| Photos (See all 12 | slideshow) | Videos (see all 6) |
| Erykah Badu | ... | (voice) | |
| Harry Belafonte | |||
| Elaine Brown | ... | Herself (archive footage) | |
| Courtney Callender | ... | Himself (archive footage) | |
| Mable Carmichael | ... | Herself (archive footage) | |
| Stokely Carmichael | |||
| Eldridge Cleaver | ... | Himself (archive footage) | |
| Kathleen Cleaver | ... | (voice) | |
| Angela Davis | |||
| Emile de Antonio | ... | Himself (archive footage) | |
| Louis Farrakhan | ... | Himself (archive footage) | |
| Danny Glover | |||
| Martin Luther King | ... | Himself (archive footage) | |
| Talib Kweli | |||
| Lewis H. Michaux | ... | Himself (archive footage) | |
| Merrill Panitt | ... | Himself (archive footage) | |
| Dennis Roberts | ... | Himself (archive footage) | |
| Bobby Seale | |||
| Ahmir-Khalib Thompson | |||
| Malcolm X | ... | Himself (archive footage) |
Directed by | |||
| Göran Olsson | |||
Writing credits(in alphabetical order) | ||
| Göran Olsson | creator | |
Produced by | |||
| Joslyn Barnes | .... | co-producer | |
| Danny Glover | .... | co-producer | |
| Tobias Janson | .... | executive producer | |
| Annika Rogell | .... | producer | |
Film Editing by | |||
| Hanna Lejonqvist | |||
| Göran Olsson | |||
Music Department | |||
| Corey Smyth | .... | music producer | |
Other crew | |||
| David Magdael | .... | publicist | |
| Dana O'Keefe | .... | sales agent | |
| Anne Stulz | .... | publicist | |
| Recent Posts (updated daily) | User |
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| Song | williamandelsa |
| What Was the Name of that Song... | Thalberg3000 |
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| The Weather Underground | 68 | The Secret Government: The Constitution in Crisis | The Cockettes | I'm Not There. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Sweden section |
A bunch of Swedish lefties became idealistically preoccupied with American Black nationalism in the late '60s, and shot a ton of footage intended for Swedish television. Much of it wasn't used, however, and the filmmakers have only recently finished editing it into a feature. Much of this is powerful. Stokley Carmicheal's presence impressed me most of all. I didn't feel as if anything in the film felt unnecessary, except perhaps a petty feud with TV Guide for criticizing Sweedish television, which I doubt was at the center of consciousness of many African-American activists of the time. The trajectory of the film is depressing. We witness a leftist renaissance in the USA crumble as drugs (which the film forcefully suggests were introduced by the FBI) change the escape route of an oppressed community from activism to addiction.