A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
Two CIA agents, Tuck and Frank who are also best friends, have been benched because someone's after them. Tuck is divorced with a son whom he's not close to and Frank is a ladies man. Tuck decides to try and find someone so he places his profile on a dating website. Lauren, a woman also looking for a guy sees tuck's profile and goes with him. She later bumps into Frank and he hits on her and she goes out with him. she's intrigued by both of them. When they learn that they're dating the same girl, they agree to let her choose. But both can't help but use their skills to keep tabs on her and each other. And also sabotage each others dates with her. Written by
The scene were Lauren and Trish are shopping for laundry detergent near the beginning of the film was shot at a Canadian Tire store. See more »
In final scenes at the end of the bridge, police van is parked parallel with the guardrail, with one ambulance also parallel and one diagonal. (As it zooms out, camera and crew visible on bottom of screen)
When the scene changes to aerial shot of bridge, police van is diagonally parked, the two ambulances are parked in an improbable T-shape, with on of the ambulances' doors facing off the bridge. See more »
She texted her friend Trish. She said she need to talk because she was "F-T-F-O," which the cryptography department believes means she was Freaking the Fuck Out, sir! I S-H-I-T you not. I was L-M-F-A-O when I read that.
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Abysmal OR one gal's confused ladybrain is another man's pitiful excuse for a rom-com
First, she's a lonely gal with a great job. Then SUDDENLY, she's irresistible to two incredible hotties? Nonsensical.
If that weren't enough to turn you away: the dialog is forced and nonspecific, the chemistry is nonexistent, Witherspoon phones it in. There's also a plot "twist" anyone could spy a mile away.
And if part of you is thinking "well, hey at least it's sort of progressive and enlightened to have one woman dating two men instead of the typical reverse," stop. I'd venture 75% of the film is Witherspoon blabbering about how her ladybrain can't handle being with two (soooo wonderful and handsome and blahblahblah) men. Ladybrains, can't live with 'em, can't make basic decisions in life with them. I mean, right?!*
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