5.9/10
23,300
132 user 300 critic

To the Wonder (2012)

Trailer
1:59 | Trailer

Watch Now

From $2.99 (SD) on Amazon Video

After falling in love in Paris, Marina and Neil come to Oklahoma, where problems arise. Their church's Spanish-born pastor struggles with his faith, while Neil encounters a woman from his childhood.

Director:

Writer:

Reviews
Popularity
3,810 ( 179)
5 wins & 10 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Drama | Romance
    1 2 3 4 5 6 7 8 9 10 5.7/10 X  

A writer indulging in all that Los Angeles and Las Vegas has to offer undertakes a search for love and self via a series of adventures with six different women.

Director: Terrence Malick
Stars: Christian Bale, Cate Blanchett, Natalie Portman
The New World (2005)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

The story of the English exploration of Virginia, and of the changing world and loves of Pocahontas.

Director: Terrence Malick
Stars: Colin Farrell, Q'orianka Kilcher, Christopher Plummer
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

The story of a family in Waco, Texas in 1956. The eldest son witnesses the loss of innocence and struggles with his parents' conflicting teachings.

Director: Terrence Malick
Stars: Brad Pitt, Sean Penn, Jessica Chastain
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.

Director: Terrence Malick
Stars: Richard Gere, Brooke Adams, Sam Shepard
Badlands (1973)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands.

Director: Terrence Malick
Stars: Martin Sheen, Sissy Spacek, Warren Oates
Song to Song (2017)
Drama | Music | Romance
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.

Director: Terrence Malick
Stars: Ryan Gosling, Rooney Mara, Michael Fassbender
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Adaptation of James Jones' autobiographical 1962 novel, focusing on the conflict at Guadalcanal during the second World War.

Director: Terrence Malick
Stars: Jim Caviezel, Sean Penn, Nick Nolte
Edit

Cast

Cast overview, first billed only:
...
...
...
...
Tatiana Chiline ...
...
Tony O'Gans ...
Sexton
...
Carpenter
...
Bob
Casey Williams ...
Neighbor #1
Jack Hines ...
Neighbor #2
Paris Always ...
Classmate #1
Samaria Folks ...
Classmate #2
Jamie Conner ...
Teenage Girl with Baby
Francis Gardner ...
Woman at Wedding
Edit

Storyline

Neil (Ben Affleck) is an American traveling in Europe who meets and falls in love with Marina (Olga Kurylenko), a Ukrainian divorcée who is raising her 10-year-old daughter Tatiana in Paris. The lovers travel to Mont St. Michel, the island abbey off the coast of Normandy, basking in the wonder of their newfound romance. Neil makes a commitment to Marina, inviting her to relocate to his native Oklahoma with Tatiana. He takes a job as an environmental inspector and Marina settles into her new life in America with passion and vigor. After a holding pattern, their relationship cools. Marina finds solace in the company of another exile, the Catholic priest Father Quintana (Javier Bardem), who is undergoing a crisis of faith. Work pressures and increasing doubt pull Neil further apart from Marina, who returns to France with Tatiana when her visa expires. Neil reconnects with Jane (Rachel McAdams), an old flame. They fall in love until Neil learns that Marina has fallen on hard times. ... Written by Magnolia Pictures

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality/nudity | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

| |  »

Country:

Release Date:

22 February 2013 (Ireland)  »

Also Known As:

Project B  »

Filming Locations:

 »

Box Office

Opening Weekend:

$116,551 (USA) (14 April 2013)

Gross:

$586,293 (USA) (7 July 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Olga Kurylenko, familiar with Terrence Malick's tendency to cut entire characters out of his movies completely, made him promise that he would keep her in the film. See more »

Goofs

When Jane and Neil get out of their car in the midst of the bison, cameras reflected in the car windows and doors in various shots. See more »

Quotes

Neil: What are you laughing at?
Jane: You.
Neil: Me?
Jane: You make me laugh. You make me happy.
See more »

