A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Two CIA agents, Tuck and Frank who are also best friends, have been benched because someone's after them. Tuck is divorced with a son whom he's not close to and Frank is a ladies man. Tuck decides to try and find someone so he places his profile on a dating website. Lauren, a woman also looking for a guy sees tuck's profile and goes with him. She later bumps into Frank and he hits on her and she goes out with him. she's intrigued by both of them. When they learn that they're dating the same girl, they agree to let her choose. But both can't help but use their skills to keep tabs on her and each other. And also sabotage each others dates with her. Written by
The scene were Lauren and Trish are shopping for laundry detergent near the beginning of the film was shot at a Canadian Tire store. See more »
In final scenes at the end of the bridge, police van is parked parallel with the guardrail, with one ambulance also parallel and one diagonal. (As it zooms out, camera and crew visible on bottom of screen)
When the scene changes to aerial shot of bridge, police van is diagonally parked, the two ambulances are parked in an improbable T-shape, with on of the ambulances' doors facing off the bridge. See more »
Oh, it was the most humiliating moment ever.
Well, that's because you have to come up with, like, better excuses. You should have been like, "I have a fiancé, too, but he's actually getting a penile reduction this afternoon because his penis is so big, every time it lands like a poltergeist."
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Director McG has many (many, many) haters, but I generally like his movies. I don't consider him a "misunderstood genius", nor anything similar; I just generally find his exuberant visual style and frantic energy entertaining. I found Charlie's Angels and its sequel amusing parodies of the action cinema; I liked Terminator Salvation for having found an interesting angle to the franchise; and We Are Marshall...well, that one was mediocre. Anyway, I can't defend McG with This Means War, his most recent film, because it ended up being truly horrible.
The most important problem from This Means War is its screenplay, which I found incredibly weak and predictable (if you don't guess during the first minutes which one of the two gallants will stay with the girl, you haven't seen any romantic comedy in your whole life). The humor lacks of any spontaneity, the jokes are terribly predictable, and the performances are pathetic, specially Reese Witherspoon's, which feels so false and studied that I hated her character even more than the two gallants.
The action scenes lack of any suspense or emotion. There are various fights, chases and explosions, but everything is so uninspired that I wouldn't be surprised if editors Nicolas De Toth and Jesse Driebusch made a confusion with the reels and included in this film scenes from Mr. and Mrs. Smith, Knight and Day, Killers, or any other deplorable "action romantic comedy".
It's easy to note that nobody that worked in This Means War put any effort to it, and that makes it a horrible film which I suggest you to avoid by any means.
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