| John McDermott | ... | Himself | |
| Noah Reid | ... | Farley Gordon | |
| Hawksley Workman | ... | Gump | |
| Dave Bidini | ... | Rink Rat #1 | |
| Chris Smith | ... | Rink Rat #2 | |
| Karl Campbell | ... | Rink Rat #3 | |
| Thomas Mitchell | ... | Darryl | |
| Allie MacDonald | ... | Eve | |
| Olivia Newton-John | ... | Hope Gordon | |
| Marc Jordan | ... | Edgar Gordon | |
| Adrian David Lloyd | ... | Junior (as Adrian Lloyd) | |
| Stephen McHattie | ... | Walt Acorn | |
| Christopher Cusinato | ... | Youn Edgar | |
| John Pyper-Ferguson | ... | Coach Donker | |
| John Robinson | ... | Ace | |
| Dru Viergever | ... | The Moose | |
| Chris Ratz | ... | Maurice | |
| Miles Faber | ... | Blades Player 1 | |
| Jordan Setacci | ... | Blades Player 2 | |
| Ryan Gifford | ... | Blades Player 3 | |
| Michael Cameron | ... | Blades Player 4 | |
| Damien Lavergne | ... | Blades Player 5 | |
| Andrew Pyro Chung | ... | Blades Player 6 (as Andrew Chung) | |
| Nelly Furtado | ... | Claudette | |
| K. Trevor Wilson | ... | Fat Bellied Man | |
| George Stroumboulopoulos | ... | Arena Announcer | |
| Randy Ganne | ... | Referee | |
| Evan Solomon | ... | News Anchor | |
| Brandon Firla | ... | Don Mohan | |
| Gianpaolo Venuta | ... | Marco | |
| Steve Kouleas | ... | Sports Announcer | |
| Wesley Morgan | ... | Sensitive Player | |
| Marc Trottier | ... | Jean Luc Pierre Henri | |
| Ryan Allen | ... | Devil's Player #1 | |
| Troy Feldman | ... | Devil's Player #2 | |
| Shawn C. Orr | ... | Hockey Player (as Shawn Orr) | |
| Paul O'Sullivan | ... | Doctor | |
| Walter Gretzky | ... | Himself | |
| Theo Fleury | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Michael Ferguson | ... | Extra (uncredited) | |
| Natalie Gauvreau | ... | Puck Bunny (uncredited) | |
| Misha Highstead | ... | Puck Bunny (uncredited) | |
| Genevieve Kang | ... | Female Teen (uncredited) | |
| Michael McNaughton | ... | Opposing Teams (uncredited) | |
| Colin Pitts | ... | Bailey (uncredited) | |
Directed by | |||
| Michael McGowan | |||
Writing credits | ||
| Michael McGowan | (written by) | |
Produced by | |||
| Jody Colero | .... | executive producer | |
| Avi Federgreen | .... | producer | |
| Richard Hanet | .... | executive producer | |
| Michael McGowan | .... | producer | |
| Nadia Tavazzani | .... | associate producer | |
Original Music by | |||
| Jonathan Goldsmith | |||
Cinematography by | |||
| Rudolf Blahacek | (director of photography) | ||
Film Editing by | |||
| Roderick Deogrades | |||
Casting by | |||
| John Buchan | |||
| Jason Knight | |||
Production Design by | |||
| Tamara Deverell | |||
Art Direction by | |||
| Jason Graham | |||
Set Decoration by | |||
| Peter Wilde | |||
Costume Design by | |||
| Patrick Antosh | |||
Makeup Department | |||
| Stacey Iseman | .... | makeup artist | |
| Marika Latorcai | .... | makeup department head | |
| James O'Reilly | .... | assistant hair stylist | |
| Josie Stewart | .... | hair department head | |
Second Unit Director or Assistant Director | |||
| Neille Brockie | .... | third assistant director | |
| Karl Irvine | .... | second assistant director | |
| Lawrence Ng | .... | assistant director | |
| John Pace | .... | first assistant director | |
| Giselle Selim | .... | trainee assistant director | |
| Kristina Small | .... | daily assistant director | |
Art Department | |||
| Ric Fernandez | .... | construction coordinator | |
| John Galbraith | .... | scenic painter (as John Gailbraith) | |
| Craig Grant | .... | property master | |
| David Gruer | .... | lead set dresser | |
| Andrew Hill | .... | set dresser | |
| Celeste Koon | .... | art department trainee | |
| Stephen J. MacDougall | .... | set dresser | |
| John Picciottoli | .... | on-set dresser | |
| Michael Smith | .... | set dresser | |
| Cindy Yetman | .... | assistant property master | |
Sound Department | |||
| Sylvain Arseneault | .... | sound recordist | |
| Jenna Dalla Riva | .... | foley recording assistant | |
| Barry Gilmore | .... | adr editor | |
| Ryan Longo | .... | sound assistant | |
| Andy Malcolm | .... | foley artist | |
| David McCallum | .... | supervising sound editor | |
