A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
Two CIA agents, Tuck and Frank who are also best friends, have been benched because someone's after them. Tuck is divorced with a son whom he's not close to and Frank is a ladies man. Tuck decides to try and find someone so he places his profile on a dating website. Lauren, a woman also looking for a guy sees Tuck's profile and goes with him. She later bumps into Frank and he hits on her and she goes out with him. She's intrigued by both of them. When they learn that they're dating the same girl, they agree to let her choose. But both can't help but use their skills to keep tabs on her and each other. And also sabotage each other's dates with her. Written by
The American theatrical version for the USA was cut for some sex jokes to achieve a more commercial PG-13 rating. International theatrical versions were released uncut. However, the cut version was used for home video releases worldwide. See more »
The amount of blood on FDR's and Tuck's faces, switches from scene to scene. See more »
All eyes are up.
Sat cams are good.
Target is inbound.
ETA five minutes.
Mission is a go. Repeat, you are green to go. Intercept and apprehend the Heinrich brothers. Secure the device. And remember, this mission is covert.
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Director McG has many (many, many) haters, but I generally like his movies. I don't consider him a "misunderstood genius", nor anything similar; I just generally find his exuberant visual style and frantic energy entertaining. I found Charlie's Angels and its sequel amusing parodies of the action cinema; I liked Terminator Salvation for having found an interesting angle to the franchise; and We Are Marshall...well, that one was mediocre. Anyway, I can't defend McG with This Means War, his most recent film, because it ended up being truly horrible.
The most important problem from This Means War is its screenplay, which I found incredibly weak and predictable (if you don't guess during the first minutes which one of the two gallants will stay with the girl, you haven't seen any romantic comedy in your whole life). The humor lacks of any spontaneity, the jokes are terribly predictable, and the performances are pathetic, specially Reese Witherspoon's, which feels so false and studied that I hated her character even more than the two gallants.
The action scenes lack of any suspense or emotion. There are various fights, chases and explosions, but everything is so uninspired that I wouldn't be surprised if editors Nicolas De Toth and Jesse Driebusch made a confusion with the reels and included in this film scenes from Mr. and Mrs. Smith, Knight and Day, Killers, or any other deplorable "action romantic comedy".
It's easy to note that nobody that worked in This Means War put any effort to it, and that makes it a horrible film which I suggest you to avoid by any means.
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