Connections

Featured in Film '72: Episode dated 20 February 2013 (2013) See more »

Soundtracks

Lahaul Valley
Composed and Performed by David Parsons
Courtesy of Celestial Harmonies
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Explain nothing, show everything. A great ethereal love story.
8 March 2013 | by (France) – See all my reviews

Some people say that film is like a language, but that is not exactly right, it is like language itself, and just as there are different languages, there are different cinemas. It seems to me that, in his last two films, Terrence Malick has been creating a very special type of cinema, that had hitherto existed only in an embryonic form. While most films have maybe 50-100 scenes, replete with dialogue and action, Malick's new cinema (MNC) has over twice that number of scenes, but they are fragmentary and consist of only the essence of meaning that was in a scene that would normally have been much longer. This can be sometimes several minutes or only a couple of brief shots.

Last evening I drove the 25 miles to see the early performance of 'To the Wonder'. I did that with the intention of returning to write this review while the film was still fresh in my mind. But after it I was so drained that I couldn't write a summary, let alone a review. At the current (late) stage in my life, what interests me most about the cinema is its limits. How far can the cinema go, and what exactly is a film?

Given the above, Terrence Malick is evidently the man for me, and I am convinced that 'The Tree of Life' is among the five greatest works of this greatest of the arts. So, after a masterpiece 30 years in the gestation and three + in the creation, how would Malick fare with a film relatively thrown together in a year or so?

On the face of it, this is a story of the relationship which starts in Paris between an American (environmentalist?), Neil, and an otherworldly French woman (Marina). When they return to mid-west America, Marina suffers from a sense of dislocation made greater when he daughter decides to go and live with her father in France.

But Malick seems much less interested in the *events* which he depicts than in expressing the feelings of the characters. Just the same way that 'The Tree of Life' was an *impression* of childhood, rather than the story of a childhood, 'To the Wonder' is an impression of a love affair, rather than its story. This is cinema infused in every shot with Heidegger's *dasein*. The logic of Malick's cinema is to *perfectly* catch the moment, and in doing so extract the truth of the experience. Hence, for Malick, a film story, is simply an assembly of 'essences'. These essences stay in the mind to thrill and haunt us.

There have been other examples of great filmmakers who have made films exploring the cinema's intimate connection with mental processes - Resnais and Bunuel come immediately to mind. But with Malick, it seems, the cinema's similarity to the mental processes of memory, dream and conjecture, have ignited a wildfire of creativity that has advanced the film art at a greater pace than has occurred since the sixties.

Here I have to admit to being only at the beginning of being able to appreciate what seems to be dizzying complexities in the film. My French is not up to totally understanding much of Marina's dialogue which, as I am in France, was not translated in the subtitles, so I am sure I have missed an entire dimension of the film. But Olga Kurylenko's performance is so magnificent, that this 'comprehension gap' didn't seem a problem.

Then there is the obvious question of the film's theme. Love, the very 'different' nature of women, dislocation in the physical, emotional and cultural senses - these are all up there writ large. But they are mixed with a nagging worry that, to return to my earlier concern, Malick has stretched the cinema to its limits, but sometimes, maybe beyond them. I do not think of myself as stupid, but I found great difficulty in grasping the relevance of certain shots or scenes. I rest convinced, however that this is another example of a film that it is necessary to watch dozens of times to find all of the poetic and meaningful connections.

I have great sympathy with those who go to the cinema wanting to be told a great story in the clearest manner possible. That is honourable and reasonable, but it is not the only experience that the cinema, this great and wonderful art of the cinema, can give. And it is certainly NOT the case that films that don't take the more prosaic approach are pretentious, meaningless or boring. 'To the Wonder' is to popular cinema what lyric poetry is to airport novels. So, if that is all you are looking for, it is best to avoid Malick's film.

But for those of us who know that beyond the sky is the limit for great cinema, Malick and MNC is the route to the stars, and 'To the Wonder' is a step, if a somewhat halting one, along that route.


102 of 169 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?