | .... | digital film bureau | |
| Alan Banis | .... | compositor: Filmgate | |
| Håkan Blomdahl | .... | visual effects supervisor: Filmgate | |
| Urban Forsberg | .... | compositor: Filmgate | |
| Neil Harrison | .... | digital intermediate systems administrator: Deluxe 142 | |
| Dan Helme | .... | digital intermediate data manager: Deluxe 142 | |
| Marcus Hindborg | .... | on set visual effects supervisor | |
| Andreas Hylander | .... | compositor: Filmgate | |
| Timothy P. Jones | .... | digital film bureau | |
| Yadim Konov | .... | compositor: Filmgate | |
| Elin Kothe | .... | matte painter: Filmgate (as Elin Lindahl) | |
| Mathias Larserud | .... | 3d artist: Filmgate | |
| Malin Leuchovius | .... | visual effects coordinator: Filmgate (as Malin Persson) | |
| Linus Lindbalk | .... | matte painter: Filmgate | |
| Martin Malmqvist | .... | compositor: Filmgate | |
| Daniel Nielsen | .... | compositor: Filmgate | |
| Timo Närhi | .... | compositor: Filmgate | |
| John Palmer | .... | digital film bureau manager | |
| Damien Pawle | .... | visual effects editor | |
| Rob Pizzey | .... | digital colourist | |
| Gordon Pratt | .... | digital film bureau | |
| Alexander Pridkho | .... | compositor: Filmgate | |
| Daniel Reidler | .... | 3d artist: Filmgate | |
| Nirakar Sethy | .... | lead matchmove | |
| Sean Wheelan | .... | visual effects producer: Filmgate | |
| Tim Caplan | .... | visual effects producer: Union VFX (uncredited) | |
| Peter Collins | .... | digital intermediate (uncredited) | |
| Mitch Crease | .... | digital compositor (uncredited) | |
| Adam Gascoyne | .... | visual effects supervisor union vfx (uncredited) | |
| Kaveh Montazer | .... | digital compositor (uncredited) | |
| Mervyn New | .... | digital compositor (uncredited) | |
| Ruchira Sharma | .... | compositor (uncredited) | |
| Noga Alon Stein | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Gary Arthurs | .... | stunt coordinator | |
| Lloyd Bass | .... | stunt performer | |
| Lloyd Bass | .... | stunts | |
| Andy Bennett | .... | key stunt coordinator | |
| Nellie Burroughes | .... | stunt double: Liz White | |
| Annabel Canaven | .... | stunt performer | |
| Marc Cass | .... | stunt performer | |
| Danielle da Costa | .... | stunt performer | |
| Lyndon S. Hellewell | .... | stunt performer (as Lyndon Stuart Hellewell) | |
| Derek Lea | .... | stunt performer | |
| Paul Lowe | .... | stunt performer | |
| Marc Mailley | .... | stunt performer | |
| Sam Parham | .... | stunt performer | |
| Marc Mailley | .... | stunt double: Daniel Radcliffe (uncredited) | |
Casting Department | |||
| Carolyn McLeod | .... | casting associate | |
| Abigail Barbier | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Yandra Howard | .... | standby wardrobe | |
| Emma Hutton | .... | wardrobe mistress | |
| Nikia Nelson | .... | wardrobe supervisor: additional photography | |
| Holly Smart | .... | standby wardrobe | |
| Allison Wyldeck | .... | costume supervisor | |
Editorial Department | |||
| Rob Farris | .... | digital intermediate producer | |
| Marie Fernandes | .... | digital intermediate producer | |
| Cheryl Goodbody | .... | assistant digital intermediate producer | |
| John Gray | .... | laboratory contact: Deluxe Laboratories | |
| Emily Greenwood | .... | digital on-line editor | |
| Tamsin Jeffrey | .... | assembly editor | |
| Katie Looney | .... | laboratory contact: Deluxe Laboratories | |
| Patrick Malone | .... | digital intermediate head of department | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Clive Noakes | .... | laboratory contact: Deluxe Laboratories | |
| Erline O'Donovan | .... | editorial assistant | |
| Alex Parrett | .... | telecine services | |
| Jamie Payne | .... | colorist: dailies | |
| Rob Pizzey | .... | digital colorist | |
| Rose-Ellen Saunders | .... | telecine services (as Rose Saunders) | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Lance Spindler | .... | color timer | |
| Justin Tillett | .... | digital on-line editor | |