| Eric Putzer | .... | boom operator | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Jane Tattersall | .... | supervising sound editor | |
| Robert Warchol | .... | sound effects editor | |
| Don White | .... | foley recording mixer | |
Special Effects by | |||
| Derek Liscoumb | .... | special effects coordinator | |
Visual Effects by | |||
| Mike Barber | .... | visual effects editor | |
| Tavia Charlton | .... | visual effects producer | |
| Dug Claxton | .... | digital compositor | |
| Jordan Flanagan | .... | digital compositor | |
| Matt Hansen | .... | lead cg artist | |
| Mary Holding | .... | compositor | |
| John Mather | .... | visual effects artist | |
| Kenneth Sales | .... | digital compositor | |
| Reuben Siboni | .... | digital compositor | |
| Daniel St-Amant | .... | digital compositor | |
| Tom Turnbull | .... | visual effects supervisor (as Thomas Turnbull) | |
| Chris Wallace | .... | digital intermediate colourist | |
Stunts | |||
| Shawn C. Orr | .... | stunt coordinator | |
| Dave Van Zeyl | .... | stunt rigger | |
Camera and Electrical Department | |||
| Blayne Badge | .... | electrician | |
| Scott Cowan | .... | first assistant camera | |
| Dennis Daigle | .... | electrician | |
| James Gordon | .... | grip | |
| Paul Howden | .... | key grip | |
| Jeremy Jemec | .... | electrician | |
| Sean Jordan | .... | best boy | |
| George Kerr | .... | gaffer | |
| Dino Laurenza | .... | camera operator | |
| Chris Livingstone | .... | dolly grip | |
| Rudolf Mammitzsch | .... | second assistant camera | |
| Julia Seidman | .... | camera trainee | |
| John Craig Steele | .... | grip | |
| Jack Studzienny | .... | best boy grip | |
| Ken Woroner | .... | still photographer | |
Animation Department | |||
| Luke Murphy | .... | animator | |
Costume and Wardrobe Department | |||
| Sheila Fitzpatrick | .... | assistant costume designer | |
| Elizabeth Mastrandrea | .... | wardrobe supervisor | |
| Erin Samaroo | .... | wardrobe truck supervisor | |
Editorial Department | |||
| Kevin Downer | .... | assistant digital intermediate editor | |
| Emily Goode | .... | trainee assistant editor | |
| Lee Hughes | .... | digital intermediate project manager | |
| Rui Martins | .... | digital dailies | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Lorraine Samuel | .... | post production supervisor | |
| Anna Sofrygina | .... | trainee assistant editor | |
| Michelle Szemberg | .... | assistant editor | |
Music Department | |||
| Alexander Andresen | .... | composer: additional music | |
| Barenaked Ladies | .... | songs by | |
| Jody Colero | .... | music producer | |
| Jody Colero | .... | music supervisor | |
| Marco DiFelice | .... | composer: additional music | |
| Marco DiFelice | .... | music producer | |
| Marc Jordan | .... | songs by | |
| Michael McGowan | .... | lyrics by | |
| Olivia Newton-John | .... | songs by | |
| Dan Parr | .... | conductor | |
| Benjamin Pinkerton | .... | composer: additional music | |
| Benjamin Pinkerton | .... | composer: theme music | |
| Jordan Setacci | .... | chorus | |
Transportation Department | |||
| Rick Anglin | .... | driver | |
| Don Chan | .... | transportation coordinator | |
| John 'Jack' Coupland | .... | driver: honeywagon | |
| Glen McGugan | .... | transportation captain | |
| Chris Radley Walters | .... | head driver | |
| Grant Wilkins | .... | driver | |
Other crew | |||
| Jill Carter | .... | script supervisor | |
| Jennifer Chovancek | .... | assistant production coordinator | |
| Catherine Crawford | .... | assistant location manager | |
| Ashleigh Gillan | .... | stand-in | |
| Kimberly Killam | .... | production accountant | |
| Rhea Lavery | .... | first assistant accountant | |
| Lyndsay Leahy | .... | production assistant | |
| Tom Mayclim | .... | data wrangler | |
| Marguerite Pigott | .... | story editor | |
| Boris Radivojevic | .... | location production assistant | |
| Sonia Terzyan | .... | accounting clerk | |
| Marlinda Walcott | .... | production assistant | |
| Alison Waxman | .... | production coordinator | |
| Eardley Wilmot | .... | location manager | |
| Amy Wright | .... | choreographer | |
|
|
|
|
|
