When Lola's boyfriend is unfaithful to her on his summer holiday, she dumps him and flirts with his best friend as punishment. But as their class prepares to leave on an excursion to London, the relationship hots up.
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown. Through hilarious and heartfelt moments between mother and daughter, LOL is a fresh coming-of-age story for modern times. Written by
Lisa Azuelos both wrote and directed the first incarnation, LOL (Laughing Out Loud) ® (2008), the French film starring Sophie Marceau, after realizing that movies based on teen life in her home country of France were almost entirely missing. She would often see her daughter go to the theatre to watch either an American teen movie or a horror film. See more »
Set in Chicago, but Detroit's RenCen appears outside of Kyle's apartment. See more »
It's so good to love someone so much that it hurts. I don't know how people survive this. Honestly, I don't.
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Somewhere Only We Know
Written by Tom Chaplin, Richard Hughes (as Richard David Hughes) and Tim Rice-Oxley (as Timothy James Rice-Oxley)
Performed by Keane
Courtesy of Universal-Island Records Ltd.
and Interscope Records
Under license from Universal Music Enterprises See more »
Embarrassing bastardized version of a French classic
Wow, how low can we go" Since this movie was (improperly) advertised as the "English (USA) version of the award-winning French comedy", let me inform readers about the original.
The original award-winning comedy classic quickly became an international success both artistically as financially. Receivinh numerous honors including six Cesar nominations winning three: best script, best actor, and best supporting actor. The "Cesar du cinema Francais" is similar to our (USA) Oscar Academy Awards and annually rewards the best performance in the various cinema-related specialties from acting to production. It has been used as a teaching model for writing intelligent humorous scripts, inventive editing, and acting in some cinema schools. Thhe French adapted their script from his play of the same title which premiered in 1997 and has been playing ever since in Europe. It is a masterpiece worth discovering. The script was intelligently written, the quick paced dialog flowed harmoniously as the protagonist's situation deteriorated. The interpretation was sensitive, expressive and flawless.
Back to LOL: As an American, I found the Hollywood version insulting and demeaning. Trying to bank on the success of the original as is often the case with remakes, you take whatever worked in the first presentation, recycle it, repeat it over, amplify it, mass produce it, etc In LOL, you steal an original premise, bastardize a bullet-proof script, exaggerate the humorous moments to absurdity, add profanity and obscenity to the dialogue, mix in some scenes, sanitize to ensure (American) political correctness, include most ethnic groups to maximize distribution (i.e. profit margin), the only thing missing may have been to add some farts and burps You get the picture.
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