| Laurent Treherne | .... | digital film technical supervisor | |
| Natasha Westlake | .... | first assistant editor | |
| Jon Ellis | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| John Kurlander | .... | music recording engineer | |
| Tyson Lozensky | .... | assistant score mixer | |
| Tyson Lozensky | .... | assistant scoring engineer | |
| Brandon Roberts | .... | composer: additional music | |
| Buck Sanders | .... | rock wrangler | |
| Marcus Trumpp | .... | composer: additional music | |
| John Warhurst | .... | music editor | |
| Tony Lewis | .... | music editor (uncredited) | |
| Jordan Seigel | .... | music preparation (uncredited) | |
| Joel Sill | .... | music consultant (uncredited) | |
Transportation Department | |||
| Danny Brown | .... | facilities captain | |
| Alex Conway | .... | driver: minibus | |
| Peter Harvey | .... | driver: Mr. Radcliffe | |
| Pete McQueen | .... | driver: minibus | |
| Peter Soteriou | .... | driver: Mr. Hinds | |
| Mark Cutler | .... | driver: minibus (uncredited) | |
Other crew | |||
| Jamie Atkins | .... | caterer | |
| Giles Barron | .... | production assistant | |
| Caroline Bowker | .... | script supervisor | |
| Daniel Budd | .... | first assistant accountant | |
| Mary Carol Bulger | .... | business affairs coordinator: Exclusive Media Group and Hammer | |
| Neil Calder | .... | completion guarantor: Film Finances | |
| Gabby Canton | .... | assistant: Mr. Armbrust | |
| Robert Carling | .... | caterer | |
| Kate Caton | .... | tutor | |
| Annie Clapton | .... | production secretary | |
| Joel Clarke | .... | production assistant | |
| Rosanne Coker | .... | floor runner | |
| Dan Connolly | .... | location manager: Yorkshire (as Daniel Connolly) | |
| John Constable | .... | tutor | |
| Alison Cornwell | .... | chief financial officer: worldwide, Alliance Films | |
| Crispy Cox | .... | horse wrangler | |
| Tom Cox | .... | horse wrangler | |
| Jon Croker | .... | story editor: UK Film Council | |
| Matt Curtis | .... | title designer: main titles | |
| Joshua De Lisser | .... | trainee floor runner | |
| Nazmeen Dhansey | .... | second assistant accountant | |
| John Doherty | .... | assistant: Mr. Oliver | |
| Timothy Edwin | .... | stand-in: additional photography (as Tim Edwin) | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Elizabeth Every | .... | tutor | |
| Lennon Ficalora | .... | production associate: additional photography | |
| Lee Francis | .... | assistant: Mr. Watkins | |
| Holly Gardner | .... | floor runner | |
| Sasha Gibson | .... | unit publicist: Freud Communications | |
| Paul Glennan | .... | medic: additional photography | |
| Harry Greaves | .... | trainee floor runner | |
| Sara Hall | .... | tutor | |
| Wayne Han | .... | key production assistant: additional photography | |
| Clare Hardwick | .... | completion guarantor: Film Finances | |
| Julie Harris | .... | assistant: Mr. Sinclair | |
| Ruth Hodgson | .... | completion guarantor: Film Finances | |
| Vince Holden | .... | head of production: finance, UK Film Council | |
| Takina Holloman | .... | travel coordinator: additional photography | |
| Matthew Infante | .... | production assistant: additional photography (as Matt Infante) | |
| Aliza James | .... | assistant: Mr. Oakes and Mr. Schipper | |
| Kevin Jenkins | .... | assistant location manager | |
| Tim Johnson | .... | legal services: Field Fisher Waterhouse | |
| Saher Kahn | .... | financial director: UK, Alliance Films | |
| Sheerin Khosrowshahi-Miandoab | .... | production secretary: additional photography | |
| David King-Taylor | .... | health and safety officer (as David King Taylor) | |
| Clyde Lane | .... | head chef | |
| Victor Loewy | .... | chairman: Alliance Films | |
| Victor Loewy | .... | chief executive officer: Alliance Films | |
| Noel Lohr | .... | business affairs: Exclusive Media Group and Hammer | |
| Jillian Longnecker | .... | vice president: physical production, Exclusive Media Group and Hammer | |
| Rebecca Lundgren | .... | production assistant: additional photography | |