| The Rocket: The Legend of Rocket Richard | Leatherheads | Bend It Like Beckham | Histoires d'hiver | The Assassination of Jesse James by the Coward Robert Ford |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Musical section | IMDb Canada section |
Farley Gordon, whom I kept confusing with Charlie Gordon from Flower for Algernon, is one of the most skilled hockey player ever to grace the rink. The trouble is that his parents are against team sports and it takes some convincing for him to get on a team. He dazzles everyone with his stick work and constant scoring technique.
Blah...I'm bored typing out the plot to the film already. Score: A Hockey Musical is a poor mix of bad writing and misguided talent. It's a sad attempt at being patriotic and cute. Blending the nation's favourite sport with song and dance numbers is walking a thin ice, to make matters worse the songs and lyrics are terrible. None of the songs are memorable and every single one sounds exactly the same. This is a feature production and it was outdone by a television show about vampires and demons ten years earlier.
Canadian actor Stephen McHattie shows up at the beginning and recruits the young kid. The character is made to seem like he is important and will be involved somewhat later on in the film. Nope, the character almost disappears other than some random appearance here and there for show. Maybe McHattie figured out what kind of film he was in and quickly tried to get out. The inclusion of Nelly Furtado is a joke and was just a way to help get more Canadian funds in the mix. Look everyone, we got a big Canadian singer in our musical, that means Telefilm can feed us more money.
The romance between the two lead characters is weak and uneven. Not once did I ever buy these two would fall in love, let alone were best friends since infancy. Separate, the actors do well enough, together they drown each other out. Bad chemistry leads to a boring and uninteresting film. The conflict on the ice is mostly about fighting and the hesitation that Gordon has to it. The team doesn't have an enemy team, though we are made to believe the first team they play will make some kind of appearance again. The team never seems to loose either, which makes us wonder where is the real conflict? Do I care if the kid doesn't want to fight? You have a hockey film here with no hockey. Where is the excitement? The drama? The thrills? Everything a hockey movie should have, it's missing here. Hockey takes a major backseat to the musical.
The musical numbers, as I stated before are boring, uninteresting and never catchy. Some of the lyrics are vomit worthy," Hockey without fighting is like Kraft Dinner without cheese/ It's still pasta, but the palate it won't please." Uhh.....what? These songs needed to be reworked over again before they made it past the script stage. The final game, is again, an afterthought to the last song of the film. If the film had concentrated a bit more on hockey and added some dramatic elements to it, it would have been a moderate success, instead of an utter failure.
As a Canadian and an aspiring Canadian filmmaker, films like this are not only an embarrassment, but it makes things harder for us. The film is jam packed with Canadian content to help get the funding needed. I get that, but please, make a good film. It all starts at the script stage and this is where the film should have stayed. I can only dream of the film I could have made with my film school colleagues, if I were given a fraction of the budget this had. The film looks great, but it's because of a film like this that we are more known for documentaries . Name some Canadian filmmakers that didn't go over to the states and make a career. Paul Gross is the most notable one, some small fare people like Don McKellar are nice but he is not a house hold name. Paul Gross is even a stretch. If you want to bring some kind of film industry to Canada from the States (which has sucked away most of our talent) then you have to stop making films like this.
This film claims to be a comedy, but it's not funny. It has comedic, dramatic and musical beats...it misses them all. This is a plea to those who produced this film, contact me. This is an open plea, give me a fraction of this budget and I'll give you a better movie. Sorry, but the truth hurts.