When Lola's boyfriend is unfaithful to her on his summer holiday, she dumps him and flirts with his best friend as punishment. But as their class prepares to leave on an excursion to London, the relationship hots up.
A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And ... See full summary »
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown. Through hilarious and heartfelt moments between mother and daughter, LOL is a fresh coming-of-age story for modern times. Written by
Embarrassing bastardized version of a French classic
Wow, how low can we go" Since this movie was (improperly) advertised as the "English (USA) version of the award-winning French comedy", let me inform readers about the original.
The original award-winning comedy classic quickly became an international success both artistically as financially. Receivinh numerous honors including six Cesar nominations winning three: best script, best actor, and best supporting actor. The "Cesar du cinema Francais" is similar to our (USA) Oscar Academy Awards and annually rewards the best performance in the various cinema-related specialties from acting to production. It has been used as a teaching model for writing intelligent humorous scripts, inventive editing, and acting in some cinema schools. Thhe French adapted their script from his play of the same title which premiered in 1997 and has been playing ever since in Europe. It is a masterpiece worth discovering. The script was intelligently written, the quick paced dialog flowed harmoniously as the protagonist's situation deteriorated. The interpretation was sensitive, expressive and flawless.
Back to LOL: As an American, I found the Hollywood version insulting and demeaning. Trying to bank on the success of the original as is often the case with remakes, you take whatever worked in the first presentation, recycle it, repeat it over, amplify it, mass produce it, etc In LOL, you steal an original premise, bastardize a bullet-proof script, exaggerate the humorous moments to absurdity, add profanity and obscenity to the dialogue, mix in some scenes, sanitize to ensure (American) political correctness, include most ethnic groups to maximize distribution (i.e. profit margin), the only thing missing may have been to add some farts and burps You get the picture.
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