| Emily MacKintosh | .... | legal services: Field Fisher Waterhouse | |
| Spyro Markesinis | .... | vice president: business and legal affairs, Europe, Alliance Films | |
| Andy Mayson | .... | chief financial officer: Exclusive Media Group and Hammer | |
| Andy Mayson | .... | managing director: Exclusive Media Group and Hammer | |
| Marc McGowan | .... | rushes runner | |
| John Miles | .... | production accountant | |
| Chris Moore | .... | supervising location manager | |
| Sam Morris | .... | security: Mr. Radcliffe | |
| Hamish Moseley | .... | vice president: theatrical sales, UK, Alliance Films | |
| Gerard Naprous | .... | horse wrangler | |
| Ryan Newberry | .... | stand-in | |
| Owen Oliver | .... | legal services: Field Fisher Waterhouse | |
| Cora Palfrey | .... | chief financial officer: Europe, Exclusive Media Group and Hammer | |
| Peter Parker | .... | assistant to producer | |
| Terry Paskins | .... | caterer | |
| Daniel Pavoncelli | .... | assistant: Mr. Mayson | |
| Nick Pearson | .... | paramedic | |
| Becky Phillips | .... | production assistant: additional photography | |
| Mike Pike | .... | horse wrangler | |
| Pita Rawamila | .... | security: Mr. Radcliffe | |
| Jennifer Ruper | .... | assistant: Mr. Armbrust | |
| Jamie Schwartz | .... | vice president: theatrical marketing, Alliance Films | |
| Patricia Scott | .... | assistant: Mr. Sinclair | |
| Tanya Seghatchian | .... | head of film fund: UK Film Council | |
| Catherine Seymour | .... | location assistant | |
| Barry Smith | .... | legal services: Field Fisher Waterhouse | |
| Kate Stephenson | .... | assistant: Mr. Oakes and Mr. Schipper | |
| Adele Steward | .... | production coordinator | |
| Alice Syed | .... | assistant production coordinator | |
| Jason Tamasco | .... | executive assistant: Ms. Longnecker | |
| Edward Taroghion | .... | accounts assistant | |
| Julie Tottman | .... | animal wrangler: Birds and Abinals | |
| Derek Townshend | .... | insurance broker: Totally Entertainment | |
| Charlotte Turnbull | .... | assistant: Mr. Oakes and Mr. Schipper | |
| Robert Walak | .... | senior vice president: acquisitions worldwide, Alliance Films | |
| Sam Weeden | .... | stand-in | |
| Natascha Wharton | .... | senior development executive: UK Film Council | |
| Natascha Wharton | .... | senior production executive: UK Film Council | |
| Charlotte Wilde | .... | animal wrangler: Birds and Abimals | |
| Maria Zubiuk | .... | caterer (as Maria Zubuik) | |
| Thom Berryman | .... | media transfer engineer (uncredited) | |
| Ian Evans | .... | helicopter pilot (uncredited) | |
| Elton Farla | .... | medical coordinator (uncredited) | |
| Mátyás Haraszti | .... | lead translator (uncredited) | |
| Vinnie Jassal | .... | location scout (uncredited) | |
| Ian Lisi | .... | on-set security (uncredited) | |
| David Seaton | .... | location scout (uncredited) | |
Thanks | |||
| Claire Comiskey | .... | special thanks | |
| Lucy Fawcett | .... | special thanks | |
| Jason Koerner | .... | special thanks | |
| Sue Latimer | .... | special thanks | |
| Hannah Layton | .... | special thanks | |
| James Selman | .... | special thanks | |
| Michael Start | .... | thanks: automata | |
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| The Innocents | The Constant Gardener | Photographing Fairies | Endless Night | Kwaidan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
The Woman in Black is directed by James Watkins and adapted to screenplay by Jane Goldman from Susan Hill's novel of the same name. It stars Daniel Radcliffe, Ciarán Hinds and Janet McTeer. Music is scored by Marco Beltrami and cinematography by Tim Maurice-Jones. Plot has Radcliffe as young London solicitor Arthur Kipps, who is sent to the North East village of Crythin Gifford to clear up the affairs of deceased woman Mrs. Drablow. When he arrives he finds that the memory of Drablow, and her remote house of Eel Marsh, holds the village in a grip of fear, particularly those who have children.....
