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The Monitor (2011)
"Babycall" (original title)

R  |   |  Horror, Thriller  |  7 October 2011 (Norway)
5.7
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Ratings: 5.7/10 from 4,098 users  
Reviews: 16 user | 84 critic

After a baby monitor picks up another channel, Anna begins reliving the nightmare she'd recently escaped.

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Cast

Cast overview, first billed only:
...
Anna
...
Helge
Vetle Qvenild Werring ...
Anders
Stig R. Amdam ...
Ole
Maria Bock ...
Grete
Torkil Høeg ...
Nabogutten (as Torkil Johannes Swensen Høeg)
...
Mannlig doktor
Tom Hugo Nielsen ...
Skoleinspektør
Mona Engh ...
Sekretær
Eva Zeidler ...
Helges mor
Kaia Varjord ...
Politikvinne
...
Kvinnelig doktor
Haakon Gjerløw ...
Butikkansatt 1
Frank Jørstad ...
Butikkansatt 2
Bjørn Moan ...
Nabomannen
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Storyline

After escaping an abusive husband Anna and her 8 year old son move to a secret location in a giant apartment building. Terrified that her ex-husband will find them she buys a baby monitor to keep in her son's room at all times. But strange noises echo in the baby monitor from elsewhere in the building. As she witnesses the sounds of what she believes is another child being murdered she fears it is her own. Reliving the nightmare she recently escaped Anna will need to figure out what's real and what isn't before she loses her sanity and her child. Written by Elizabeth Obermeier, Marketing Manager

Plot Summary | Plot Synopsis

Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »
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Details

Country:

| |

Language:

| |

Release Date:

7 October 2011 (Norway)  »

Also Known As:

The Monitor  »

Box Office

Budget:

NOK 25,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

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Connections

References The Mummy (1932) See more »

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User Reviews

 
Almost makes the cut
2 June 2015 | by (Norway) – See all my reviews

This disturbing drama-thriller is almost like a sequel to "Daisy Diamond", the Danish shocker from 2007. They both have Noomi Rapace in the leading role and she carries most of the film. She again plays an unstable single mother, but this time of a grown boy, not a baby girl. And the setting is kinda the same, the desolate and tall block apartment complex and the empty lane which she is constantly shown walking. They are meant to symbolize her own loneliness and alienation. And this is a hint to what ultimately is revealed as a great surprise in the end.

This is a typical Scandinavian/North European picture which focuses on the plight of single mothers who have been victims of their husbands' rage and physical abuse. Anna (Rapace) moves in to a new place, the big apartment block, after she and her little son have been victimized by her husband. She feels alone and a little afraid in their apartment. She at first makes her son sleep in the same bed as her, but as he soon gets tired of it, she buys a baby call device and puts it next to his bed so she can sleep assured nothing will happen to him without her hearing it. One night she hears loud screams that sound like they are coming from a boy. She rushes to his son's room but founds him sound asleep and nobody is there. She then goes to the trade center nearby where she got the device and talks with the salesman about it. He tells her that her own baby call must have picked up the signal from another baby call that is somewhere near her. This only makes her more anxious to find out whose baby call that may be and which child that makes such hair-raising noise in the middle of night. In the meantime, the salesman (played by Kristofer Joner), a single man who is just as lonely as she, develops an affection for her and tries to get closer to her. But it gets even worse for Anna as she has problems sleeping and finds herself waking up at the oddest places and starts to hallucinate of a place which doesn't exist.

The acting is very good by the two main actors, Rapace and Joner, who are both very believable and effective in their roles. Joner looks his part and Rapace looks her part. There is very little satisfaction to find in this film except for the suspense and dramatic performances. And the way it ends doesn't do much to amend that. In other words, it is a very dark, haunting and bleak picture which is meant to capture life at its cruelest. Almost the whole movie is like one big constant nightmare and there are a few elements of Polanski's apartment trilogy there obviously. The mother-child vs evil father or evil male entity which persecutes them is a familiar motif in such films. And as such the movie doesn't really break any new ground. It is just a passable dark drama, something along the lines of Dark Water, but there is nothing supernatural about it. I give it a 6. 6+


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