A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Two CIA agents, Tuck and Frank who are also best friends, have been benched because someone's after them. Tuck is divorced with a son whom he's not close to and Frank is a ladies man. Tuck decides to try and find someone so he places his profile on a dating website. Lauren, a woman also looking for a guy sees tuck's profile and goes with him. She later bumps into Frank and he hits on her and she goes out with him. she's intrigued by both of them. When they learn that they're dating the same girl, they agree to let her choose. But both can't help but use their skills to keep tabs on her and each other. And also sabotage each others dates with her. Written by
Director McG has many (many, many) haters, but I generally like his movies. I don't consider him a "misunderstood genius", nor anything similar; I just generally find his exuberant visual style and frantic energy entertaining. I found Charlie's Angels and its sequel amusing parodies of the action cinema; I liked Terminator Salvation for having found an interesting angle to the franchise; and We Are Marshall...well, that one was mediocre. Anyway, I can't defend McG with This Means War, his most recent film, because it ended up being truly horrible.
The most important problem from This Means War is its screenplay, which I found incredibly weak and predictable (if you don't guess during the first minutes which one of the two gallants will stay with the girl, you haven't seen any romantic comedy in your whole life). The humor lacks of any spontaneity, the jokes are terribly predictable, and the performances are pathetic, specially Reese Witherspoon's, which feels so false and studied that I hated her character even more than the two gallants.
The action scenes lack of any suspense or emotion. There are various fights, chases and explosions, but everything is so uninspired that I wouldn't be surprised if editors Nicolas De Toth and Jesse Driebusch made a confusion with the reels and included in this film scenes from Mr. and Mrs. Smith, Knight and Day, Killers, or any other deplorable "action romantic comedy".
It's easy to note that nobody that worked in This Means War put any effort to it, and that makes it a horrible film which I suggest you to avoid by any means.
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