It's fitting that that bastion of British horror, Hammer Studios, should be behind this delightful period ghost story. For this positively oozes old fashioned values, harking back to all those wonderful spookers set around a creepy village that featured an even creepier castle or mansion at its core. More presently, the film has kindred links to the likes of The Orphanage, The Others and The Changeling, while the vengeful spirit acting out of Eel Marsh House is pumped by J-Horror like blood and Darkness Falls' Wraith bitch nastiness. So clearly The Woman in Black is not a fresh arrival to the horror splinter where the ghost story resides. However, great period ghost story films are in short supply, and Watkins' film most assuredly is a great entry in the sub-genre.
Propelling it forward is Watkins' (Eden Lake) excellent sense of mood and crafting of palpable unease. Quite often the better ghost story films are better because they operate on a what you don't see is what scares you more level, Watkins has managed to keep that aspect of his film whilst also giving us enough of the truly terrifying spirit to jolt us in our seats; often showing her to us and not to Radcliffe's Kipps! When the shocks come, and there are many and they are bona fide underwear soiling, they act as merciful releases from the built up dread, but then when Watkins doesn't deliver a shock, we are left waiting uneasily, darting our eyes all over the expansive frame, searching fruitlessly for a glimpse of something troubling. Did that wind up toy move? Is that a pallid face we just glimpsed in the shadows? That damn rocking chair is the scariest there has ever been! And on it goes....
A film such as this is only as good as the production design and setting for the story. Thankfully Watkins and his team have nailed it there as well. Eel Marsh House exteriors are Cotterstock Hall in Northamptionshire, perfectly foreboding, while the beautiful village of Halton Gill in the Yorkshire Dales gets a Hammer Horror make over to become Crythin Gifford. But it's with the interior of the house where the makers excel, an utterly unforgiving and upsetting place, brilliantly under lit by Tim Maurice-Jones for maximum scary effect.
On the acting front the film rests solely on the shoulders of Radcliffe, and he comes up trumps. Initially its awkward accepting him as the father of a young boy, and once he gets to Crythin Gifford he is dwarfed by all the other adults who live there, but once the Victorian setting envelopes him the awkwardness evaporates and the characterisation becomes more realistic and easy to sympathise with. The character is changed from the book, meaning Radcliffe has to carry inner torment as well as exuding an outer coat of trepidation blended with stoic fear. It should be noted that for much of the picture he is acting on his own, reacting to the house and the overgrown gardens and marshes, in short he is terrific and it augers well for his adult acting career. In support Hinds and McTeer are pillars of professionalism, with McTeer's Mrs. Daily a creepy character in her own right, but it's also another neat meditation on grief that sits alongside Arthur Kipps'.
The ending is also changed from that in the novel, and it's already proving to be divisive. How you react to it, and it is up for a two-fold interpretation, may dampen your overall enjoyment of the picture? Personally I have no issue with it, I was still sunk in the cinema chair breathing heavily at that point! The certification and the presence of Radcliffe ensures that a teenage audience will flock to see it, many of whom will not get the "horror" film that they are after. Hopefully the word will get out that this really is only a film for those who love a good boo jump ghost story of old, that's its target audience, and that's the people whose reviews you should trust. 9/10